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Melina Mercouri

 
WordNet: Melina Mercouri
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The noun has one meaning:

Meaning #1: Greek film actress (1925-1994)
  Synonyms: Mercouri, Anna Amalia Mercouri


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Artist: Melina Mercouri
Top
  • Born: October 18, 1923, Athens, Greece
  • Died: March 06, 1994, New York, NY
  • Active: '90s
  • Genres: Soundtrack
  • Instrument: Vocals
  • Representative Albums: "Greatest Greek Singers", "Never on Sunday", "Master Serie

Biography

Christened "the last Greek goddess" by her many fans, Melina Mercouri was best known as an actress and cultural activist, but was also a talented singer who recorded successfully in multiple languages. The granddaughter of the former mayor of Athens, and the daughter of a Parliament member, she was born Anna Amalia Mercouri (sometimes spelled Merkouri) in Athens, Greece on October 18, 1923 (though some sources list that year anywhere from 1920 to 1925). She started acting in her teens, and eventually joined Greece's National Theater, where she found tremendous acclaim as a stage actress. Mercouri made her film debut in 1955's Stella, and also sang on the soundtrack, which was composed by Greek legend Manos Hadjidakis. She broke through to international audiences with her starring role in the 1960 comedy Never on Sunday, directed by American expatriate Jules Dassin. Playing a free-spirited prostitute, Mercouri was nominated for an Academy Award, and won Best Female Performance at that year's Cannes Film Festival; she also once again sang on the Hadjidakis-composed soundtrack. Dassin directed Mercouri in several more films, including 1962's Phaedra (music by Mikis Theodorakis) and 1964's Topkapi (music by Hadjidakis); in 1966, Dassin became Mercouri's second husband. Meanwhile, Mercouri made her Broadway debut in Ilya Darling, a stage-musical version of Never on Sunday. As outspoken as some of her characters, Mercouri forcefully criticized the military junta that ruled Greece from 1967-74, and was barred from that country during those years. In the meantime, she made a series of French-language recordings for Universal that sold decently well, though not at the level of her stepson, French pop star Joe Dassin. Her albums during that period of exile included Melina Mercouri, L'Oeillet Rouge, and Je Suis Grecque, but the best-known was 1973's successful Si Melina M'Était Contée, which featured several compositions by Vangelis (including the single "Athenes, Ma Ville"). When democracy was restored to Greece, Mercouri returned home and involved herself in politics; in 1977, she was elected to Parliament as a member of the Socialist Party, and served as the country's Minister of Culture from 1981-89. During that time, she waged a high-profile campaign to convince the British Museum to return the marble sculptures that had once adorned the Parthenon, which endeared her to the Greek populace even more. She ran unsuccessfully for Mayor of Athens in 1990, and returned to her post as Minister of Culture in 1993. Unfortunately, on March 6, 1994, Mercouri passed away in New York City due to complications from lung cancer. ~ Steve Huey, All Music Guide
Actor: Melina Mercouri
Top
  • Born: Oct 18, 1923 in Athens, Greece
  • Died: Mar 06, 1994 in New York City, New York
  • Occupation: Actor
  • Active: '50s-'70s
  • Major Genres: Drama, Comedy
  • Career Highlights: Topkapi, Never on Sunday, Celui Qui Doit Mourir
  • First Major Screen Credit: Stella (1955)

Biography

Vibrant, intensely free-spirited Greek actress Melina Mercouri was the daughter of a prominent Athenian politician. Much against the desires of her parents, she became an actress in her teens, enrolling in the National Theater of Greece and entering films in 1955. In 1960 she gained international stardom (and a shelf full of industry awards) for her portrayal of a vivacious Piraeus prostitute in Never on Sunday; the film was directed by American expatriate Jules Dassin, who helmed several subsequent Mercouri films (Topkapi was the best) and in 1966 became her second husband. When Greece was overtaken by a military junta in 1966, Mercouri ardently protested this affront to the world's oldest democracy. As a result, her citizenship was revoked, and from 1967 through 1974 she was denied re-entry into her native country. In 1977, she made a triumphant return to her former home turf glory when she was elected to the Greek Parliament. From 1981 through 1985, Mercouri served as Greece's Minister of Culture and Sciences, and from 1985 until 1989 was her country's Minister of Culture, Youth, and Sports. She was also one of the founders of the Panhellenic Socialist Movement. In the U.S., Melina Mercouri made her Broadway debut in the 1965 musical version of Never on Sunday, Illya Darling. ~ Hal Erickson, All Movie Guide
Wikipedia: Melina Mercouri
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Melina Mercouri
Μελίνα Μερκούρη

