Mirrors

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Plot

Kiefer Sutherland stars as an NYPD detective-turned-security guard who discovers something sinister lurking in the mirrors of a fire-damaged department store in Haute Tension writer/director Alexandre Aja's menacing study in the origins of evil. It's been just about a year since mercurial police detective Ben Carson (Sutherland) was suspended from the NYPD for the fatal shooting of an undercover officer, and ever since that fateful day he's been locked in a self-destructive spiral of anger and alcoholism. Increasingly isolated from his wife and kids, Ben spends most nights crashed-out at his sister Angela's (Amy Smart) apartment in Queens. But Ben hasn't given up hope just yet, and in order to get his life back together and prove that he's still capable of supporting his family he takes a job as the night watchman at the Mayflower department store. The Mayflower used to be a lavish symbol of inner-city prosperity, that is, until a raging inferno gutted the building while claiming numerous lives in the process. These days, the Mayflower is a scorched reminder of human misery, the ornate mirrors therein reflecting a suffering so profound that it begins to wear on Ben's already-fragile psyche. Not only that, but whatever force dwells behind the shimmering glass seems to have gained the power to alter reality as well.

After Ben gazes into the mirrors and sees a vision of himself being relentlessly tortured, he is horrified to experience violent convulsions, spontaneous bleeding, and frightening asphyxiation. And while his sister is always willing to lend a sympathetic ear, she chalks the anomalies up to an unusually potent mix of stress and anxiety. Unfortunately for Ben, his estranged wife, Amy (Paula Patton), isn't nearly as forgiving. A prosaic NYPD medical examiner who has seen her fair share of tragedy, Amy fears that Ben's erratic behavior could be placing their children in danger. Later, as Ben begins to draw connections between his increasingly gruesome visions and a former Mayflower security guard who vanished without a trace, he begins to suspect that an unimaginable evil is using the mirrors as a gateway into the real world, and that his family is in mortal danger from forces beyond their realm of understanding. Perhaps if he Ben can manage to convince Amy that their children's lives are at risk, he can summon the courage to face the greatest evil he has ever known. ~ Jason Buchanan, Rovi

Review

First things first when it comes to Alexandre Aja's Mirrors -- no one could be naïve enough to think that emerging genre talent Aja was above remakes at this point in his career; after all, his third feature as a director was a remake of an American horror classic (The Hills Have Eyes) and his fifth scheduled feature is a remake of the John Sayles-scripted, Joe Dante directed cult killer-fish flick, Piranha. When the trailer for Mirrors initially dropped, though, it appeared that Aja had jumped on the J-horror bandwagon about five years too late. So slavish to the conventions of that particular regional subgenre did it appear to be that one almost expected to see Roy Lee listed as a producer, though fortunately for horror fans, Mirrors isn't quite as paint-by-numbers as the film's unimaginative advertising campaign may have suggested. Anyone who has ever awoken in the middle of the night to gaze into that mirror across the room and wonder if someone -- or something -- was gazing back, unseen, from the other side is bound to be unsettled by the central premise of Mirrors, and despite the fact that Aja and longtime writing partner Gregory Levasseur have made the film a bit top-heavy with jump scares, the truth is that there are some pretty unsettling images and ideas at work here.

Ben Carson (Kiefer Sutherland) is a former NYPD detective who was booted out of the force after accidentally killing an undercover cop. After falling into an anguished alcoholic haze, he's finally attempting to get his life together by tossing out the bottle and going to work as a security guard. He seems to be on the right track, too -- if not a bit on edge -- but that all begins to change after Carson starts noticing strange things in the spotless mirrors of the burnt-out department store he's been charged with safeguarding. Though Carson tries his damnedest to convince his sympathetic sister and estranged wife that sinister forces seem to be at work all around them, both write off his fantastic warnings as the fever-dream result of too much stress or overmedication, leaving them wide open to attack from the force that dwells on the other side of the glass.

As derivative as some of the ideas in Mirrors first appear, Aja and Levasseur do make Carson's race to solve the mystery of the looking glass and save his family a pretty tense affair by contrasting the detective sequences with some fairly gruesome and decently executed death scenes, and once Carson discovers the origins of the curse, Aja pulls out all the stops in order to ratchet up the fear quotient. The visually minded director milks the spooky atmosphere of the fire-damaged department store for all it's worth as well, getting plenty of malevolent mileage out of scenes where a jumpy Sutherland wanders the darkened corridors with his trusty flashlight. A key scene in which his character finally figures out just what's happening behind the glass packs an especially spooky punch; the final showdown is an effects-heavy whopper that strives to disturb by taking things into Exorcist-type territory (though it goes a bit too over-the-top for its own good); and the quietly unsettling coda ends the film on a note that's effectively disorienting and spooky, making Mirrors a passable mainstream diversion that's slightly better than initial appearances may suggest.

