Mel Bochner
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Mel Bochner
(b Pittsburgh, PA, 23 Aug 1940). American conceptual artist, draughtsman, painter and writer. He studied painting at the Carnegie Institute of Technology, Pittsburgh (BFA, 1962). In 1964 Bochner moved to New York. His first exhibition (1966), described by Benjamin Buchloch as the first conceptual art exhibition, was held at the Visual Arts Gallery, School of Visual Arts, New York, and titled Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed as Art. In his work he investigated the relation between thinking and seeing. In his first mature works (1966), which are both conceptual and perceptual in basis and philosophical in content, he was interested to eliminate the 'object' in art and to communicate his own feelings and personal experience, and he did not wish to accept established art-historical conventions. He also experimented with word-drawings and number systems. For his Measurement series (late 1960s) he used black tape and Letraset to create line drawings accompanied by measurements directly on to walls, effectively making large-scale diagrams of the rooms in which they were installed. Bochner continued to make series of installational line drawings into the 1970s and 1980s, but from 1983 he made paintings on irregular shaped canvases that can be interpreted as meditations on drawing and the interrelation between the mind, eye and hand. They display vigorously made marks, all tracing the hand's movement across specific surfaces. From the 1990s he was dealing with the visual and perceptual systems of perspective.
See the Abbreviations for further details.
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Mel Bochner
| Mel Bochner | |
|---|---|
| Born | 1940 Pittsburgh, Pennsylvania |
| Nationality | American |
| Field | Conceptual art, Installation art |
| Training | School of Art at Carnegie Mellon University |
Mel Bochner (born 1940) is an American conceptual artist. Mr. Bochner received his BFA in 1962 and honorary Doctor of Fine Arts in 2005 from the School of Art at Carnegie Mellon University. He lives in New York City.[1]
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Life
Starting in the 1960s, he evolved several of the exhibition strategies now taken for granted, including using the walls of the gallery as the subject of the work and using photo documentation of ephemeral and performance works. As Richard Kalina wrote in Art in America in 1996, Bochner was one of the earliest proponents, along with Joseph Kosuth and Bruce Nauman, of photo-documentation work in which the artist "created not so much a sculpture as a two-dimensional work about sculpture."
Bochner was born in Pittsburgh in 1940. In high school, he won early recognition for his talent from The Scholastic Art & Writing Awards and studied with Joseph Fitzpatrick, an art teacher who also taught gifted young artists such as Andy Warhol and Philip Pearlstein. He studied art at Carnegie Mellon University and graduated in 1962. After leaving Pittsburgh, he studied philosophy at Northwestern University near Chicago. He moved to New York in 1964 and worked as a guard at The Jewish Museum.[2] In 1966, he was recruited by the influential art critic Dore Ashton to teach art history at the School of Visual Arts in New York.
His 1966 show at the School of Visual Arts, "Working Drawings And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art", is regarded as a seminal show in the conceptual art movement. Bochner photocopied his friends’ working drawings, including a $3,051.16 fabricator’s bill from Donald Judd. He collected the copies in four black binders and displayed them on four pedestals. The show was remade at the Drawing Center, New York, in 1998.
Bochner began making paintings in the late 1970s, and his paintings range from extremely colorful works containing words to works more clearly connected to the conceptual art he pioneered. For a 1998 work titled Event Horizon, for example, he arranged prestretched canvases of various sizes along a wall, each marked with a horizontal line and a number denoting its width in inches. Together, the lines appear to form a horizon, creating what Jeffrey Weiss in his catalog essay for Bochner’s 2007 exhibit Event Horizon called a representation of “the world as a fantasy of quantifiable truth.” Bochner made his first prints at Crown Point Press in the early 1970s, published by Parasol Press.
He taught at Yale University in 1979 as senior critic in painting/printmaking, and in 2001 as adjunct professor.[3]
Exhibitions
In 1995, Yale University Art Gallery organized a retrospective, Mel Bochner: Thought Made Visible 1966–1973. The exhibit traveled to Brussels and Munich and was accompanied by the publication of a catalog. For his solo show at Sonnabend Gallery in New York in 2000, Bochner layered German and English versions of a text from Wittgenstein. In her review of the show for Art in America, Eleanor Heartney wrote:
In Bochner’s work, perception constantly trumps idea, reaffirming the artist’s belief that the sensuous is an essential element in even the most conceptual art.
In 2004, Bochner’s work was exhibited in the Whitney Biennial and was part of OpenSystems: Rethinking Art c. 1970 at London’s Tate Modern in 2005. His pieces are held in several major museum collections, including the Museum of Modern Art in New York.
In 2011, a retrospective of his work is being held at the National Gallery of Art.[4]
Mel Bochner is represented by Peter Freeman, Inc. in New York and Fraenkel Gallery in San Francisco.
References
- ^ Yale faculty profile
- ^ Mel Bochner interview with Phong Bui
- ^ Yale faculty profile
- ^ Philip Kennicott (November 4, 2011). "Critic’s review: National Gallery’s ‘In the Tower: Mel Bochner’". The Washington Post. http://www.washingtonpost.com/lifestyle/style/critics-review-national-gallerys-in-the-tower-mel-bochner/2011/10/31/gIQAiI7AmM_story.html.
External links
- Mel Bochner at Artcyclopedia
- The Kraus Campo at Carnegie Mellon University
- Mel Bochner at the Museum of Modern Art
- Peter Freeman Gallery representing Mel Bochner in 2007
- The Medium and the Tedium Bochner's account of conceptual art and its mediums in Triple Canopy (online magazine)
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The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.
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