Melina Mercouri (in Stockholm, 1982)
Born Maria Amalia Mercouri
October 18, 1920(1920-10-18)
Athens, Greece
Died March 6, 1994 (aged 73)
New York City, U.S.
Occupation Actress, Member of the Hellenic Parliament, Minister for Culture of Greece
Spouse(s) Panos Harokopos (1941-1962)
Jules Dassin (1966-1994)

Melina Mercouri (Greek: Μελίνα Μερκούρη), born Maria Amalia Mercouri (Greek: Μαρία Αμαλία Μερκούρη) (October 18, 1920 – March 6, 1994), was a Greek actress, singer and politician.

As an actress she made her film debut in Stella (1955) and met international success with her performances in films such as Never on Sunday, Phaedra, Topkapi and Promise at Dawn. She won the award for Best Actress at the 1960 Cannes Film Festival, and apart from her Academy Awards nomination, she was also nominated for three Golden Globe Awards and two BAFTA Awards.

A political activist during the Greek military junta of 1967–1974, she became a member of the Hellenic Parliament in 1977 and the first female Minister for Culture of Greece in 1981. Mercouri was the person who, in 1983, conceived and proposed the programme of the European Capital of Culture, which has been established by the European Union since 1985. She was also a strong advocate for the return of the Parthenon Marbles, that were removed from the Parthenon and are now displayed in the British Museum, to Athens. [1]

Contents

Early life

Maria Amalia Mercouri was born in Athens, Greece in 1920, the daughter of Stamatis Mercouris, former cavalry officer, member of Parliament for the Democratic Socialist Party of Greece and former Minister for Public Order and Public Works of Greece, and Eirini Lappa, originated from a prominent family of Athens. Spyridon Mercouris, her paternal grandfather, was one of the most successful Mayors of Athens and played a major role in her early life. When she completed her secondary education, she was admitted to the National Theatre's Drama School after reciting a poem by Kostas Karyotakis. Dimitris Rontiris was her teacher and she graduated in 1944. At the age of twenty-one, she married her first husband, Panos Harokopos, a wealthy landowner. They divorced in 1962.

Acting career

Early years on stage

After her graduation, Mercouri joined the National Theatre of Greece and played the role of Electra in Eugene O'Neill's play Mourning Becomes Electra in 1945. In 1949 she had her first major success in the theatre playing Blanche DuBois in A Streetcar Named Desire, written by Tennessee Williams and staged by Karolos Koun's Art Theatre. Until 1950, she also worked in the same theatre in other plays by Aldous Huxley, Arthur Miller, Philip Jordan and André Roussin. She then moved to Paris, where she appeared in boulevard plays by Jacques Deval and Marcel Achard, and met famous French playwrights and novelists such as Jean Cocteau, Jean-Paul Sartre, Colette and Françoise Sagan. In 1953, she received the Marika Kotopouli Prize and returned to Greece two years later. At the Kotopouli-Rex Theatre, Mercouri starred in plays like Macbeth by William Shakespeare and L'Alouette by Jean Anouilh.[citation needed]

International success

Her first movie was the Greek language film Stella (1955), directed by Michael Cacoyannis, the director of Zorba the Greek. The film received special praise at the 1956 Cannes Film Festival, where she met for first time the American film director Jules Dassin, with whom she would share her life, as they got married in 1966, and career. As a start, the next year she starred in the latter's He Who Must Die and other Dassin's film followed featuring Mercouri, such as The Law (1959).[citation needed]

She became well-known to international audiences when she starred in Never on Sunday (1960), in which Dassin was the director and co-star. For this film, Mercouri received the Best Actress Award at the 1960 Cannes Film Festival and was nominated for the Academy Award for Best Actress and the BAFTA Award for Best Actress in a Leading Role.[citation needed]

