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May Irwin

 

Irwin, May [née Ada May Campbell] (1862–1938), singer and comedienne. In 1899, when she was at the height of her fame, Lewis C. Strang, a popular writer on theatrical themes, observed, “May Irwin is a personality rather than an artist, an entertainer more than an actress. Her career has vacillated between the variety stage and the legitimate, until at last she has become identified with that hybrid species of the theatrical amusement called farce comedy. Miss Irwin is a famous fun‐maker; of jolly rotund figure, and with a face that reflects the gaiety of nations, she is the personification of humor and careless mirth, a female Falstaff.” The Canadian‐born blue‐eyed blonde made her professional debut with her sister, Flora, at a Buffalo vaudeville house in 1875. By the early 1880s she was a popular attraction at Tony Pastor's, appearing both in his olios and his versions of Gilbert and Sullivan favorites. Irwin left Pastor in 1883 to assume important supporting roles in Augustin Daly's great ensemble, four years later returning to vaudeville, then appearing in those prototypical musicals that were called farce‐comedies at the time. Stardom came in 1895 when she appeared in The Widow Jones and introduced “The Bully Song,” putting her in the forefront of what then were termed “coon shouters.” Subsequent hits, all of a similar nature, included Courted into Court (1896); The Swell Miss Fitzwell (1897); Kate Kip, Buyer (1898); Sister Mary (1899); Madge Smith, Attorney (1900); and Mrs. Black Is Back (1904). Thereafter, she alternated between vaudeville and musical plays, although her vogue had begun to wane. Her last Broadway assignment was in The 49ers (1922), then she retired after making an appearance in a 1925 “Old Timers' Week” at the Palace.

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May Irwin

in the Broadway production of Mrs Black is Back (1904)
Born Georgina May Campbell
June 27, 1862(1862-06-27)
Whitby, Ontario, Canada
Died October 22, 1938(1938-10-22) (aged 76)
New York City, New York, U.S.
Occupation Actress, singer
Years active 1870s-1922
Spouse Frederick W. Keller(1879-1886 his death) (2 sons)
Kurt Eisenfeldt(1907-1938 her death)

May Irwin (June 27, 1862 – October 22, 1938), was a Canadian actress, singer and star of vaudeville.

Contents

Early life and career

Born at Whitby, Ontario 1862 as Georgina May Campbell,[1][2][3] her father, Robert E. Campbell of Whitby, Ontario, died when she was 13 years old and her stage-minded mother, Jane Draper, in need of money, encouraged May and her younger sister Flora to perform. They created a singing act, billed as the `Irwin Sisters`, that debuted at the Adelphi Theatre in nearby Buffalo, New York in December, 1874. By the fall of 1877, their careers had progressed and they were booked to appear at New York's Metropolitan Theater, then at the Tony Pastor Theatre, a popular New York City music hall.

Miss May Irwin

The Irwin sisters proved popular enough to earn regular spots for the ensuing six years, after which 21-year-old May set out on her own. She joined Augustin Daly's stock company from 1883 to 1887, where she made her first appearance on the theatrical stage. This comedienne was known for her improvisation skills. An immediate success, she went on to make her London stage debut at Toole's Theatre in August 1884. By the age of 25, she was earning $2,500 a week.[4] In 1886, her husband of eight years, Frederick W. Keller, died unexpectedly. Her sister Flora married Senator Grady.

By the early 1890s, Irwin had married a second time and developed her career into that of a leading vaudeville performer with an act known at the time as "Coon Shouting", in which she performed African American-influenced songs. In the 1895 Broadway show The Widow Jones, she introduced "The Bully Song", which became her signature number. The performance also featured a lingering kiss, which was seen by Thomas Edison, who hired Irwin and her co-star John C. Rice to repeat the scene on film. In 1896, Edison's Kinetoscope production, The Kiss, became the first screen kiss in cinematic history.

Among her own pieces have been " The Widow Jones", " The Swell Miss Fitzswell", "Courted into Court", "Kate Kip-Buyer", "Sister Mary", etc. [5]

In addition to her performing and singing, Irwin also wrote the lyrics to several songs, including "Hot Tamale Alley", with music written by George M. Cohan. In 1907 she married her manager, Kurt Eisfeldt, and began making records for Berliner/Victor. Several of these recordings survive and give a notion of the actress's appeal.

Irwin's buxom figure was much in vogue at the time and, combined with her charming personality, made her one of America's most beloved performers for more than thirty years. In 1914, she made her second silent film appearance, this time in the feature-length adaptation of George V. Hobart's play, Mrs. Black is Back, produced by Adolph Zukor's Famous Players Film Company and filmed for the most part at her own sprawling home in New York. Still pictures showing May survive from this movie.

A highly paid performer, Irwin was a shrewd investor and became a very wealthy woman. She spent a great deal of time at a summer home on secluded Club Island, a small island off of Grindstone Island of the Thousand Islands, and at her winter home on Merritt Island, Florida, before retiring to a farm near Clayton, New York, where a street would eventually be named in her honor.

Personal life

May Irwin was married twice. First Frederick W. Keller, of St. Louis from 1878 until his death in 1886. From 1907 to the end of her life she was married to Kurt Eisenfeldt. The couple lived at West 44th Street, New York.

May Irwin had two sons by her first marriage, Walter Keller (born ca. 1879) and Harry Keller (b. 1882).[6]

Death

The tombstone of May Irwin in Kensico Cemetery

May Irwin died in New York City on October 22, 1938, aged 76. She is interred at Kensico Cemetery in Valhalla, NY.

References

  1. ^ http://www.gracyk.com/irwin.shtml
  2. ^ http://internationalnewsagency.org/world_of_cabaret.htm
  3. ^ http://www.thousandislandslife.com/BackIssues/Archive/tabid/393/articleType/ArticleView/articleId/214/May-Irwin-and-her-Keeper.aspx
  4. ^ June Callwood. The Naughty Nineties 1890/1900. "Canada's Illustrated Heritage" series, Natural Science of Canada Ltd., 1977. p. 79
  5. ^ Morgan, Henry James Types of Canadian women and of women who are or have been connected with Canada : (Toronto, 1903) [1]
  6. ^ 1880 census records show that she was the mother of an infant son named Walter

External links


 
 
Related topics:
Catherine Chisholm Cushing (American Theater)
John J. McNally (American Theater)
Mrs. Black is Back (1914 Comedy Film)

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Oxford Companion to American Theatre. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
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