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Million Dollar Baby

 
Movies:

Million Dollar Baby

 
  • Director: Clint Eastwood
  • AMG Rating: starstarstarstar
  • Genre: Drama
  • Movie Type: Sports Drama, Melodrama
  • Themes: Unlikely Friendships, Boxers, Tomboys
  • Main Cast: Clint Eastwood, Hilary Swank, Morgan Freeman, Anthony Mackie, Jay Baruchel, Mike Colter
  • Release Year: 2004
  • Country: US
  • Run Time: 132 minutes
  • MPAA Rating: PG13

Plot

Frankie Dunn (Clint Eastwood) is a veteran boxing trainer who has devoted his life to the ring and has precious little to show for it; his daughter never answers his letters, and a fighter he's groomed into contender status has paid him back by signing with another manager, leaving Frankie high and dry. His best friend and faithful employee Eddie Dupris is a former fighter who Frankie trained. In his last fight, Eddie suffered a severe injury, a fact that brings Frankie great guilt. One day, Maggie Fitzgerald (Hilary Swank) enters Frankie's life, as well as his gym, and announces she needs a trainer. Frankie regards her as a dubious prospect, and isn't afraid to tell her why: he doesn't think much of women boxing, she's too old at 31, she lacks experience, and has no technique. However, Maggie sees boxing as the one part of her life that gives her meaning and won't give up easily. Finally won over by her determination, Frankie takes on Maggie, and as she slowly grows into a viable fighter, an emotional bond develops between them. When a tragedy befalls one of the three characters, each comes to a decision that shows how the relationships in the film have changed them. Adapted from a short story by F.X. Toole, a former corner man with years of experience in the fight game, Million Dollar Baby also stars Morgan Freeman, Anthony Mackie, and Mike Colter. ~ Mark Deming, All Movie Guide

Review

The best decision made by director Clint Eastwood in Million Dollar Baby is to allow Clint Eastwood the performer to drop his screen persona and actually act. As the weathered boxing trainer Frankie Dunn, Eastwood does not seem larger than life, he seems beaten down by it. His banter with Morgan Freeman, as a boxer he used to train, occasionally plays like a brilliantly written Seinfeld episode featuring senior citizens. But often those conversations suddenly hint at great pain and regret, adding an unexpected gravity. Hilary Swank provides the necessary drive and spunk to make the audience believe she would eventually win the emotionally closed-off Frankie over. The first half of the film, an excellently observed boxing drama, allows the audiences to meet the characters and understand where they are in their lives. However, a big event happens (one that would be inappropriate to reveal in this review) and the second half of the film becomes an old-fashioned melodrama. Eastwood's directorial style can be described as low-key, even when the emotions in the film are practically operatic. This decision will either draw audiences into the characters' struggles, or it will distance viewers who feel the film is not allowing them to feel the emotions as fully as possible. At worst, people will be interested in rather than involved with the characters, but those who respond to Eastwood's style will probably be emotionally devastated. What one is left with is a memory of Eastwood's face, that leathery mask of taciturn male pride, cracking with the recognition of where his own life choices have left him. He has directed better films, but he has never given a better performance. ~ Perry Seibert, All Movie Guide

Cast

Lucia Rijker - Billie "The Blue Bear"; Brian F. O'Byrne - Father Horvak; Margo Martindale - Earline Fitzgerald; Riki Lindhome - Mardell Fitzgerald; Ned Eisenberg - Sally Mendoza; Brian Finney - Irish Fan #1; Ted Grossman - Ring Doctor #2; Bruce MacVittie - Mickey Mack; Tom McCleister - Lawyer; Marco Rodriguez - Second (at Vegas Fight); Spice Williams - Irish Fan #2; Susan Krebs - Rehab Nurse; Steven M. Porter - Ref #6; Miguel Perez - Restaurant Owner; Joe D'Angerio - Cut Man; Mark Chait - J.D. Fitzgerald; Michael Peña - Omar; Erica Grant - Nurse; Mark Thomason - Radio Commentator; Kim Strauss - Irish Fan #3; Benito Martinez - Billie's Manager; Jamison Yang - Paramedic; Ming Lo - Rehab Doctor; V.J. Foster - Ref #3; Dave A. Powledge - Counterman at Diner; Naveen - Pakistani; Bruce Forman - Guitarist; Morgan Eastwood - Little Girl in Truck; Dean Familton - Ref #1; Dr. Louis Moret - Ref #2; Jon D. Scholore II - Ref #4; Marty Sammon - Ref #5; Ray Corona - Ref #7; Jim Cantafio - Ring Doctor #1; Roy Nugent - Fan in Vegas; Don Familton - Ring Announcer; Rob Maron - Irish Fan #4; Kirsten Berman - Irish Fan #5; Sunshine Chantal Parkman - Rehab Nurse #2; Kim Dannenberg - Rehab Nurse #3; Eddie Bates - Rehab Resident

