Share on Facebook Share on Twitter Email
Answers.com

Michael Snow

 
Artist: Michael Snow
 
Home > Library > Entertainment & Arts > Pop Artists

Similar Artists:

Al Neil
  • Active: '90s
  • Genres: Folk
  • Instrument: Bodhran, Banjo, Guitar
  • Representative Albums: "Never Say No to a Jar," "The Rats and the Rosary," "Here Comes the Skelly"

Biography

Singer/songwriter/multi-instrumentalist Michael Snow has had a long and varied career, first in the mid-1960s British rock scene, then in Nashville. He was born to Irish immigrant parents in Liverpool, England, and raised there, participating in the Merseybeat movement headed by the Beatles in the early 1960s. In 1962, he joined a local group called the Barons, who got a contract with Parlophone Records, the Beatles' label. In 1964, he moved to London and joined West Five, which signed to HMV Records and released as its first single a cover of Mick Jagger and Keith Richards' Rolling Stones song "Congratulations." After it and two subsequent singles failed to chart, the group disbanded. Snow moved on to a show band, the Blue Aces, which also recorded for HMV, playing with them for six months and then working freelance as a pianist and musical director for visiting American R&B performers such as Ben E. King, Edwin Starr, and Doris Troy. He also worked with the British group the Checkmates, which, with other former members of West Five, turned into the Ferris Wheel, a soul-pop band that issued two albums, Can't Break the Habit (1967) on Pye Records and Ferris Wheel (1970) on Polydor (Uni in the U.S.). Although he appeared on the second album, by the time it was released, he had left the group. He next joined with Billy Kinsley, formerly of the Merseybeats, and Liverpool singer Jimmy Campbell to form Rockin' Horse, which released the 1970 album Yes It Is on Phillips Records in the U.K. When that band did not succeed further, he turned to other areas of the music business, taking a job as a music publishing manager for the Robert Stigwood Organization (RSO) while also pursuing songwriting and working as a session musician. As a songwriter, his biggest hit came in the spring of 1971 with "Rosetta," recorded by Georgie Fame and Alan Price, which hit number 11 in the U.K. and won him the prestigious Ivor Novello Award for songwriting. As a session musician, he played on records by Badfinger, Lulu, and Dusty Springfield, and he renewed his connection with the Beatles by playing on the Doris Troy album Doris Troy, produced by George Harrison and released on Apple, and serving as one of the 45 voices in the choir that sang along on John Lennon's hit "Power to the People." He next undertook a 60-date tour as pianist for Chuck Berry, then served as pianist and orchestra conductor on the debut solo tour of former Zombies singer Colin Blunstone, this association leading to his involvement in Blunstone's 1972 album Ennismore. In 1973, Snow moved to the U.S. and settled in Nashville, where he worked in various capacities in the music business including songwriting, producing, and music publishing. His songs were recorded by such artists as Julie Andrews, Earl Scruggs, and Ray Stevens; he produced a string of performers including Chain of Command, the Hots, Orsa Lia, and the Smashers; and he managed the publishing company for songwriter Bobby Russell. In 1986, he founded a commercial-jingle company, the clients for which included McDonald's. The same year, he began working with Dennis Locorriere of Dr. Hook and founded his own music publishing company, Irish Eyes Music. In 1990, he co-wrote and co-produced guitarist Ray Flacke's instrumental solo album Untitled Island, released on Intersound. In the 1990s, Snow, recalling his Irish heritage, turned more to Celtic music. He led a contemporary Celtic band called Ceolta Nua and played bodhran, accordion, and banjo on recordings by Michael Card, Cathryn Craig, Adie Grey, Robert Earl Keen, Jr., Gloria Loring, and Lesley Schatz. He also wrote songs used on the albums Black and White by Brian Willoughby of the Strawbs, Turn the Page by Gloria Loring, and Love Songs by Dr. Hook. In 2000, on his own Irish Eye Records, Snow finally released his debut solo album, Here Comes the Skelly, the first disc of a trilogy looking back on his experiences growing up as a child of the Irish in Liverpool. The Rats and the Rosary followed in 2001, and the trilogy was completed with Never Say No to a Jar in 2003. ~ William Ruhlmann , All Music Guide
Search unanswered questions...