Perhaps if Aja and Levasseur could somehow manage to hop off of the remake train, get back to the basics, and go to work crafting some original ideas, they could recapture the gruesome unpredictability of something like High Tension; until that day, it appears that their fans will have to settle for product that's simply too focused on flash to pack any real punch. ~ Jason Buchanan, Rovi

Cast

Erica Gluck - Daisy Carson; Julian Glover - Robert Esseker; John Shrapnel - Lorenzo Sapelli

Credit

Malcolm Stone - Art Director, Steve Bream - Art Director, M.M. Stone - Supervising Art Director, Deborah Aquila - Casting, Kate Dowd - Casting, Tricia Wood - Casting, Jennifer Smith - Casting, Kim Eun-yeong - Co-producer, Eun-Young Kim - Co-producer, Michael Dennison - Costume Designer, Ellen Mirojnick - Costume Designer, Alexandre Aja - Director, Baxter - Editor, Kiefer Sutherland - Executive Producer, Marc S. Fischer - Executive Producer, Arnon Milchan - Executive Producer, Andrew Hong - Executive Producer, Javier Navarrete - Composer (Music Score), Gregory Nicotero - Makeup Special Effects, Howard Berger - Makeup Special Effects, Joseph C. Nemec III - Production Designer, Maxime Alexandre - Cinematographer, Arnon Milchan - Producer, Alexandra Milchan - Producer, Marc Sternberg - Producer, Gregory Levasseur - Producer, Albert Bailey - Sound/Sound Designer, Mark Larry - Sound/Sound Designer, Cedric Proust - Stunts Coordinator, Alexandre Aja - Screenwriter, Gregory Levasseur - Screenwriter, David Fogg - Visual Effects Supervisor, Alex Gruzdev - Re-Recording Mixer, Nick Heckstall-Smith - Second Assistant Director, Gregory Levasseur - Second Assistant Director, Nick Levasseur - Second Assistant Director, Mark Larry - Supervising Sound Editor, Ian Whittaker - Set Decorator, Liz Griffiths - Set Decorator

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Mirrors

Theatrical release poster
Directed by Alexandre Aja
Produced by Alexandre Aja
Grégory Levasseur
Written by Alexandre Aja
Grégory Levasseur
Starring Kiefer Sutherland
Paula Patton
Amy Smart
Cameron Boyce
Music by Javier Navarrete
Cinematography Maxime Alexandre
Editing by Baxter
Studio Regency Enterprises
New Regency
Distributed by 20th Century Fox
Release date(s)
  • August 15, 2008 (2008-08-15) (US)
  • October 10, 2008 (2008-10-10) (UK)
  • November 6, 2008 (2008-11-06) (Australia)
Running time 110 minutes
Country United States
‹See Tfd› Romania
‹See Tfd› Germany
Language English
Budget $35 million
Box office $77,488,607

Mirrors is a 2008 horror film directed by Alexandre Aja, and stars Kiefer Sutherland. The film was first titled Into the Mirror, but the name was later changed to Mirrors.[citation needed] Filming began on May 1, 2007, and it was released in American theaters on August 15, 2008.

The film was originally scripted as a remake of the 2003 South Korean horror film Into the Mirror which is rated PG. However, once Aja was brought on board and read the script, he was dissatisfied with the particulars of the original film's story. He decided to retain the original film's basic idea involving mirrors, and to incorporate a few of its scenes, but otherwise crafted a new story and script for his version of the movie.[1] Mirrors is the first Aja film to achieve an R rating without the need for scenes to be cut.

Contents

Plot

The film begins with a security guard running through a subway station. The guard eventually enters a room he cannot escape from and starts begging his reflection in a mirror for his life. Suddenly, his reflection cuts its throat with a mirror shard, killing the "real" security guard.

Ben Carson (Kiefer Sutherland), a suspended police detective, begins his first day as a night security guard at the Mayflower, a luxury department store that was gutted by a fire and shuttered for close to a decade. The building still contains numerous mirrors from the store.

