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Britannica Concise Encyclopedia:
Mausolus |
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Oxford Companion to Classical Literature:
Mausōlus |
Mausōlus (Maussōllos), native of Caria (in south-west Asia Minor) who in 377 BC succeeded his father Hecatomnus as ruler of that country and was recognized as its satrap by the king of Persia. However, he ruled in virtual independence of Persia and extended his rule over the Greek cities of the coast and over Lycia, plotting to get control of the neighbouring islands. For this purpose he fomented the revolt of Rhodes, Cos, and Chios from the Athenian League in 357 BC (the Social War) in order to bring them under his control. In this he was successful; but he died in 353 and was succeeded by his widow (and sister) Artemisia. His tomb, the Mausoleum, regarded as one of the Seven Wonders of the ancient world, included the over life-size statues of Mausolus and Artemisia, now in the British Museum.
Columbia Encyclopedia:
Mausolus |
Wikipedia on Answers.com:
Mausolus |
| Mausolus | |
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| Mausolus from Guillaume Rouillé's Promptuarii Iconum Insigniorum (Lyon, 1555) | |
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| Reign | 377–353 BC |
| Predecessor | Hecatomnus |
| Successor | Artemisia II |
| Consort | Artemisia II |
| House | Hecatomnids |
| Father | Hecatomnus |
Mausolus (Greek: Μαύσωλος or Μαύσσωλλος) was ruler of Caria (377–353 BC). He took part in the revolt against Artaxerxes Mnemon (362 BC), conquered a great part of Lycia, Ionia and several Greek islands and cooperated with the Rhodians in the Social War against Athens. He moved his capital from Mylasa – the ancient seat of the Carian kings – to Halicarnassus.
Mausolus was the eldest son of Hecatomnus, a native Carian who became the satrap of Caria when Tissaphernes died, around 395 BC. These Carian rulers, the Hecatomnids, embraced Hellenic culture. He is best known for the monumental shrine, the Mausoleum of Mausolus, erected for him by order of his sister and widow Artemisia; Antipater of Sidon listed the Mausoleum as one of the Seven Wonders of the Ancient World. The architects Satyrus and Pythis, and the sculptors Scopas of Paros, Leochares, Bryaxis and Timotheus, finished the work after the death of Artemisia, some of them working, it was said, purely for renown. The site and a few remains can still be seen in the Turkish town of Bodrum.
The term mausoleum has come to be used generically for any grand tomb.
An inscription discovered at Milas, the ancient Mylasa,[1] details the punishment of certain conspirators who had made an attempt upon his life at a festival in a temple at Labranda in 353.
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