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Mel Stitzel

 
Artist: Mel Stitzel
  • Genres: Jazz
  • Instrument: Piano

Biography

Here we have a true German connection for New Orleans jazz. Mel Stitzel immigrated from his native Deutschland to Chicago in the early 20th century, eventually becoming known as the composer of many standard, oft-recorded ditties including "Tin Roof Blues," "Hot Mittens," and an interchangeable portrait of American politicians, "Jackass Blues." As a pianist Stitzel started with the New Orleans Rhythm Kings in 1923, attracting enough attention to garner a fat share of available arranging chores for various Chicago bandleaders including Floyd Town and Bob Pacelli.

Stitzel continued activities as arranger and pianist through the '30s and began leading his own combo during the '40s. This group held forth for an extended stint on the bandstand at Chicago's Green Mill Ballroom. Danny Alvin, a bandleading drummer, put the pianist back into a sideman's role in the early '50s. The number of recordings of this artist's songs vastly outnumber the sides where he is featured as a pianist, revisionists such as the fine Mandy Patinkin continuing to increase the former tally. Stitzel does have a respectable discography, however, some of his best piano recordings dating from the mid-'20s with groups such as the Bucktown Five and an early Benny Goodman Trio. ~ Eugene Chadbourne, All Music Guide
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Wikipedia: Mel Stitzel
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Mel Stitzel (9 January 1902 - 31 December 1952[1]) was a German-born pianist best known for his work with the New Orleans Rhythm Kings, a leading jazz band of the early 1920s. The leading members of the group including cornetist Paul Mares, trombonist George Brunis and clarinet player Leon Roppolo were school friends who recruited others such as Stitzel and drummer Gene Krupa to join their band.

At first, the band was known as the Friar's Society Orchestra after obtaining a gig at Friar's Inn, but changed their name to the New Orleans Rhythm Kings after their residency ended. Mare is credited with co-writing several of their best known songs including "Tin Roof Blues" in 1923. He also co-wrote the music to "Make Love to Me" for the group and which was a million-seller when revived by Jo Stafford in 1954. [2] The band also recorded with pianist Jelly Roll Morton on piano thus becoming the first multi-racial jazz band to record.

Stitzel cowrote "Doodle Doo Doo" with Art Kassel in 1924. He also wrote the music for "The Chant" in 1926 after the Rhythm Kings broke up in 1925.

References

  1. ^ American Big Bands - Page 1 of the 'K' Bands
  2. ^ "Jo Elizabeth Stafford." Baker's Biographical Dictionary of Musicians, Centennial Edition. Nicolas Slonimsky, Editor Emeritus. Schirmer, 2001. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Thomson Gale. 2005.

 
 
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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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