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Mecca for Moderns

 
Album Review: Mecca for Moderns

Review

After the deserved artistic, critical and popular success of Extensions, the Manhattan Transfer went back to ace producer Jay Graydon for Mecca for Moderns, which almost matches its predecessor in its contemporary energy while drawing selectively from the past. Outstanding is the handclapping treatment of the 1965 rock tune "The Boy from New York City" (a number seven hit single) and the happily swinging vocalese of the Count Basie band's "Until I Met You (Corner Pocket)," although their version of Charlie Parker's difficult "Confirmation" isn't nearly as assured. There is also an ample dose of the inventive weirdness that invaded Extensions: the African/Caribbean "(Wanted) Dead or Alive," with its checklist of dictators, that segues right into a tongue-in-cheek secret agent spoof, "Spies in the Night"; or the ambitious, wordless composition "Kafka." No longer a mere nostalgia act, the Manhattan Transfer had not only caught up with the times, they were now slightly ahead of them as well. ~ Richard S. Ginell, All Music Guide

Tracks

Track TitleComposersPerformersTime
On the Boulevard (Lyrics) Richard Page Manhattan Transfer (4:08)
Boy from New York City (Lyrics) George Davis, John T. Taylor Manhattan Transfer (3:40)
(Wanted) Dead or Alive Manhattan Transfer (3:27)
Spies in the Night (Lyrics) Manhattan Transfer (3:59)
Smile Again (Lyrics) David Foster, Bill Champlin, Jay Graydon, Alan Paul Manhattan Transfer (4:33)
Until I Met You (Corner Pocket) Freddie Green, Don Wolf Manhattan Transfer (5:17)
(Word Of) Confirmation Manhattan Transfer (3:14)
Kafka Manhattan Transfer (4:08)
A Nightingale Sang in Berkeley Square Eric Maschwitz, Manning Sherwin Manhattan Transfer (3:46)

Credits

Jay Graydon (Arranger), Jay Graydon (Songwriter), Jerry Hey (Trumpet), Milcho Leviev (Keyboards), Yaron Gershovsky (Piano), Jay Graydon (Guitar), Abraham Laboriel, Sr. (Bass), Victor Feldman (Keyboards), Al Viola (Guitar), Alex Acuña (Percussion), Jay Graydon (Engineer), Jay Graydon (Synthesizer), Tom Scott (Horn), Dean Parks (Guitar), Andy Novell (Drums), Jon Hendricks (Vocals), Gene Puerling (Arranger), Janis Siegel (Vocals), Steve Gadd (Drums), Cheryl Bentyne (Vocals), Jay Graydon (Producer), Greg Mathieson (Synthesizer), Alan Paul (Vocals), David Foster (Keyboards), Richie Cole (Saxophone), Michael Boddicker (Keyboards), Tim Hauser (Vocals), Steve George (Synthesizer), Victor Feldman (Percussion), Greg Mathieson (Keyboards), Don Roberts (Wind), Steve Lukather (Guitar), Michael Baird (Drums)
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Wikipedia: Mecca for Moderns
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Mecca for Moderns
Studio album by The Manhattan Transfer
Released 1981
Genre Jazz
Label Atlantic
Producer Jay Graydon
The Manhattan Transfer chronology
Extensions
(1979)
Mecca for Moderns
(1981)
The Best of the Manhattan Transfer
(1981)

Mecca For Moderns is the sixth album by The Manhattan Transfer. It was released in 1981 on the Atlantic records label. This album was the highest charting album to date for the group, peaking on Billboard Magazine's Top Pop Catalog Albums chart at #22. This album also helped The Manhattan Transfer make music history by becoming the first group to win Grammy Awards in both the pop and jazz categories in the same year.


Contents

Awards

The song, Boy From New York City became their first top 10 hit, reaching #7 on Billboard Magazine's Hot 100 chart. This song also won the group the Grammy for "Best Pop Performance by a Duo or Group with Vocal."

The song, Until I Met You (Corner Pocket) also earned them a Grammy Award for "Best Jazz Performance, Duo or Group."

The song 'Spies In The Night also charted on Billboard Magazine's Bubbling Under chart, peaking at #103.

The song, "A Nightingale Sang In Berkeley Square," which was arranged by Gene Puerling, won the "Best Vocal Arrangement" Grammy in 1981.

Album name

According to Tim Hauser, he picked up the name for this album from a Duke Ellington album entitled Live At The Blue Note 1952. While reading the cover, he noticed it said "The Blue Note was a haven for the smart set, in fact, the real mecca for moderns." The group agreed that the phrase fit the concept of the album quite well.


Track listing

  1. "On The Boulevard" (4:08)
  2. "Boy From New York City" (3:40)
  3. "(Wanted) Dead Or Alive" (3:27)
  4. "Spies In The Night" (3:59)
  5. "Smile Again" (4:33)
  6. "Until I Met You (Corner Pocket)" (5:17)
  7. "(The Word Of) Confirmation" (3:14)
  8. "Kafka" (4:08)
  9. "A Nightingale Sang in Berkeley Square" (3:46)

References / Sources


 
 
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Mecca for Moderns" Read more