Credit

Jack G. Taylor Jr. - Art Director, Phyllis Huffman - Casting, Bobby Moresco - Co-producer, Deborah Hopper - Costume Designer, Robert Lorenz - First Assistant Director, Clint Eastwood - Director, Joel Cox - Editor, Gary Lucchesi - Executive Producer, Robert Lorenz - Executive Producer, Clint Eastwood - Composer (Music Score), Henry Bumstead - Production Designer, Tom Stern - Cinematographer, Clint Eastwood - Producer, Tom Rosenberg - Producer, Albert S. Ruddy - Producer, Paul Haggis - Producer, Joseph G. Pacelli Jr. - Set Designer, Gary A. Lee - Set Designer, Walt Martin - Sound/Sound Designer, Paul Haggis - Screenwriter, Alan Robert Murray - Supervising Sound Editor, Richard C. Goddard - Set Decorator, F.X. Toole - Short Story Author

Similar Movies

Rocky; Girlfight; Babe; Fat City; Requiem for a Heavyweight; The Champ; The Last Fight
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Wikipedia: Million Dollar Baby
Top
Million Dollar Baby
Directed by Clint Eastwood
Produced by Clint Eastwood
Albert S. Ruddy
Tom Rosenberg
Gary Lucchesi
Written by Short stories:
F.X. Toole
Screenplay:
Paul Haggis
Narrated by Morgan Freeman
Starring Clint Eastwood
Hilary Swank
Morgan Freeman
Music by Clint Eastwood
Cinematography Tom Stern
Editing by Joel Cox
Studio Lakeshore Entertainment
Malpaso Productions
Distributed by US
Warner Bros.
Outside the US
Lakeshore Entertainment
Entertainment Film Distributors
New Line Cinema (Canada)
Release date(s) December 15, 2004 (limited) January 28, 2005 (U.S. general)
Running time 132 min.
Language English
Budget $30 million USD
Gross revenue $216,763,646

Million Dollar Baby is a 2004 film directed, co-produced and scored by Clint Eastwood and starring Eastwood, Hilary Swank, and Morgan Freeman. It is the story of an under-appreciated boxing trainer, his elusive past, and his quest for atonement by helping an underdog amateur female boxer (the film's title character) achieve her dream of becoming a professional. The film won four Academy Awards, including Best Picture.

The screenplay was written by Paul Haggis, based on short stories by F.X. Toole, the pen name of fight manager and "cutman" Jerry Boyd. Originally published under the title Rope Burns, the stories have since been republished under the film's title.

Contents

Plot

Maggie Fitzgerald (Hilary Swank), an amateur who aspires to prove herself by becoming a successful boxer, leaves her Missouri town in the Ozarks for Los Angeles, and is reluctantly taken on by Frankie Dunn (Clint Eastwood), a brilliant but down-and-out boxing trainer who has been cast aside by his colleagues and relatives, including his estranged daughter, Katy. Dunn helps Maggie realize her goal while developing a stronger-than-blood bond with her. Initially, Dunn's attitude towards Maggie is indifferent, because she is female and already 32 years old. Maggie, however, perseveres in her attempts to win Dunn's favor by training each day in his gym, even when others discourage her. Frank's friend and employee, ex-boxer Eddie "Scrap Iron" Dupris (Morgan Freeman) narrates the story in non-dialogue scenes.

