Longley, Michael (1939- ), poet. Born in Belfast to English parents, he read classics at TCD. He joined the Northern Ireland Arts Council, serving as Director of Combined Arts from 1970 until retirement in 1991. A first volume, No Continuing City (1969), revealed a complex talent. An Exploded View (1973), includes the re-emergence of the Troubles in its range. Man Lying on a Wall (1976) shows Longley's feeling for nature and his naturalist's eye at work. The Echo Gate (1979) includes versions of the Latin love elegy. Gorse Fires (1991) shows him transmuting the lyric mode into a vehicle of moral awareness. The Ghost Orchid (1995), Broken Dishes (1998) and The Weather in Japan (2000) reveal an enigmatic openness and a moral energy. Tuppenny Stung (1994) is a short volume of autobiography.
Michael Longley, CBE (born 27 July 1939) is a Northern Irish poet from Belfast.
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Longley was educated at the Royal Belfast Academical Institution and subsequently read Classics at Trinity College, Dublin, where he edited Icarus. He was Professor of Poetry for Ireland from 2007 to 2010, a cross-border academic post set up in 1998, previously held by John Montague, Nuala Ní Dhomhnaill and Paul Durcan. He was succeeded in 2010 by Harry Clifton.[1]
In North America, Michael Longley is published by Wake Forest University Press. His wife Edna Longley is also an influential critic on modern Irish and British poetry.[2]
Gorse Fires (1991) won the Whitbread Poetry Prize. The Weather in Japan (2000) won the T. S. Eliot Prize and the Hawthornden Prize. He holds honorary doctorates from Queen's University Belfast (1995) and Trinity College, Dublin (1999) and was the 2001 recipient of the Queen's Gold Medal for Poetry. Longley was appointed Commander of the Order of the British Empire (CBE) in the 2010 Birthday Honours.[3] He won a 2011 London Awards for Art and Performance.
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