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McCartney

 
Album Review: McCartney

  • Artist: Paul McCartney
  • Rating: StarStarStarStar
  • Release Date: April 20, 1970
  • Total Time: 34:25
  • Genre: Rock

Review

Paul McCartney retreated from the spotlight of the Beatles by recording his first solo album at his home studio, performing nearly all of the instruments himself. Appropriately, McCartney has an endearingly ragged, homemade quality that makes even its filler -- and there is quite a bit of filler -- rather ingratiating. Only a handful of songs rank as full-fledged McCartney classics, but those songs -- the light folk-pop of "That Would Be Something," the sweet, gentle "Every Night," the ramshackle Beatles leftover "Teddy Boy," and the staggering "Maybe I'm Amazed" (not coincidentally the only rocker on the album) -- are full of all the easy melodic charm that is McCartney's trademark. The rest of the album is charmingly slight, especially if it is read as a way to bring Paul back to earth after the heights of the Beatles. At the time the throwaway nature of much of the material was a shock, but it has become charming in retrospect. Unfortunately, in retrospect it also appears as a harbinger of the nagging mediocrity that would plague McCartney's entire solo career. ~ Stephen Thomas Erlewine, All Music Guide

Tracks

Track TitleComposersPerformersTime
The Lovely Linda Paul McCartney Paul McCartney (:44)
That Would Be Something (Lyrics) Paul McCartney Paul McCartney (2:37)
Valentine Day Paul McCartney Paul McCartney (1:40)
Every Night (Lyrics) Paul McCartney Paul McCartney (2:31)
Hot as Sun/Glasses Paul McCartney Paul McCartney (2:07)
Junk (Lyrics) Paul McCartney Paul McCartney (1:54)
Man We Was Lonely (Lyrics) Paul McCartney Paul McCartney (2:57)
Oo You (Lyrics) Paul McCartney Paul McCartney (2:48)
Momma Miss America Paul McCartney Paul McCartney (4:05)
Teddy Boy (Lyrics) Paul McCartney Paul McCartney (2:23)
Singalong Junk Paul McCartney Paul McCartney (2:35)
Maybe I'm Amazed (Lyrics) Paul McCartney Paul McCartney (3:50)
Kreen-Akrore Paul McCartney Paul McCartney (4:14)

Credits

Paul McCartney (Bass), Paul McCartney (Guitar), Paul McCartney (Composer), Paul McCartney (Keyboards), Paul McCartney (Vocals), Paul McCartney (Multi Instruments), Paul McCartney (Producer), Paul McCartney (Main Performer), Linda McCartney (Keyboards), Linda McCartney (Vocals), Linda McCartney (Harmony Vocals), Linda McCartney (Photography), Steve Hoffman (Remastering)
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Wikipedia: McCartney (album)
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McCartney
Studio album by Paul McCartney
Released 17 April 1970 (UK)
20 April 1970 (US)
Recorded Late 1969 – March 1970 at McCartneys Home; Morgan Studios, Willesden and Abbey Road Studio No. 2, London
Genre Rock, Pop, Experimental
Length 35:03
Label Apple, EMI
Producer Paul McCartney
Professional reviews
Paul McCartney chronology
McCartney
(1970)
Ram
(1971)
Rear cover
Rear of the LP sleeve showing McCartney with his daughter Mary

McCartney is the first solo album by Paul McCartney and was released in 1970. It is notable for the fact that McCartney, a multi-instrumentalist, performed the entire album (all instruments and voices) by himself, except for some backing vocals from his first wife, Linda McCartney. McCartney stated that he played "bass, drums, acoustic guitar, lead guitar, piano, Mellotron, organ, toy xylophone, and bow and arrow" on the album. Notable, also, is the use of a large number of instrumental tracks.

Contents

History

Recorded privately at his home in London; at Morgan Studios, London; and at Abbey Road Studios, London under the pseudonym "Billy Martin" from late 1969 to March 1970; the development of McCartney was undertaken as the Beatles were falling apart. McCartney had brought his instruments with him, as well as a portable Studer four-track tape recorder. He recorded the ad-libbed "The Lovely Linda" to test the equipment before the year was out. Enjoying the experience, he continued, composing and improvising new material and overdubbing his singing. In March 1970, as Phil Spector was concurrently mixing the Let It Be album, McCartney was completed.

The other Beatles realised that McCartney could conflict with the impending release of the Let It Be album and film. Ringo Starr, whose own first album was almost ready for release, was sent to ask McCartney to delay his solo debut. McCartney later commented, "They eventually sent Ringo round to my house at Cavendish with a message: 'We want you to put your release date back, it's for the good of the group', and all of this sort of shit. He was giving me the party line; they just made him come round, so I did something I'd never done before or since: I told him to get out. I had to do something like that in order to assert myself because I was just sinking. I was getting pummeled about the head, in my mind anyway."

