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McKinney's Cotton Pickers

 
Artist: McKinney's Cotton Pickers
  • Formed: 1926
  • Disbanded: 1934
  • Genres: Jazz
  • Representative Albums: "The Complete McKinney's Cotton Pickers, Vol. 1-2," "The Band Don Redman Built," "1929-1930"
  • Representative Songs: "Milenberg Joys," "Gee Baby, Ain't I Good to You," "Cherry"

Biography

William McKinney was a drummer who by 1923 had retired from playing in favor of conducting and managing a big band. In 1926 his outfit became known as McKinney's Cotton Pickers, and the following year they scored a major coup by hiring arranger/altoist/vocalist Don Redman away from Fletcher Henderson. As the band's musical director, Redman put together an outfit that competed successfully with Henderson and the up-and-coming Duke Ellington. The lineup of musicians by the time they started recording in 1928 included Langston Curl, Claude Jones, George Thomas, and Dave Wilborn, but it was the advanced arrangements, the tight ensembles, and the high musicianship of the orchestra on the whole that was most impressive. There were a few special all-star sessions with such players as Joe Smith, Sidney DeParis, Coleman Hawkins, Fats Waller, and Lonnie Johnson making appearances, and James P. Johnson sat in on one date. Among the more rewarding recordings overall were "Four or Five Times," "It's Tight like That," "It's a Precious Little Thing Called Love," and four future standards that Redman introduced: "Gee Baby Ain't I Good to You," "Baby Won't You Please Come Home," "I Want a Little Girl," and "Cherry."

It was a major blow in 1931 when Don Redman departed to form his own band. Benny Carter took over as musical director, but despite the presence of such fine players as Doc Cheatham, Hilton Jefferson, and holdovers Quentin Jackson, Rex Stewart, and Prince Robinson, there would only be one final recording session. The Depression eventually did the band in and after much turnover in 1934, the classic group broke up. McKinney organized later versions of the Cotton Pickers but without making an impression. ~ Scott Yanow, All Music Guide
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McKinney's Cotton Pickers were an American jazz band founded in Detroit in 1926 by William McKinney, who expanded his Synco Septet to ten pieces. Cuba Austin took over for McKinney early on drums.

In 1927 Don Redman left Fletcher Henderson's orchestra to become the Cotton Pickers' musical director,[1] and he assembled a band which rivalled Henderson's and Duke Ellington's.[citation needed] Aiding Redman with arrangements and rehearsals with the band was the talented trumpeter-arranger John Nesbitt. The line-up in 1928 was Cuba Austin (drums and vocals), Prince Robinson (clarinet, tenor saxophone), George Thomas (clarinet, alto saxophone, tenor saxophone, vocals; Redman (arranger, clarinet, alto saxophone, baritone saxophone, vocals, and leader, Dave Wilborn (banjo, vocals), Todd Rhodes (piano, celeste), Ralph Escudero (tuba), Nesbitt, Claude Jones (trombone), Milton Senior, Langston Curl (trumpet).[2]

Other bandmembers at one time or another included George Bias (vocals), Benny Carter (clarinet, alto saxophone), Doc Cheatham (trumpet), Bill Coti (vocals), Ed Cuffee (trombone), Sidney de Paris (trumpet), Lois Deppe (vocals), Leonard Davis (trumpet), Jimmy Dudley (clarinet, tenor saxophone), Coleman Hawkins (clarinet, tenor saxophone), Robert Inge (clarinet, (alto saxophone), Quentin Jackson (trombone), Moxey-Hilton Jefferson (clarinet, alto saxophone), James P. Johnson (piano), Buddy Lee (trumpet), Donald King (vocals), Kaiser Marshall (drums), Frank Marvin (vocals), Theodore McCord (clarinet, tenor saxophone), Jim Napier (vocals), Milton Senior (trumpet), Joe "Fox" Smith[3] (trumpet, cornet), Rex Stewart (cornet), Billy Taylor (tuba), Fats Waller (piano, celeste).[4] Between 1927 and 1931, they were one of the most popular African-American bands. Many of their records for Victor were best sellers.

In 1931 Redman left to form his own band and was replaced by Benny Carter. The Cotton Pickers disbanded in 1934, unable to make money during the Depression. Manager of the band was Jean Goldkette (who arranged for the group to record "Birmingham Bertha" for him in July 1929, released on Victor under his own name).

A New McKinney's Cotton Pickers was organized in the early 1970s by David Hutson, using the original Don Redman arrangements. They recorded several albums and featured original banjoist Dave Wilborn, who was believed to have been the only surviving original member at the time.

McKinney's Cotton Pickers' performance of "Milenberg Joys" was used as the theme tune of Robert Parker's 1980s radio series "Jazz Classics in Digital Stereo".

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