On Ben's first night of patrol he finds a mirror that appears to be covered with handprints, but only on the reflected side of the glass. He sees an open door in the reflection while it is actually closed. Over time, Ben begins to see more intense visions, which he initially shrugs off as hallucinations. He soon finds the wallet of Gary Lewis, the previous night guard (who died at the beginning of the film). Inside is a note that says "Esseker". After viewing Gary’s crime photos Ben is convinced that the mirrors make people do things to themselves that they are not actually doing.

Meanwhile, Ben's sister, Angela (Amy Smart) is killed by her reflection as it grips its jaw and slowly pull its mouth apart, causing her to bleed profusely. Ben is distraught when he finds her body. In anger, he attempts to destroy the mirrors at the Mayflower, but they are impervious to damage. He demands to know what the mirrors want, and cracks appear on one of the mirrors, spelling out the word "ESSEKER".

Ben enters the flooded basement of the Mayflower and finds a small sign stating "Psychiatric Studies" and "St. Matthew's Hospital" underneath. He moves to the site of the leak and begins pulling at the tiles and brick of the wall and finds a room with a chair surrounded by mirrors beyond it, a Psychomanteum. Realizing that the Mayflower was built on the site of an earlier hospital, Ben asks his police friend Larry (Jason Flemyng) to help him locate the patient-employee manifest for the hospital. Larry finds the name Anna Esseker, a patient of the psychiatric hospital. She was twelve years old at the time and died in a mass suicide.

Ben looks through Anna's file, and finds an Authorization and Consent form that negated her Death Certificate, stating that she had been discharged from the hospital two days before the suicide and is led to believe that Anna is still alive. Meanwhile, Ben's wife Amy (Paula Patton) discovers her son Michael's (Cameron Boyce) reflection acting differently than the real Michael. She calls Ben in a panic, who immediately returns home. Together they cover every reflective surface in the house with green paint.

Ben locates Anna Esseker's childhood home, and discovers that as a child she was violent and uncontrollable, and diagnosed with severe schizophrenia. She was taken in by a doctor from St. Matthew’s Hospital, who believed that she was suffering from a rare personality disorder. His treatment was to confine Anna to a chair surrounded by mirrors, believing this would cure her disorder by forcing her to confront her own reflection. Ben is told by her brother that when she returned, apparently cured, strange things started to happen with the mirrors in their home. As a result her family sent her to a convent, Saint Augustine's Monastery, where mirrors are forbidden.

Ben visits the convent, and finds Anna (Mary Beth Peil), who explains that she was actually possessed by a demon, which was drawn from her and became trapped in the mirrors. She explains that it collects the souls of those it kills and if she were to return it would make it possible for the demon to be brought back into the mortal world. She refuses to go back.

Meanwhile, Amy discovers that Michael is missing at home and a thin reflective layer of water is completely covering the floor. After putting her daughter in a safe closet, she finds Michael using a chef knife to scrape the paint from the mirrors. Amy tries to stop him but he escapes, obviously possessed.

Having threatened her at gunpoint, Ben returns with Anna to the Mayflower and straps her into the chair in the Psychomanteum. Back at Ben's house Michael is suddenly pulled through the water on the floor by his reflection and begins to drown. At the Psychomanteum the lights begin to flicker and the building begins to shake as the demons in the mirrors are released. They repossess Anna and all the mirrors in the Mayflower explode. Simultaneously, Michael is released from the demon's grip and Amy is able to pull him to safety. Ben is then attacked by the repossessed Anna. He manages to kill her igniting a nearby gas line, setting off a huge explosion. The old building collapses, killing the demon, and trapping Ben under the ceiling as he rushes toward the exit.

Ben pulls himself out of the rubble and stumbles his way out of the building. Policemen and firemen are everywhere in the street, and a body is seen taken in a bag by paramedics, but nobody notices Ben. He looks at the older security guard's name tag, and sees it is written backwards, realizing everything is in reverse (like in a mirror). He comes upon a mirrored surface in the city and fails to see his own reflection as he reaches out to touch it. He realizes that he was crushed to death under the rubble and is now trapped in the mirror world, yet in the living world his hand appears as a handprint on the glass surface.

Score

Javier Navarrete used a prior existing work of classical music, "Asturias" by Isaac Albéniz, as the film's main theme.