Enter a word or phrase...
All Community Q&A Reference topics

 
Director: Michael Snow
Top
Home > Library > Entertainment & Arts > Actors
  • Born: Dec 10, 1929 in Toronto, Ontario, Canada
  • Occupation: Director, Actor, Writer, Cinematographer
  • Active: '60s-'80s, 2000s
  • Major Genres: Avant-garde / Experimental
  • Career Highlights: La Region Centrale, Wavelength, *Corpus Callosum
  • First Major Screen Credit: New York Eye and Ear Control (1964)

Biography

Michael Snow is best known for his influential 1967 film Wavelength, which remains one of the landmarks of structuralist cinema. Already an accomplished musician, sculptor, painter, and photographer in his native Canada when he became interested in film after moving to New York in the early '60s, he saw filmmaking as a natural extension of his other artmaking activities. His first film, New York Eye and Ear Control, incorporated the "Walking Woman" figure he had already employed in a series of widely-exhibited paintings and sculptures.

His subsequent films investigate the medium's formal possibilities and are often structured on the mechanical properties of the camera itself. Wavelength is organized around a 42-minute zoom across a New York City loft. His next film, Back and Forth, is built around continuous horizontal and vertical pans across a classroom. These experiments reached their logical extreme with La Région Centrale, for which he built a computer-controlled apparatus which could move the camera in any direction at any speed and set it up in the Canadian wilderness north of Montreal.

Snow was never particularly interested in movies while growing up and his approach to filmmaking reflects an experimental impulse unburdened by cinematic tradition. Much of his work focuses on film's effects on perception. One Second in Montreal forces the audience to confront their own perception of time and duration by presenting a series of landscape photographs for varying lengths of time. "Rameau's Nephew" by Diderot (Thanx to Dennis Young) by Wilma Schoen improvises on the possibilities of synch sound for more than four hours and See You Later/Au Revoir uses slow motion to create an elegant study of movement. Though he remains known in the United States primarily for his contributions to avant-garde film, Snow has continued to work in other media throughout his career. In Canada, he is equally well-known for his painting and sculpture, and was even commissioned to make the monumental sculptures that adorn Toronto's Skydome stadium. ~ Tom Vick, All Movie Guide
 
Wikipedia: Michael Snow
Top
Home > Library > Miscellaneous > Wikipedia
Michael Snow

Michael Snow, 2007
Born December 10, 1929 (1929-12-10)
Toronto, Ontario
Nationality Canadian
Field installation art, filmmaker
Training Ontario College of Art
Movement Structural film
Works New York Eye and Ear Control, Wavelength, La Région Centrale
Awards Officer, Order of Canada
1981
Companion, Order of Canada
1997
Chevalier d'ordre des Arts et des Lettres, France
1995
Governor General's Award in Visual and Media Arts
2000
Honorary Doctorate, Université de Paris I Panthéon-Sorbonne
2004
For other persons named Michael Snow, see Michael Snow (disambiguation).

Michael Snow, CC (born December 10, 1929) is a Canadian artist working in painting, sculpture, video, films, photography, holography, drawing, books and music.

Contents

Life

Michael Snow was born in Toronto and studied at Upper Canada College and the Ontario College of Art. He had his first solo exhibition in 1957. Since then, his work has appeared at exhibitions across Europe, North America and South America. His works were included in the shows marking the reopening of both the Centre Pompidou in Paris in 2000 and the MoMA in New York in 2005. In March 2006 his works were included in the Whitney Biennial.

Work

Films

Snow is considered one of the most influential experimental filmmakers[1][2] and is the subject of retrospectives in many countries. In his 2002 Village Voice review of *Corpus Callosum, J. Hoberman writes: “Rigorously predicated on irreducible cinematic facts, Snow's structuralist epics—Wavelength and La Région Centrale—announced the imminent passing of the film era. Rich with new possibilities, *Corpus Callosum heralds the advent of the next. Whatever it is, it cannot be too highly praised.” *Corpus Calossum was screened at the Toronto, Berlin, Rotterdam, and the Los Angeles film festivals amongst others. In January 2003, Snow won the Los Angeles Film Critics Association, Douglas Edwards Independent Experimental Film/Video Award for *Corpus Callosum. His numerous films have premiered in major film festivals all over the world. Five of his films have premiered at the Toronto International Film Festival (TIFF). In 2000, TIFF commissioned Snow with Atom Egoyan and David Cronenberg to make short films, Preludes, for the 25th Anniversary of the festival. Wavelength has been designated and preserved as a "masterwork" by the Audio-Visual Preservation Trust of Canada[3] and was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century .[4] In 2004, the film was named one of Canada's all time greatest films by the Toronto International Film Festival.[5]

