Mike Dred (aka Chimera, Judge Dred, and the Kosmik Kommando) makes acid-tinged experimental techno geared both for the dancefloor and for home listening. A member of the U.K.'s extended West Country experimental techno family (which also includes Reload, the Aphex Twin, and Matt Herbert), Dred drew early inspiration from European synth-pop groups like Kraftwerk and the Human League, as well as the American electro scene spreading like wildfire in the mid-'80s London underground. Although he's recorded for a variety of different labels, including R&S, R&S offshoot Diatomyc (which he helps run), and his own Machine Codes label, the bulk of his material has appeared on Richard James' Rephlex imprint, mostly under the Kosmik Kommando and Chimera names. Reportedly hooking up with the label after meeting some friends of James' on a train en route to a rave in Köln, Dred's penchant for harsh, relentlessly experimental acid and techno fit neatly into the Rephlex vision, and Dred's first Kosmik Kommando EP was among the first 12-inches the label released. Dred's Rephlex discography has since grown to include two full-length albums (one each under the KK and Chimera names) and five EPs, with releases on Diatomyc and Machine Codes numbering close behind. His first proper album, Virtual Farmer, appeared in late 1998. [See Also: Kosmik Kommando] ~ Sean Cooper, All Music Guide
Mike Dred is the general pseudonym of experimental techno DJ, producer, and sound engineer Michael C. Cullen, b. 1967, of Lowestoft, UK. He has been a leading DJ since 1983, a producer since 1988, a sound designer since 1992, and is considered an important figure in the development of acid techno and innovative usage of the Roland TB-303, associating him with fellow artists Tom Middleton, Aphex Twin, and Matthew Herbert.
He is also known as The Kosmik Kommando, Universal Indicator, Chimera, Machine Codes, Space Avenger, and DJ Judge Dred. He was the first artist other than Richard D. James to release a project on Rephlex. His clear vinyl "Kosmik Kommando EP" was the 3rd release and was given a catalogue number CAT007 on account of his interest in James Bond. In addition, the Universal Indicator records released on Rephlex are amongst the most collectible recordings in the history of techno music. Mike Dred established the Machine Codes record label in 1993 and also recorded for R&S Records and R&S Records offshoot Diatomyc. He has also collaborated extensively with the electro-acoustic artist Peter Green (not to be confused with his namesake, the blues-rock guitarist Peter Green of Fleetwood Mac fame) and has produced a one-off collaboration with techno producer Dr. Fernando.
Beyond the techno scene, Mike Dred received an MSc with Distinction in Sound Design from the University of Edinburgh in 2005. Mike Dred was the first DJ producer to get sponsored by the Arts Council of Great Britain and the National Lottery. His works are often used for educational purposes and a selection is part of the prestigious Music Performance Research Centre (MPRC) collection at the Barbican Centre, London. UK.[1] The publication ' The Rough Guide to Techno', described Mike as “The Jimi Hendrix of the 303” and “Full on Acid Genius”.
As well as presenting new developments in electronic and computer music, Mike has also given lectures on Sound Design and Synthesis. Mike is the inspiration behind Electroacoustic Music being represented on a more popular level. His works with Peter Green dating from 1995 educated & inspired the likes of Richard D. James a.k.a. Aphex Twin to discover the genre culminating in the signing of LPs by Robert Normandeau, Senior Lecturer in Acoustics and Electroacoustics at the Universite de Montreal, Canada and experimentalist Pierre Bastien from France. This helped further establish Rephlex Records as the premier UK electronic label. Mike Dred and Peter Green’s early sonic experiments prompted Dave Robinson, then Editor of Future Music (November 1995, Issue 37), to write: "We boldly call ourselves Future Music. But how often do we bring you something so forward-looking, yet at the same time so contemporary that it might - just might set the agenda for the next post-techno, post-analogue phase?"
Mike Dred is on the * SPNM composer short list for 2005 to 2008 using his given name Michael Cullen.