After her first major international success, she went on to star in Phaedra (1962), for which she was nominated again for the BAFTA Award and the Golden Globe Award for Best Actress in Motion Picture Drama. The recognition of her acting talent did not stop though, as her role in Topkapi (1964) granted her one more nomination, this time for the Golden Globe Award for Best Actress in Motion Picture Musical or Comedy. Mercouri worked with other famous directors as well, such as Joseph Losey, Vittorio De Sica, Ronald Neame, Carl Foreman, Norman Jewison, and starred in films like Spanish language The Uninhibited by Juan Antonio Bardem. She continued her stage career in the Greek production of Tennessee Williams's Sweet Bird of Youth (1960), under the direction of Karolos Koun. In 1967, she played the leading role in Illya Darling at Broadway, for which she was nominated for the Tony Award for Best Performance by a Leading Actress in a Musical, while her performance in Promise at Dawn (1970) gave her another Golden Globe Award nomination.

Melina Mercouri concentrated on her stage career for the following years, playing in the Greek productions of The Threepenny Opera and, for a second time, Sweet Bird of Youth, in addition to the ancient Greek tragedies Medea and Oresteia. She retired from film acting in 1978, when she played in her last film, A Dream of Passion, directed by her husband Jules Dassin. Her last performance on stage was in the opera Pylades at the Athens Concert Hall in 1992, portraying Clytemnestra.

Filmography

Year Film Role Notes
1955 Stella Stella
1957 He Who Must Die Katerina
1958 The Gypsy and the Gentleman Belle
1959 The Law Donna Lucrezia
1960 Never on Sunday Ilya Cannes Film Festival Best Actress Award
Nominated — Academy Award for Best Actress
Nominated — BAFTA Award for Best Foreign Actress
1961 Long Live Henry IV... Long Live Love Marie de Médicis
The Last Judgement Foreign lady
1962 Phaedra Phaedra Nominated — BAFTA Award for Best Foreign Actress
Nominated — Golden Globe Award for Best Actress – Motion Picture Drama
1963 The Victors Magda
1964 Topkapi Elizabeth Lipp Nominated — Golden Globe Award for Best Actress – Motion Picture Musical or Comedy
1965 The Uninhibited Jenny
1966 A Man Could Get Killed Aurora
10:30 P.M. Summer Maria
1969 Gaily, Gaily Lil
1970 Promise at Dawn Nina Kacew Nominated — Golden Globe Award for Best Actress – Motion Picture Drama
1974 The Rehearsal Belle
1975 Once Is Not Enough Karla
1977 Nasty Habits Sister Gertrude
1978 A Dream of Passion Maya
1981 Gynaikes stin exoria Narrator

As singer

One of her first songs was by Manos Hadjidakis and Nikos Gatsos. It was titled Hartino to Fengaraki and was a part of the Greek production of A Streetcar Named Desire in 1949, in which she starred as Blanche DuBois. The first official recording of this, now-legendary song was made by Nana Mouskouri in 1960, although the company Sirius, created by Manos Hadjidakis, issued in 2004 a recording that Melina made for French TV during the 1960s. Her recordings 'Athene ma Ville' and 'Melinaki' were popular in France. Her recording of 'Feggari mou, Agapi mou' (Phaedra) was quite popular and was later covered by Haris Alexiou.[citation needed]

Political career

Activism against the Greek Junta

Mercouri was always very actively involved in many aspects of social and political life, in addition to her impressive career as a film and stage actress. At the time of the coup d'état in Greece by a group of colonels of the Greek military in April 21, 1967, she was in the United States, playing in Illya Darling. She immediately joined the struggle against the Greek Military Junta and started an international campaign, travelling all over the world to inform the public and contribute to the isolation and fall of the colonels. As a result, the dictatorial regime revoked her Greek citizenship and confiscated her property. When her citizenship was taken away, she said: "I was born a Greek and I will die a Greek. Mr. Pattakos was born a fascist and he will die a fascist", a phrase which represented her love of Greece and democracy. Moreover, there were terrorist attacks against her and an assassination attempt took place in Genoa, Italy. However, she did not stop her fight against the dictatorship with speeches, interviews, concerts and marches. During those years she recorded four records in France, one with Greek lyrics and the other three with French lyrics, all created by Greek musicians. They were highly popular, and since being remastered and reissued, are still critically acclaimed.[citation needed]