Music

Originally a professional jazz musician, Snow has a long-standing interest in improvised music, as indicated by the soundtrack to his film New York Eye and Ear Control. As a pianist, he has performed solo and with other musicians in North American, Europe and Japan. Snow performs regularly in Canada and internationally, often with the improvisational music ensemble CCMC and has released more than a half dozen albums since the mid-1970s. In 1987, Snow issued The Last LP (Art Metropole), which purported to be a documentary recording of the dying gasps of ethnic musical cultures from around the globe including Tibet, Syria, India, China, Brazil, Finland and elsewhere, with more thousands of words of pseudo-scholarly supplimentary notes, but was, in fact, a series of multi-tracked recordings of Snow himself, who gave the joke away only in a single column of text in the disc's gatefold jacket, printed backwards and readable in a mirror. One track, purported to be a document of a coming-of-age ritual from Niger, is a pastiche of Whitney Houston's song "How Will I Know."

Other Media

Interior of the Eaton Centre showing one of Michael Snow's best known sculptures Flightstop, which depict Canada Geese in flight.

Snow's works have been in Canadian pavilion at world fairs since his famous Walking Women sculpture was exhibited at Expo 67 in Montréal. His recent bookwork BIOGRAPHIE of the Walking Woman / de la femme qui marche 1961-1967 (2004) was published in Brussels by La Lettre vole. It consists of images of the public appearances of his globally famous icon.

Snow was one of the four performers of the rarely performed Steve Reich piece Pendulum Music on May 27 1969 at the Whitney Museum of American Art. The other three were: Richard Serra, James Tenney and Bruce Nauman.

Anarchive2: Digital Snow describes Michael Snow as “one of the most significant artists in contemporary art and cinema of the past 50 years.” This 2002 DVD was initiated by Paris’ Centre Pompidou and was produced with the support of la foundation Daniel Langlois, Université de Paris, Heritage Canada, the Canada Council, Téléfilm Canada and Montreal’s Époxy. It is an encyclopedia of Snow's works across media, browsed in a manner inimitably and artfully created by Snow. Its 4,685 entries include film clips, sculpture, photographs, audio and musical clips, and interviews.

Retrospectives and Honours

In the background you can see multiple stadium sculptures on the Eastern side of Skydome.

In 1993 The Michael Snow Project, lasting several months, was a multivenue retrospective of Snow’s works in Toronto exhibited at several public venues and at the Art Gallery of Ontario and The Power Plant. Concurrently his works were the subjects of four books published by Alfred A. Knopf Canada.

In 1981, he was made an Officer of the Order of Canada and was promoted to Companion in 2007 "for his contributions to international visual arts as one of Canada’s greatest multidisciplinary contemporary artists"[6]. He received the first Governor General’s Award in Visual and Media Arts (2000) for cinema.

In 2004, the Université de Paris I, Panthéon-Sorbonne awarded him an honorary doctorate. The last artist so awarded was Pablo Picasso.

Honorary degrees

Université de Paris I, Panthéon-Sorbonne (2004), Emily Carr Institute, Vancouver (2004) Nova Scotia College of Art and Design, Halifax (1990), University of Toronto (1999), University of Victoria (1997), Brock University (1975).

