Instrumental Rock, AM Pop
Instrument: Saxophone, Flute
Biography
Mike Vickers is best known as the resident multi-instrumentalist in the original Manfred Mann, but he has participated on and played significant roles in the recording of dozens of successful (and occasional monster hit) records by everyone from the Beatles to Gentle Giant, in addition to composing numerous film scores. Vickers' jazz background and multi-instrumental skills made his musicianship a centerpiece of Manfred Mann's sound; his guitar, sax, and flute highlighted their live shows and dozens of their sides from the beginning of their career in 1963 through his departure from the group in October of 1965. His exit from the lineup marked the beginning of the end for the original group. Vickers' decision to leave Manfred Mann was apparently at least reasonably amicable, because the other bandmembers participated extensively on his debut solo album, I Wish I Were a Group Again, released in 1968, which is virtually a lost Manfred Mann record. Upon leaving the band, he began a career as a composer of film music, debuting with the comedy Press for Time in 1966. He also began a career as a composer, arranger, and conductor, working in the idioms of rock, jazz, and orchestral music. Among other projects, Vickers was the conductor of the 13-piece core ensemble playing behind the Beatles on their live broadcast (and record) of "All You Need Is Love" on June 25, 1967, and he later played synthesizer on their final album, Abbey Road. Since then, he has worked across the entire spectrum of English popular music, with singers as diverse as Cilla Black, Francoise Hardy, and Ella Fitzgerald in various capacities as arranger, orchestrator, or conductor, with groups as different as the Hollies, the Bee Gees, and Gentle Giant, and even turned up playing synthesizer on the original 1971 recording of Jesus Christ Superstar. The '70s also saw him move into the scoring of films with more of an international exposure, including Dracula AD 1972 and At the Earth's Core. Since the end of the '90s, Vickers has also been a participant in the Manfreds, a reunited ensemble of the original and principal second lineup members of Manfred Mann (without co-founder/keyboard player Manfred Mann himself), who have toured extensively and released a live recording in the year 2000. ~ Bruce Eder, All Music Guide
This article is about the Manfred Mann guitarist, flautist and saxophonist. For the United States Assistant Secretary of Defense, see Michael G. Vickers.
Mike Vickers (born Michael Vickers, 18 April 1940, Southampton, England[1]) is a British musician who came to prominence as guitarist, flautist and saxophonist with the 1960s band, Manfred Mann. He originally played flute and saxophone but with the increasing popularity of guitars in bands it was decided that Manfred Mann should have a guitarist in its line-up. Vickers volunteered for this role but he was always happiest playing woodwind. His tough flute soloing on hard blues tracks such as "Without You" prefigured the work of Ian Anderson with Jethro Tull five years later. As the group were all multi-instrumentalists who delighted in instrumental solos, multi-tracking was used to allow Vickers to perform on guitar and woodwind on the same recordings, while drummer Mike Hugg similarly doubled on vibraphone.
He was jointly credited with the group's early hit singles and contibuted a few tracks to albums, such as "The Abominable Snowmann" and "You're for Me". Band-mate Tom McGuinness described him as "the nicest one of the group...nice nearly all the time. But when he's nasty he just can't be nice about it" and added "He collects saxophones - which we buy for him".[2]
At this time, McGuinness wrote, Vickers was already "recording with his own orchestra and looks like becoming a definite threat to Semprini"[3] and shortly after, at the end of 1965, he quit the band, though the solo album, entitled I Wish I Were a Group Again, did not appear until 1968. At about the same time he conducted the orchestra for the live recording of The Beatles' "All You Need Is Love", which was shown on live TV across the world when communications satellite technology was celebrated by a world-wide link-up.
Vickers has persevered as a composer and arranger for records, TV shows and films. One of his most familiar TV compositions is "Jet Set," the theme music first for the NBCgame show, Jackpot in 1974-75; and since 1977 as opening music for the sports series This Week in Baseball. Another familiar TV composition is "Gathering Crowds", composed under the pseudonym Patrick J. O'Hara Scott, which has been the closing theme for This Week in Baseball throughout its history.
The Manfred Mann Album •The Five Faces of Manfred Mann •My Little Red Book of Winners! •Mann Made •As Is •Soul of Mann •Up the Junction •Mighty Garvey!
Compilations
Chapter Two: The Best of the Fontana Years •Basic: Original Hits •The Best of Manfred Mann: The Definitive Collection •The Best of the EMI Years •Manfred Mann at Abbey Road, 1963-1966 •BBC Sessions •Very Best of Manfred Mann •The Story •Classic Masters •The Evolution of Manfred Mann •Complete Greatest Hits •
UK singles
"Why Should We Not" •"Cock-a-Hoop" •"5-4-3-2-1" •"Hubble Bubble (Toil and Trouble)" •"Do Wah Diddy Diddy" •"Sha La La" •"Come Tomorrow" •"Oh No, Not My Baby" •"If You Gotta Go, Go Now" •"Pretty Flamingo" •"You Gave Me Somebody to Love" •"Just Like a Woman" •"Semi-Detached Suburban Mr James" •"Ha! Ha! Said the Clown" •"Sweet Pea" •"So Long, Dad" •"Mighty Quinn" •"Theme from "Up The Junction" •"My Name is Jack" •"Fox on the Run" •"Ragamuffin Man"