Involvement in politics

After the fall of the Junta and during the metapolitefsi in 1974, Mercouri settled in Greece and was one of the founding members of the Panhellenic Socialist Movement (PASOK), a centre-left political party. She was a member of the party's Central Committee and a rapporteur for the Culture Section, while being involved in the women's movement as well. In the Greek legislative elections of 1974, she was a PASOK candidate in the Piraeus B constituency, but the 7,500 votes were not enough to secure a seat for her in the Hellenic Parliament (she needed 33 more votes), something that came true in the elections of 1977, when she obtained the highest number of votes in the whole of Greece.[citation needed]

Minister for Culture: 1981–1989

When PASOK won the elections of 1981, Melina Mercouri was appointed Minister for Culture of Greece, being the first female in that post. She would serve in that position for two terms until 1989, when PASOK lost the elections and New Democracy formed a cabinet. As Minister for Culture, Mercouri took advantage of her fame abroad and got in contact with great European leaders in order to promote Greece. She strongly advocated the return to Athens of the Parthenon Marbles, that were removed from Parthenon and other buildings on the Acropolis of Athens by Thomas Bruce, 7th Earl of Elgin, and are now part of the British Museum collection in London. In anticipation of the return of the marbles, she held an international competition for the construction of the New Acropolis Museum, designated to display them and finally established in 2008.

One of her greatest achievements was the establishment of the institution of the European Capital of Culture within the framework of cultural policy of the European Union, that she had conceived and proposed in 1983, with Athens inaugurating this institution being the first title-holder in 1985, while she was a devoted supporter of the Athens bid to host the Centennial Olympic Games. In 1983, during the first Greek presidency of the Council of the European Union, Mercouri invited the Ministers for Culture of the other nine member states of the European Union at Zappeion, in order to increase the people's cultural awareness, since there was not any reference to cultural questions in the Treaty of Rome, which led to the establishment of formal sessions between the Ministers of Culture of the European Union. During the second presidency of Greece in 1988, she supported the cooperation between Eastern Europe and the European Union, which was finally implemented one year later with the celebration of the Month of Culture in Eastern countries.[citation needed]

Mercouri also commissioned a study for the integration of all the archaeological sites of Athens so as to create an archaeological park free from traffic, where residents and visitors could enjoy the history of the city. In order to promote the Greek culture, she introduced free access to museums and archaeological sites for Greek citizens, organized a series of exhibitions of Greek cultural heritage and modern Greek art worldwide, supported the restoration of buildings of special architectural interest and the completion of the Athens Concert Hall, backed the project of the Museum of Byzantine culture in Thessaloniki, established annual literary pizes, promoted Greek cinema and finally established the municipal theatres and conservatories.[citation needed]

Minister for Culture: 1993–1994

In the legislative elections of November 1989, PASOK lost and Mercouri was elected a member of the Hellenic Parliament and remained a member of the party's Executive Bureau. In 1990, she was a candidate for Mayor of Athens but despite her popularity, she was defeated by Antonis Tritsis in a municipality which traditionally provided New Democracy with strong support. After PASOK's win in the election of 1993, she was back at the Ministry for Culture. Her major goals in this second term in office were: to create a cultural park in the Aegean Sea in order to protect and enhance the environment and civilization of the Aegean Islands, and to link culture with education at all education levels, introducing a system of post-training of teachers.[citation needed]

Death

The grave of Melina Mercouri (next to J. Dassin's) in the First Cemetery of Athens.

Melina Mercouri died in March 6, 1994, at Memorial Sloan-Kettering Cancer Center, New York City, from lung cancer, aged 73. She was survived by her husband, Jules Dassin. She received a state funeral with Prime Minister's honors at the First Cemetery of Athens four days later. Thousands attended her funeral.

References

  1. ^ Casey, Christopher (October 30, 2008). ""Grecian Grandeurs and the Rude Wasting of Old Time": Britain, the Elgin Marbles, and Post-Revolutionary Hellenism". Foundations. Volume III, Number 1. http://ww2.jhu.edu/foundations/?p=8. Retrieved 2009-06-25. 

External links

Political offices
Preceded by
Andreas Andrianopoulos
Minister for Culture of Greece
1981 – 1989
Succeeded by
Georgios Mylonas
Preceded by
Dora Bakoyannis
Minister for Culture of Greece
1993 – 1994
Succeeded by
Thanos Mikroutsikos



 
 
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Celui Qui Doit Mourir (1957 Drama Film)
A Dream of Passion (1978 Drama Film)
A Man Could Get Killed (1966 Action Film)

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