Dunn writes to his estranged daughter every week but receives no replies. Dunn's priest cannot fathom why Katy would not respond and instead doubts Dunn's claims that he writes to her. Dunn himself, lacking a close relationship with his daughter, establishes a strong one with Maggie, whose own family cares little for her well-being. When Maggie buys her mother a house, she is not grateful and hounds Maggie for putting the welfare scam she and Maggie's sister are running at risk. Dunn coaches Maggie and manages her professional career. With his expert help, she fights her way up to the women's welterweight boxing division, and eventually ranks high enough for a match in Las Vegas against the WBA women's welterweight champion, Billie the Blue Bear (played by real life boxer Lucia Rijker), who is known to get away with committing fouls.

During the match, an illegal attack by Billie causes Maggie to hit her head and neck on her corner stool, which the frantic Dunn is unable to move out of the way in time. As a result, Maggie is paralyzed from the neck down, and Billie apparently retains the championship with no police charge. Dunn, venting his rage at the injustice, initially blames Scrap for convincing him to train her, but in the end blames himself for having worked with her against his better judgment.

In a medical rehabilitation facility, Maggie hopes that her family including her brother, Mike will visit her, though Dunn repeatedly calls them with no success. Eventually, the family arrives—after first visiting a Universal Studios theme park—with an attorney in tow, to arrange the transfer of Maggie's assets to them. Dunn is appalled, but Maggie gets the last word when she lets her mother know that Maggie actually has the title to the house she gave to them and gives her mom a choice: leave and never contact her again, or have Maggie sell the house and get tossed into the streets without a cent. Her defeated family disappears and does not return. Eventually, she confides to Dunn that she has "seen it all" and asks to be relieved of her suffering. Dunn refuses to help her die, but does speak with his priest, who objects to the idea of euthanasia, sympathetically but firmly saying that it is murder and if Dunn does this he will be lost to everyone including himself. Maggie then attempts suicide by biting her tongue multiple times in an attempt to choke to death on her own blood. Though hospital staff prevent further suicide attempts, Dunn decides that Maggie's suffering should not continue, and he injects her with an overdose of adrenaline.

Just before administering the injection, Dunn finally tells Maggie the meaning of the nickname by which he has called her; the phrase, Mo Cuishle, which he says is Irish for "My darling, my blood". Afterwards, as Scrap explains, Dunn disappears. Scrap's narration is revealed to be a letter to Dunn's daughter, Katy, informing her of her father's true character.

Development and production

The film was stuck in so-called "development hell" for years before it was shot. Several studios rejected the project even when Eastwood signed on as actor and director. Even Warner Bros., Eastwood's longtime home base, wouldn't agree to a USD$30 million budget. Eastwood persuaded Lakeshore Entertainment's Tom Rosenberg to put up half the budget (as well as handle foreign distribution), with Warner Bros. kicking in the rest ($15 million). Eastwood shot the film in 37 days, and the film's total worldwide box office gross is around US$220 million.[1]

Response

The film received highly positive reviews. Roger Ebert gave the film four stars and stated that "Clint Eastwood's Million Dollar Baby is a masterpiece, pure and simple," listing it as the best film of 2004.[2] Michael Medved stated that: "My main objection to Million Dollar Baby always centered on its misleading marketing, and effort by Warner Brothers to sell it as a movie about a female Rocky, with barely a hint of the pitch-dark substance that led Andrew Sarris of the New York Observer to declare that 'no movie in my memory has depressed me more than Million Dollar Baby.'"[3]

In January and February 2005, the film sparked controversy when some disability rights activists protested the ending, in which Frank carries out Maggie's wish to die after she becomes a quadriplegic as a result of a spinal-cord injury. Disability Rights activists believed that the ending supported the euthanasia of disabled people. Conservative commentator Debbie Schlussel panned the film but said it would continue to win awards because "it's Hollywood's best political propaganda of the year ... it supports killing the handicapped, literally putting their lights out."[4] Wesley J. Smith in The Weekly Standard also criticized the movie for its ending and for missed opportunities; Smith said, "The movie could have ended with Maggie triumphing once again, perhaps having obtained an education and becoming a teacher; or, opening a business managing boxers; or perhaps, receiving a standing ovation as an inspirational speaker."[5]