Academic Appointments

  • Visiting Artist/Professor at MAPS (Master of Art in Public Sphere), Ecole Cantonale d’Art du Valais, Sierre, Switzerland (February 2005, January 2006)
  • Visiting Artist/Professor at L’école Nationale Supérieure d’Art de Bourges, France. (December 2004, May 2005)
  • Visiting Artist/Professor, Ecole Nationale Supérieure des Beaux-Arts, Paris, 2001
  • Visiting Artist/Professor, le Fresnoy, Tourcoing France, 1997-8
  • Visiting Professor, l'Ecole Nationale de la Photographie, Arles France, 1996
  • Visiting Professor, Princeton University, 1988
  • Professor of Advanced Film, Yale University, 1970
  • CCMC artists in residence, La Chartreuse, Avignon Festival, France, 1981

Other Awards

  • Queen’s Golden Jubilee Medal, 2002
  • Governor General’s Award in Visual and Media Arts, 2000
  • Chevalier de l'ordre des arts et des lettres, France, 1995
  • Guggenheim Fellowship, 1972
  • Grand Pix of the Knokke Experimental Film Festival for "Wavelength", 1967

Major Installations

  • "The Windows Suite" is a permanent installation comprised of 32 varied sequences of images, which are presented on 65" plasma screens in 7 of the windows of the façade of the Toronto Pantages Hotel and Spa and related condo buildings facing Victoria Street in central Toronto. Some of these sequences one might possibly glimpse in the windows of a sophisticated hotel, condo, spa and parking garage building, but many sequences are “impossible,” e.g. in one sequence fish swim from window to window. This installation was opened as an official event of the Toronto International Film Festival September 2006.
  • Flightstop - Toronto Eaton Centre a collection of life sized Canada geese in flight hanging over the main section of the mall.
  • The Audience (1989) - SkyDome (now Rogers Centre in Toronto) is a collection of larger then life depictions of fans located above the northeast and northwest entrances. Painted gold, the sculptures show fans in various acts of celebration.

Filmography

The Audience sculpture adorning the facade on the northwest corner of Rogers Centre stadium in Toronto. This photo only shows half of the art installation. The other set is located above the north east corner of the building, and is of similar size and configuration.
  • A to Z (1956)
  • New York Eye and Ear Control (1964)
  • Short Shave (1965)
  • Wavelength (1967)
  • Standard Time (1967)
  • One Second in Montreal (1969)
  • Dripping Water (with Joyce Wieland, 1969)
  • <----> (AKA Back and Forth) (1969)
  • Side Seat Paintings Slides Sound Film (1970)
  • La Région Centrale (1971)
  • Two Sides to Every Story (double 16mm installation, 1974)
  • 'Rameau's Nephew' by Diderot (Thanx to Dennis Young) by Wilma Schoen (1974)
  • Breakfast (Table Top Dolly) (1976)
  • Presents (1981)
  • So Is This (1982)
  • Seated Figures (1988)
  • See You Later (1990)
  • To Lavoisier, Who Died in the Reign of Terror (1991)
  • Prelude (2000)
  • The Living Room (2000)
  • *Corpus Callosum (2002)
  • WVLNT ("Wavelength For Those Who Don't Have the Time") (2003)
  • SSHTOORRTY (2005)

References

  1. ^ Annette Michelson, in writing about Snow, speaks of the impact of his films placing viewers in a "position to more fully understand the particular impact of Snow's filmic work from 1967 on, to discern the reasons for the large consensus given to the work honored at Knokke-le-Zoute..." and that "Wavelength, [appears] as a celebration of the 'apparatus' and a confirmation of the status of the subject, and it is in those terms that we may begin to comprehend the profound effect it had upon the broadest spectrum of viewers...." Michelson, "About Snow" October Vol. 8 (Spring, 1979): 118.
  2. ^ "Few filmmakers have had as large an impact on the recent avant-garde film scene as Cana- dian Michael Snow, whose Wavelength is probably the most frequently discussed 'structural' film." Scott MacDonald, "So Is This by Michael Snow" Film Quarterly Vol. 39, No. 1 (Autumn, 1985): 34.
  3. ^ http://avtrust.ca/masterworks/2006/en_film_1.htm
  4. ^ http://www.filmsite.org/villvoice.html
  5. ^ http://www.theyshootpictures.com/website_Top1000_CriticsChoices_Dec07.pdf
  6. ^ "Governor General Announces New Appointments to the Order of Canada". Governor General of Canada. http://www.gg.ca/media/doc.asp?lang=e&DocID=5252. 

External links


This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)

 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Director. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Michael Snow".  Read more

Related answers
» More
 
Answer these
» More

Mentioned in

» More» More