Similar Artists:
Influenced By:
Followers:
Worked With:
Jesse Sailes,
Willard McDaniel ,
B.B. King,
Ralph Hamilton ,
William K. "Billy" Hadnott ,
Jewell L. Grant ,
Frank Fields ,
Red Callender,
Oscar Lee Bradley ,
Irving Ashby,
Amos Milburn
- Born: January 14, 1916, Independence, KS
- Died: September 18, 1970, Los Angeles, CA
- Active: '40s, '50s
- Genres: Blues
- Instrument: Sax (Tenor), Songwriter
- Representative Albums: "Father of West Coast R & B," "Batman and Other Themes," "A Tribute to Charlie Barnet"
Biography
As a prolific all-purpose producer/songwriter/sideman, tenor saxman Maxwell Davis filled some of the same pivotal roles on the 1950s Los Angeles R&B scene that Willie Dixon handled so skillfully in Chicago. Davis arranged and produced a myriad of West Coast sessions for Modern, Aladdin, and other postwar R&B indies from the late '40s on, lending his husky sax to scads of waxings.Davis left Kansas for L.A. in 1937, working in Fletcher Henderson's orchestra before being bitten by the R&B bug. Modern/ Kent probably kept him employed the steadiest throughout the '50s and '60s; he worked with Pee Wee Crayton, Etta James, Johnny "Guitar" Watson, Lowell Fulson, Z.Z. Hill, and plenty more on the Bihari Brothers' star-studded roster. Over at Aladdin, he worked closely with Amos Milburn and Peppermint Harris, among others. Davis didn't have much luck recording as a bandleader, although his instrumentals "Look Sharp -- Be Sharp" (an R&B adaptation of the Gillette march) for Aladdin and "Tempo Rock"/"Cool Diggin'" on RPM packed a wallop. ~ Bill Dahl, All Music Guide