Eastwood responded to the criticism by saying the movie was about the American dream.[6] In an interview with the Los Angeles Times, Eastwood distanced himself from the actions of characters in his films, noting, "I've gone around in movies blowing people away with a .44 magnum. But that doesn't mean I think that's a proper thing to do".[7] Roger Ebert of the Chicago Sun Times, who named the film his favorite of 2004, believes "a movie is not good or bad because of its content, but because of how it handles its content. Million Dollar Baby is classical in the clean, clear, strong lines of its story and characters, and had an enormous emotional impact".[8]

Some Irish speakers have also criticized the fact that the phrase Mo Chuisle, a term of endearment meaning My pulse, was misspelled in the movie as Mo Cuishle, as shown on the back of Maggie's robe.[9] In Irish and other Goidelic languages, consonants soften when followed by a vowel, hence the "c" in "cuisle" turns into a guttural "ch". It is translated in the film as "My darling, my blood". The original phrase is short for A chuisle mo chroí, meaning "O pulse of my heart".[10] The movie has also been praised for stirring interest in the Irish language in the U.S.[10].

Spoiler debate

When describing the plot of the film, Chicago Sun-Times critic Roger Ebert gave a spoiler warning. He noted in his reviews the difficulty of discussing the film without discussing details of the plot, saying that even warning about spoilers would itself be a spoiler.[11] Susan Wloszczyna of USA Today said the film "packs a surprise plot twist" and said "spoilsports already have begun to leak details about this drama", saying "the urge to divulge the story's secrets will only grow worse when the film finally goes nationwide." Wloszczyna noted that David Thomson of The Independent "offered readers only a hint of the story basics" and said "most reviewers have coddled the sports saga with similar care..." Wloszczyna said Thomson said "My great wish always, which is difficult to achieve, is to go in knowing nothing about a film."[12]

Jeffrey Overstreet of Christianity Today avoided giving away plot details, stating that while knowing the nature of the third part wouldn't ruin the film, it would alter the experience significantly.[13] Mark Moring of Christianity Today said, "Who wants to watch a movie when you know how it ends? We've actually had to wrestle with that question around here lately..." Moring said, "We wondered if our "moral obligation" to warn Christians about the potentially disturbing subject matter somehow "trumped" our professional commitment to avoid plot spoilers—especially the worst plot spoiler of all: divulging the end. After some discussion, we agreed that the right decision was to not give away the end to Million Dollar Baby."[14]

Film critic Debbie Schlussel gave a spoiler warning before discussing the plot of the film.[15] Michael Atkinson of The Village Voice said the film had a "spoiler-spawning shift in narrative."[16] Ian Grey of Baltimore City Paper said the last act seems to be from another film at first, and said "Naming this misfortune and its consequences, however, would be an unforgivable spoiler."[17]

There was some commotion about Maggie's ability to speak with a ventilator on her. Of course, this is supposed to be impossible.

Awards

Academy Awards record
1. Best Picture
2. Best Director
3. Best Actress (Hilary Swank)
4. Best Supporting Actor (Morgan Freeman)
Golden Globe Awards record
1. Best Director
2. Best Drama Actress (Hilary Swank)

Million Dollar Baby received the award for Best Picture of 2004 at the 77th Academy Awards. Eastwood was awarded his second Directing Oscar for the film and also received a Best Actor nomination. Swank and Freeman received Best Actress and Best Supporting Actor Oscars, respectively. The film was also nominated for the Film Editing and Writing Adapted Screenplay awards. The film beat what many thought to be the front-runner, Martin Scorsese's The Aviator,[citation needed] which had won the Golden Globe and the BAFTA for Best Drama.

The film was also nominated for and won a number of Golden Globes, SAG Awards, and the Directors Guild Award.

