Harden, Maximilian name adopted in 1876 by Felix Ernst Witkowski (Berlin, 1861-1927, Montana, Switzerland). Of Jewish extraction, Harden also used the pseudonyms Kent, Apostata, Proteus, and Kunz von der Rosen. He began as an actor, and in 1889 co-operated in founding the Freie Bühne in Berlin. From then until 1914 he was a controversial and much read critic and publicist; he was an early champion of Ibsen, Strindberg, Maeterlinck, and Dostoevsky. He became notorious for his criticism of Wilhelm II and his circle of advisers, though his vicious attack upon Fürst Philipp zu Eulenburg was almost certainly a fabrication instigated by F. von Holstein. From 1892 to 1922 he edited the weekly Die Zukunft. During the 1914-18 War he was at first patriotic and in favour of annexation but later became a pacifist; after 1918 he bitterly opposed the Weimar Republic.
Harden was a complex, paradoxical character, subject to violent and unstable loves and hates. He was savagely, and not entirely unjustifiably, attacked by Karl Kraus. His works include Berlin als Theaterhauptstadt (1888), Essays (2 vols., 1892), Literatur und Theater (1896), Kampfgenosse Sudermann (1903), Köpfe (4 vols. of essays, 1910-24), and Krieg und Friede (2 vols., 1918).





