' Le roma d'Elvire in 1860, combined with the success of Gounod's Faust the year before, prompted Thomas to quit composing opera for the next six years. However, when
and Michel Carré -- the librettists for Gounod's masterpiece, and the future authors of Thomas' Hamlet (1868) -- approached Thomas with the Mignon story, they found the composer eager to eclipse his rival's earlier triumph. Barbier and Carré based the libretto on Goethe's
.
Predictably, Thomas imitated aspects of Gounod's style in his new work, and he further insured success by delaying the premiere until the management of the
could assemble a strong cast. With this accomplished, Mignon was first performed on November 17, 1866. It was an immediate success, and was performed 100 times at the
in the eight months after the premiere. In 1870, it was given in London and in 1871 it was staged in New York.
Barbier and Carré made fundamental changes to the character of Mignon as drawn by Goethe. In the novel, she is not the main character, but by extracting her trials and tribulations from the context of the work as a whole, Barbier and Carré made Mignon the focal point of the opera. Furthermore, the librettists created a happy ending (Mignon lives, whereas she dies in the novel), obligatory for works written for the
stage at the time. Nevertheless, Barbier and Carré manage to maintain the spirit of Goethe's story.
Thomas was eager to please, and made adjustments to his score when necessary. For the London performance, the composer replaced the spoken dialogue with recitatives and adapted the role of Frédéric for a contralto, composing the famous Act II rondo-gavotte, "In veder l'amata stanza," based on material from the preceding entr'acte. Philine also received a new aria: "Alerta, Filina." Furthermore, the work was sung in Italian. For German stages, Thomas was willing to completely change the end of the work, having Mignon die in Wilhelm's arms when she hears Philine's voice from offstage. Undoubtedly, this made the opera more palatable to German audiences, who knew and identified with Goethe's masterpiece.
Thomas' eclecticism proved a hindrance to his success in his early years. Composing in various styles with numerous, and obvious, models (Auber, Hérold, Rossini), Thomas did not find his own voice until Le caïd of 1849, which still owes much to Rossini. It was not until Mignon that the aspects of Thomas' eclectic musical personality coalesced to create an impressively unified work.
Mignon draws its strength from Thomas' careful musical representation of the characters. Mignon's music alternately illustrates her jealousy, love, and affection in no uncertain terms. Her complexity is unmatched in any other of Thomas' operas. Philine's superficial personality comes across in her predictable music, especially the polonaise aria, "Je suis Titania." Wilhelm's youthful but sensible character comes through in vivacious, yet studied music, especially in the first part of Act II, in which we hear clearly the contrast between his music and that for Frédéric and the uncontrollably jealous Mignon. Wilhelm's sincerity comes to the fore near the end of the second act, when he greets Mignon after their earlier confrontation. Lothario's amnesia becomes apparent not only through his change of clothes and description of his past in the final act, but also through his music, which takes on a more noble character when his memory returns. ~ John Palmer, All Music Guide
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| Claudia Muzio: Complete Pathé Recordings (1917-18) |
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| Coloratura Assoluta |
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1991 |
| Donizetti: La Favorita |
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1993 |
| EMI Centenary Edition, Vol. 5 |
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| Early Recordings |
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2003 |
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1997 |
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2009 |
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2007 |
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1997 |
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2001 |
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1998 |
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| French Arias |
2003 |
| French Opera Arias |
1998 |
| French Opera Highlights |
1991 |
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2002 |
| Fritz Kreisler Complete RCA Recordings [Box Set] |
1995 |
| Fritz Wunderlich, der grosse deutsche Tenor |
1990 |
| Fritzi Jokl Héritage |
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| From Bourbon Street to Paradise: The French Opera House of New Orleans and its Singers, 1859 - 1919 |
1998 |
| From the Official Barcelona Games Ceremony |
1992 |
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1990 |
| Gaston Micheletti |
1998 |
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1995 |
| Giacomo Puccini: La Bohème |
2007 |
| Gigli Recordings 1918-1930 |
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| Giovanni Malipiero |
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| Giovanni Manurita |
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| Giuseppe Anselmi Recordings 1907 - 13 |
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| Giuseppe Di Stefano |
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| Giuseppe di Stefano Sings Verdi, Puccini, Bellini, Bizet, Mascagni, Thomas |
2008 |
| Giuseppe di Stefano the Early Years, Vol. II |
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| Giuseppe di Stefano: Arias and Scenes |
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| Golden Age of Singing Vol.2 (1910-20) |
2000 |
| Gramophone Editor's Choice, April 2001 |
2001 |
| Great Arias for Mezzo-Soprano |
2002 |
| Great Artists at the Met: Ezio Pinza |
1989 |
| Great Moments of Opera, Vol. 2 |
1993 |
| Great Singers At The Gran Teatro Del Liceo |
1995 |
| Great Singers in New York: The Age of Caruso |
1993 |
| Great Tenors, Vol. 2: The Italian Tradition |
1999 |
| Great Voices: Ezio Pinza |
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| Great Voices: Luisa Tetrazzini |
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| Great Voices: Recital di Ebe Stignani |
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| Grona Lund Recordings, Vol. 2 |
1994 |
| Große Tenöre der Musikgeschichte, Vol. 2 |
2006 |
| Harold Wayne Collection Vol. 6 |
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| Harold Wayne Collection, Vol.35 |
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| Harold Wayne Collection, Vol.4 |
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| Heddle Nash |
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| Helge Rosvaenge, Vol.2 |
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| Herbert Ernst Groh in Opera |
2006 |
| Heroines of French Romantic Opera |
1994 |
| Highlights From Faust & French Opera |
1994 |
| Highlights from Faust & French Opera |
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| His Greatest Hits During War Time: 1940-1943 |
