| Miloš Kopecký | |
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| Born | August 22, 1922 Prague, Czechoslovakia (now Czech Republic) |
| Died | February 16, 1996 (aged 73) Prague, Czech Republic |
| Occupation | Actor |
Miloš Kopecký
(Czech) (help·info)(22 August 1922, Prague - 16 February 1996, Prague) was a Czech actor, active mainly in the second half of the 20th century.
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He was born into the family of a furrier, his mother was a hatter. Since his childhood he was involved with the theatre and music, and after some unsuccessful attempts to study he chose the career of an actor. He began to appear on the stage in 1939, as a member of an amateur elocutionary group. During the German occupation of German occupation he performed with the collective of young artists Tvar (The Shape). At the end of the World War 2, he was (having one Jewish parent) interned in the labor camp in Bystřice u Benešova. Following the liberation he took up a career as a professional actor in the avant-garde studio Větrník (from 1945 to 1946), and after that he was engaged in many Prague theatre scenes. A few years later he began to appear also in films and gradually became one of the most popular actors in Czechoslovakia. In the mid-1980's Kopecký acted in a politically biased documentary film about emigrants, but on the other side he presented very critical speech against communist régime in May, 1987, at the IV. Congress of Dramatic Artists.[1] He was married five times, once with Czech actress Stella Zázvorková.[1] Kopecký suffered for many years from manic-depressive disease, partially caused by the death of his mother, who perished in a concentration camp.[1]
Following his engagement in Větrník he appeared in various theatre scenes:
A turning point in his career came in 1965, when the director František Pavlíček engaged him to the Divadlo na Vinohradech, to which he remained faithful throughout the rest of his life. Nonetheless, he acted as a guest also in other theatres, e.g. in Semafor Theatre, or in Divadlo ABC (ABC Theatre), where he cooperated with another important actor of that time, Jan Werich.[1] Among his most valued roles belong the character of Paolino from Pirandello´s play The Man, The Beast and The Virtue, Professor Higgins from G. B. Shaw's Pygmalion, Harpagon from Molière´s play The Miser and many others.[1]
Kopecký was passionate admirer of film from his early age, and he began to appear also on the silver screen shortly after the war. His first minor role was in historic film Jan Roháč z Dubé (1947), but he soon began to act more important characters. During his career he acted mainly the negative roles of bon vivants, elegant intriguers, traitors, debauchees, lechers and villains, which he managed to depict with the great elegance and esprit.[1] Among his most valued roles in film belong e.g. chaplain Katz in Good Soldier Švejk (1956), Horác Badman alias Hogofogo in Limonádový Joe (1964), the chief of the Czech water-goblins in Jak utopit dr. Mráčka aneb Konec vodníků v Čechách (1974), villainous count von Kratzmar in Adéla ještě nevečeřela (1977) and many others. He is probably most known up to now as dr. Štrosmajer from the Czech television series Nemocnice na kraji města.
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