List of awards and nominations

Gross Revenue

Despite an opening weekend of just $12,265,482, the film became a box-office hit both domestically and internationally. The film grossed $216,763,646 in theaters---$100,492,203 in the United States and $116,271,443 overseas. The film played in theaters for six and a half months.[18]

DVD release

The film was released on DVD on July 12, 2005, and all editions of the Region 1 DVD, except for the "Deluxe Edition", came with a paperback copy of the book Rope Burns: Stories from the Corner. A HD DVD release was issued on April 18, 2006, one of only four movies released on the first day of that format[19].

See also

References

  1. ^ Million Dollar Baby info from Box Office Mojo (accessed 4 January 2008)
  2. ^ Ebert, Roger (January 7, 2005). "Million Dollar Baby". rogerebert.com. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20041214/REVIEWS/41201004/1023. Retrieved on 2007-11-26. 
  3. ^ Medved, Michael (February 17, 2005). "My 'Million Dollar' Answer". OpinionJournal / Dow Jones & Company, Inc.. http://www.opinionjournal.com/la/?id=110006305. Retrieved on 2007-11-26. 
  4. ^ Ertelt, Steven (February 3, 2005). "Clint Eastwood's "Million Dollar Baby" Euthanasia Plot Offends Disabled". LifeNews.com. http://www.lifenews.com/bio674.html. Retrieved on 2007-11-26. 
  5. ^ Million Dollar Missed Opportunity
  6. ^ The New York Times > Arts > Frank Rich: How Dirty Harry Turned Commie
  7. ^ "Movie & TV News @ IMDb.com - Studio Briefing - 27 January 2005". Internet Movie Database. 2007-01-25. http://www.imdb.com/news/sb/2005-01-27. Retrieved on 2007-11-27. 
  8. ^ Roger Ebert (2005-01-29). "Critics have no right to play spoiler". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050129/COMMENTARY/501290301. Retrieved on 2007-11-27. 
  9. ^ IrishGaelicTranslator.com. Million Dollar Baby movie
  10. ^ a b Wes Davis Fighting Words. New York Times. February 26, 2005
  11. ^ Roger Ebert (2004-12-14). ":: rogerebert.com :: Reviews :: Million Dollar Baby (xhtml)". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20041214/REVIEWS/41201004/1023. Retrieved on 2007-11-24. 
  12. ^ Susan Wloszczyna (2005-01-23). "USATODAY.com - 'Million Dollar' mystery". USA Today. http://www.usatoday.com/life/movies/news/2005-01-23-million-dollar-baby-mystery_x.htm. Retrieved on 2007-11-24. 
  13. ^ Jeffrey Overstreet (2005-01-07). "Million Dollar Baby". Christianity Today. http://www.christianitytoday.com/movies/reviews/milliondollarbaby.html. Retrieved on 2007-11-24. 
  14. ^ Mark Moring (2005-01-18). "Spoil the Ending?". Christianity Today. http://www.christianitytoday.com/movies/reviews/milliondollarbaby.html. Retrieved on 2007-11-24. 
  15. ^ Debbie Schlussel (2005-01-10). "“Million Dollar Baby’s” Multi-Million Dollar Rip-Off". DebbieSchlussel.com. http://www.debbieschlussel.com/columns/column011004.shtml. Retrieved on 2007-11-24. 
  16. ^ Michael Atkinson (2004-12-13). "Aging Bull". The Village Voice. http://www.villagevoice.com/film/0450,atkinson2,59205,20.html. Retrieved on 2007-11-24. 
  17. ^ Ian Grey (2005-01-12). "Kid Gloves". Baltimore City Paper. http://www.citypaper.com/film/review.asp?rid=8334. Retrieved on 2007-11-24. 
  18. ^ http://boxofficemojo.com/movies/?id=milliondollarbaby.htm
  19. ^ Historical Release Dates for HD DVD Discs, High-Def Digest, accessed 4 January 2008

External links

Awards
Preceded by
The Lord of the Rings:
The Return of the King
Academy Award for Best Picture
2004
Succeeded by
Crash

 
 

 

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