1995 |
| Hugo, Schiller, Goethe |
2008 |
| I Concerti "Live" di Maria Callas 2 |
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| Il "Carlo Felice" di Genova: Un secolo di grandi voci, Vol. 7 |
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| Il Mito Dell Opera |
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| Il Mito Dell Opera-Giuseppe Anselmi |
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| Il mio primo disco |
2002 |
| In Concert |
1997 |
| Incontri Memorabili Vol. 23 |
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| Incontri Memorabili, Vol. 31 |
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| Incontri Memorabili, Vol. 6 |
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| Incontri memorabili: Maria Callas and Gianni Raimondi |
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| International Opera Star |
1996 |
| Janine Micheau |
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| Jean Marny Sings Arias |
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| Joie de Vivre |
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| Julius Patzak |
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| Julius Patzak Sings Opera and Operetta |
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| Just for the Record: The Golden Voice |
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| Kaleidoscope |
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| La Divina 2 |
1993 |
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2002 |
| Le Chant français, 1948-1965 [Box Set] |
2003 |
| Le Grandi Voci Italiane, Vol. 7 |
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| Lebendige Vergangenheit: Adamo Didur |
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| Lebendige Vergangenheit: Adele Kern |
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| Les Introuvables du Chant Français [Box Set] |
2004 |
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2001 |
| Lily Pons Recital |
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| Lucrezia Bori: The Victor Recordings, 1925-1928 |
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1997 |
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2007 |
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2006 |
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2004 |
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2000 |
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2002 |
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2002 |
| My Story |
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1999 |
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1997 |
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1994 |
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1994 |
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1996 |
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1991 |
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2004 |
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2000 |
| Phonograph Society of New South Wales Inc. presents Anna Case - Soprano |
1996 |
| Pinza |
1995 |
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2005 |
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1959 |
| Prima Voce: Alessandro Bonci |
2006 |
| Prima Voce: Gerhard Hüsch |
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| Prima Voce: Schipa |
1990 |
| Prima Voce: Tetrazzini |
1990 |
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1996 |
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1984 |
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1997 |
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1998 |
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1993 |
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1997 |
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2005 |
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2002 |
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2001 |
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1993 |
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1996 |
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2000 |
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1994 |
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1999 |
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1994 |
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1994 |
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1993 |
| The Harold Wayne Collection, Vol. 26 |
1996 |
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1997 |
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1987 |
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1987 |
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| The Kreisler Collection--The Early Victor Recordings, Vol.2 |
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1998 |
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2000 |
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1991 |
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1991 |
| The Record of Singing, Vol. 5 |
2009 |
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1996 |
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2001 |
| The Symposium Opera Collection, Vol. 16: Francesco Navarini, Eugenio Giraldoni |
2005 |
| The Symposium Opera Collection, Vol. 6: Emmy Destinn |
2001 |
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1998 |
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2000 |
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| The Very Best of Beniamino Gigli |
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| The Very Best of Fritz Wunderlich |
2003 |
| The Very Best of Giuseppe di Stefano |
2003 |
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2005 |
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2003 |
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| The Voice of Bass: The French Tradition, Vol. 1 |
|
| The Voice of France |
2002 |
| The World Of Singing Vol. 3: The Italian School Tenors Before World War I (1912-1913) |
|
| The World Of Singing, Vol. 8: The Italian School, Part II |
|
| The World of Singing Vol.1 |
|
| The World of Singing, Vol.6 |
|
| The Young Lotte Lehmann |
|
| Three Edison Tenors |
1998 |
| Three Tenors of the Opéra-Comique |
2000 |
| Tito Schipa |
|
| Tito Schipa Recordings 1924 - 1937 |
|
| Tito Schipa in Opera and Song (Box Set) |
1995 |
| Tito Schipa, Vol. 2 |
|
| Tito Schipa: Public Performances 1913/1938 |
|
| Tito Schipa: The Complete Victor Recordings (1922-25) |
1999 |
| Tortelier's French Bonbons |
1999 |
| Toti Dal Monte- Recital |
|
| Toti Dal Monte: Duetti e arie d'opera |
1993 |
| Verdi: Rigoletto |
|
| Verdi: Rigoletto; Thomas: Mignon |
|
| Vienna - The Mahler Years, 1897-1907 |
2004 |
| Viens, Gentille Dame |
1989 |
| Vocal Artistry of Marion Talley |
1997 |
| Voces Históricos del Teatro Real de Madrid |
1997 |
| Voices Behind the Iron Curtain: Soviet Singers of the Stalin Era |
|
| Vom Hamburger Stadttheater zur Hamburgischen Staatsoper |
2003 |
| Wagner, Mozart, Schubert and others |
|
| Wonderful Arias |
1999 |
| World Classics: France |
1998 |
| World of Classics: (5) The Great History of French |
1998 |
