Career Highlights: The Thief of Bagdad, The Hound of the Baskervilles, The Brothers in Law
First Major Screen Credit: Night Birds (1930)
Biography
Jowly, sharp-nosed British theatrical personality Miles Malleson dabbled in virtually every aspect of the dramatic arts from his 1911 stage debut onward. As a writer (he penned his first play in 1913) he was responsible for the screenplays of such treasured films as Nell Gwyn (1934), Victoria the Great (1937) and Mister Emmanuel (1944). As a producer/director, Malleson staged several notable West End plays, among them the original production of Emlyn Williams' Night Must Fall. And as an actor, Malleson contributed a bottomless reserve of screen characterizations: the childish caliph in Thief of Baghdad (1940) (which he also scripted); the spectral coachman ("Room for one more, sir') in Dead of Night (1946); the cheery hangman in Kind Hearts and Coronets (1949); Reverend Chasuble in The Importance of Being Earnest (1952); and a vast array of family retainers, doddering civil servants, faffling aristocrats, stern judges and rural rustics. Miles Malleson worked into his late 70s, until failing eyesight overtook him. ~ Hal Erickson, All Movie Guide
Malleson was born in Croydon, England and educated at Brighton College and Emmanuel College, Cambridge University. At Cambridge, he created a sensation when it was discovered that he had successfully posed as a visiting politician and given a speech when the man failed to show up for a debating society dinner.[1]
Despite his unassuming appearance, he was married three times, and had many relationships. In 1915, he married the aspiring actress Lady Constance Annesley. Like her, he was interested in social reform, one of his plays being on the subject of the Tolpuddle Martyrs. They were divorced in 1923 and Malleson later married Joan Billson, who died in 1956. His third wife was Tatiana Lieven.
He was tall and slender, but with a round double-chin like Robert Morley's, and a sharp nose. His manner was gentle and absent-minded; his voice, soft and high. He is best remembered for his roles as the poetically-inclined hangman in Kind Hearts and Coronets (1949) and as Dr. Chausable in The Importance of Being Earnest (1952).