Reception

Box office

In the United States, Mirrors opened in fourth position making $11.1 million. On its second weekend, it ranked at seventh position, making a further $5 million. The film made a total of $30 million in the United States. In spite of poor reviews, the film did very well at the box office, especially in foreign cinemas, staying in the top five for its opening weekend in several countries including France, Mexico and United Kingdom, where it consistently ranked #2.[2][3][4] It topped in the Hong Kong box office with $228,481[5] and stayed at the third place in Philippines and Spain.[6][7] In South Korea and Russia it took #4 at the box office in its opening weekend.[8][9] The film grossed $72,436,439 worldwide, including $41,745,000 from foreign cinemas.[10]

Critical reception

The film received generally negative reviews. The review aggregator Rotten Tomatoes reported that 15% of critics gave the film positive reviews based on 67 reviews.[11] Metacritic reported the film had an average score of 35 out of 100, based on 13 reviews.[12]

Sequel

On October 8, 2009, the director Victor Garcia announced that he would begin to shoot a sequel,[13][14] which would be released direct-to-DVD by 20th Century Fox.[15][16] The sequel was released on October 19, 2010.[17]

References

  1. ^ "Movieweb: EDIT BAY VISIT: We Look Deep Into Alexandre Aja's Mirrors". http://www.movieweb.com/news/29/28129.php. 
  2. ^ "Mirrors (2008): Reviews". Box Office Mojo. http://www.boxofficemojo.com/intl/france/?yr=2008&wk=37&p=.htm. Retrieved 2008-11-03. 
  3. ^ "Mirrors (2008): Reviews". Box Office Mojo. http://www.boxofficemojo.com/intl/mexico/?yr=2008&wk=40&p=.htm. Retrieved 2008-11-03. 
  4. ^ "Mirrors (2008): Reviews". Box Office Mojo. http://www.boxofficemojo.com/intl/uk/?yr=2008&wk=41&p=.htm. Retrieved 2008-11-03. 
  5. ^ "Mirrors (2008): Reviews". Box Office Mojo. http://www.boxofficemojo.com/intl/hongkong/?yr=2008&wk=42&p=.htm. Retrieved 2008-11-03. 
  6. ^ "Mirrors (2008): Reviews". Box Office Mojo. http://www.boxofficemojo.com/intl/philippines/?yr=2008&wk=40&p=.htm. Retrieved 2008-11-03. 
  7. ^ "Mirrors (2008): Reviews". Box Office Mojo. http://www.boxofficemojo.com/intl/spain/?yr=2008&wk=40&p=.htm. Retrieved 2008-11-03. 
  8. ^ "Mirrors (2008): Reviews". Box Office Mojo. http://www.boxofficemojo.com/intl/korea/?yr=2008&wk=38&p=.htm. Retrieved 2008-11-03. 
  9. ^ "Mirrors (2008): Reviews". Box Office Mojo. http://www.boxofficemojo.com/intl/cis/?yr=2008&wk=34&p=.htm. Retrieved 2008-11-03. 
  10. ^ "Mirrors (2008): Reviews". Box Office Mojo. http://www.boxofficemojo.com/movies/?id=mirrors.htm. Retrieved 2008-11-03. 
  11. ^ "Mirrors Movie Reviews, Pictures - Rotten Tomatoes". Rotten Tomatoes. http://www.rottentomatoes.com/m/1197016-mirrors/. Retrieved 2008-08-21. 
  12. ^ "Mirrors (2008): Reviews". Metacritic. http://www.metacritic.com/film/titles/mirrors?q=mirrors. Retrieved 2008-08-15. 
  13. ^ More "Details Revealed about Mirrors 2". DreadCentral. http://www.dreadcentral.com/news/33925/more-details-revealed-about-mirrors-2 More. 
  14. ^ "Dread Central Visits the Set of Mirrors 2". DreadCentral. http://www.dreadcentral.com/news/35060/dread-central-visits-set-mirrors-2. 
  15. ^ "'Mirrors II' Director Revealed, Synopsis!". BloodyDisgusting. http://www.bloody-disgusting.com/news/17637. 
  16. ^ "Mirrors 2 Goes Before the Cameras, Plot and Cast Details". DreadCentral. http://www.dreadcentral.com/news/34940/mirrors-2-goes-before-cameras-plot-and-cast-details. 
  17. ^ Amazon: Mirros 2

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