On 10 April, after intense disputes with Phil Spector over the final results of the long-delayed Let It Be album, McCartney snapped and publicly announced his departure from the Beatles. The world was stunned and — whether deliberate or not — the media circus surrounding the band's dissolution proved to be beneficial to market McCartney, which was released a week later. Advance copies sent to the press included a Q & A package containing questions McCartney could — and probably would — have been asked about the Beatles' break-up and their future. He stated that he did not know whether the group's break-up would be temporary or permanent. (The complete questionnaire, as well as McCartney's own song-by-song commentary, is included in Richard DiLello's book, The Longest Cocktail Party, as an appendix.)

McCartney shot to #1 in the US for three weeks, eventually going double platinum. In the UK, it was only denied the top spot by the highest-selling album of 1970 (and one of the all-time top-selling albums) Simon and Garfunkel's Bridge Over Troubled Water, which stayed at #1 for 41 (non-consecutive) weeks. There McCartney debuted straight at #2, where it remained for 3 weeks.

Although McCartney contains several pieces that are considered to be less than profound, it also includes "Every Night" and, more importantly, "Maybe I'm Amazed", one of McCartney's many love songs for his first wife, and one of his most enduring songs. McCartney has subsequently revealed that Linda was instrumental in bolstering his spirits and confidence during the album's making, and helping him out of his depression over losing the Beatles.

Shortly after the album's release, George Harrison described "Maybe I'm Amazed" and "That Would Be Something" as "great", and regarded the other tracks as "fair". John Lennon was less than impressed with McCartney, stating in his 1970 interview with Rolling Stone editor Jann Wenner that, given McCartney's penchant for demanding perfectionism in the studio from his fellow Beatles, he was surprised at the lack of quality in the album. Lennon also made several remarks comparing McCartney negatively to his own solo album debut, John Lennon/Plastic Ono Band.

With a raw honesty that had never typified a McCartney-related recording before, McCartney indeed has an unpolished sound; but its minimalist, intimate feel was — and remains — a refreshing change from much of McCartney's more ambitious recorded works. Although some of its initial critics considered it slight (especially compared with the scope of the recent Abbey Road), the album's reputation has increased with time, and McCartney is a firm favourite with many McCartney devotees.

In 1993, McCartney was remastered and reissued on CD as part of "The Paul McCartney Collection" series. There were no bonus tracks available.

Track listing

All songs by Paul McCartney.

Side 1

  1. "The Lovely Linda" – 0:42
  2. "That Would Be Something" – 2:37
  3. "Valentine Day" – 1:40
    • Instrumental
  4. "Every Night" – 2:30
  5. "Hot as Sun/Glasses" – 2:06
    • Instrumental
    • "Hot as Sun", one of McCartney's earliest songs, was composed during his Quarrymen days in 1959
    • The beginning of "Glasses" consists of notes being "sung" on the rims of crystal glasses; the track then breaks into a fragment of another McCartney song, "Suicide"
  6. "Junk" – 1:54
  7. "Man We Was Lonely" – 2:57

Side 2

  1. "Oo You" – 2:47
  2. "Momma Miss America" – 4:04
    • Instrumental
    • Originally titled "Rock 'n' Roll Springtime", hence McCartney's announcement at the track's beginning
  3. "Teddy Boy" – 2:22
    • Written in 1968 in India, and originally recorded by The Beatles in January 1969 as a contender for the Let It Be project before being dropped
  4. "Singalong Junk" – 2:34
    • An instrumental version of "Junk", featuring Mellotron strings
  5. "Maybe I'm Amazed" – 3:49
  6. "Kreen-Akrore" – 4:14
    • Instrumental
    • The Kreen-Akrore are a forest Indian tribe living in the Amazon basin of Brazil

Charts

Year Country Chart Position Weeks
1970 North America The Billboard Pop Albums 1 47[1]
1970 United Kingdom UK Albums Chart 2 32[1]
1970 Norway VG-lista Topp 40 2 21[2]
1970 Japan Oricon Weekly Albums Chart 13 20[3]

References

  1. ^ a b Paul McCartney US Billboard Albums Chart Archives
  2. ^ norwegiancharts.com Paul McCartney - McCartney
  3. ^ Paul McCartney Japanese Oricon Album Charts Archives

External links

Preceded by
Déjà Vu by Crosby, Stills & Nash (and Young)
Billboard 200 number-one album
May 23 - June 12, 1970
Succeeded by
Let It Be by The Beatles

 
 
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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