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Mitch Mitchell

 
Artist: Mitch Mitchell

Followers:

Bill Ward, Stephen Perkins, Matt Cameron, Scott Asheton, Marty Namaro, Pete Constantinou

Worked With:

Formal Connection With:

Screaming Lord Sutch, Bob Tench, The Jimi Hendrix Experience, Jimi Hendrix
  • Born: June 09, 1947, Ealing, England
  • Died: November 12, 2008, Portland, OR
  • Active: '60s, '70s, '80s
  • Genres: Rock
  • Instrument: Drums

Biography

As the drummer in the Jimi Hendrix Experience, Mitch Mitchell was one of the greatest rock drummers of the 1960s. Mitchell's style was a blend of the abandon of someone like Keith Moon with the jazz complexity of a sticksman like Elvin Jones. While no one, including Mitchell, could match Moon for sheer rock power, it's also true that Mitchell had the technique to handle some rhythms and patterns that were beyond Moon's abilities. Mitchell was drummer on all of the Hendrix Experience's recordings and some of his post-Experience solo outings, and was still in his touring band when Hendrix died in September 1970.

Mitchell was a former child actor who had starred in the BBC children's television series Jennings before he was even in his teens. By the early '60s he was concentrating on his drumming, and gained experience in bands such asPeter Nelson & the Travellers and the Coronets. He also started doing some session work, and was a member of the Riot Squad, who had about half a dozen soul-rock singles in the mid-'60s without getting a hit. He played on some of the Pretty Things' second album, Get the Picture? He was considered for the permanent drum seat in the band when Viv Prince left, but was passed over in favor of Skip Alan, whom the Pretties felt had a more suitable personality.

Mitchell played in Georgie Fame & the Blue Flames during 1965 and 1966, but was fired in October 1966 when the lineup disbanded. The day after the firing, Chas Chandler invited him to audition for the group being formed around Jimi Hendrix. Mitchell beat out a lot of top young talent in London, including the other finalist, Aynsley Dunbar. Chandler later said that, unable to make up their minds, he and Hendrix tossed a coin, the flip coming out, fortunately for everyone concerned (except Dunbar), in Mitchell's favor. Mitchell was not a mere sideman to Hendrix, but an important collaborator. Always changing rhythms, never predictable, he was also flexible enough to bounce off and respond to Hendrix's own original solo lines. This was evident on the very first singles and the trio's first album, Are You Experienced?, as can be heard on the thrilling drum parts on tracks like "Fire," "Third Stone from the Sun," and "Manic Depression."

The Jimi Hendrix Experience as originally formed -- Hendrix, Mitchell, and bassist Noel Redding -- played their last show in mid-1969. There followed a confusing period in which Hendrix was obviously unsure of where to take his music and who to bring along for the ride, or perhaps even whether he wanted a permanent band lineup of any sort. Mitchell played behind Hendrix at his famous Woodstock performance, but then Hendrix started playing and recording with the Band of Gypsys, with Billy Cox on bass and Buddy Miles on drums. The Band of Gypsys didn't go smoothly, and the original Experience was re-formed in early 1970, but fell apart almost immediately. By the spring of 1970, Hendrix was playing with Cox on bass and Mitchell on drums. Mitchell has written that Hendrix, after finishing a strenuous tour in September 1970, wanted to keep working with Mitchell, a different bass player than Cox (possibly Jack Casady or Jack Bruce), and other musicians, possibly including the Brecker Brothers and Motown players. Hendrix died before any plans were made. Mitchell, unfortunately, has rarely recorded since, a shame as he obviously had the talent to work with top-flight rock and perhaps jazz and experimental musicians.

Some revisionist historians have contended that Mitchell and Redding were white faces hitched to Hendrix by pop-conscious management, and that Hendrix's heart lay with black musicians who were closer to the guitarist's blues and soul heritage. Looking at the available evidence, however, it seems impossible to conclude that Hendrix was merely putting up with Mitchell because of outside pressures that prevented him from collaborating with black musicians. Ultimately, Mitchell was the musician with whom Hendrix had the most important and sustained creative relationship out of the many people he led or supported, both onstage and on record. With John Platt, Mitchell wrote a memoir of his Hendrix years, Jimi Hendrix: Inside the Experience, recommended for its first-hand perspective and emphasis upon the musical cornerstone of the Hendrix legend. ~ Richie Unterberger, All Music Guide
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Mitch Mitchell

Background information
Birth name John Mitchell
Born 9 July 1947(1947-07-09)
Ealing, Middlesex, England
Died 12 November 2008 (aged 62)
Portland, Oregon, USA
Genres Rock, psychedelic rock, hard rock, jazz fusion
Instruments Drums, vocals
Years active 1966-2008
Associated acts The Coronets, Johnny Harris and the Shades, The Pretty Things, Georgie Fame, The Riot Squad, The Jimi Hendrix Experience, Gypsy Sun and Rainbows, Gypsy Sun Experience, The Dirty Mac, Ramatam

John "Mitch" Mitchell (9 July 1947 – 12 November 2008) was an English drummer, best known for his work in The Jimi Hendrix Experience.

Contents

Biography

Early life and the Jimi Hendrix Experience

Before joining the Jimi Hendrix Experience, Mitchell gained considerable musical experience touring and playing as a session musician. He also had an acting background, and had starred in a children's television programme, Jennings and Derbyshire, when he was a teenager.[1] Pre-Experience bands included Johnny Harris and the Shades, The Pretty Things, The Riot Squad, and Georgie Fame and the Blue Flames. He had also worked in Jim Marshall's (creator of the Marshall amplifier) music shop in London.[2]

Mitchell was praised for his work with the Jimi Hendrix Experience on songs such as "Manic Depression", "Voodoo Child (Slight Return)", "Fire" and "Third Stone from the Sun". Mitchell came from a jazz background and like many of his drummer contemporaries was strongly influenced by the work of Elvin Jones, Max Roach, and Joe Morello.[3]

Mitchell played in Hendrix's Experience trio from October 1966 to mid-1969, in his Woodstock band of August 1969, and also with the later incarnation of the Experience in 1970 with Billy Cox on bass, known as the "Cry of Love" band. Hendrix would often record tracks in the studio with only Mitchell, and in concert the two fed off of each other to exciting effect.[2]

In December 1968, Mitchell played in the band The Dirty Mac assembled for The Rolling Stones Rock and Roll Circus in 1968. Other members included John Lennon as vocalist and rhythm guitarist "Winston Leg-Thigh"; Eric Clapton as guitarist, and Keith Richards as bassist. The group recorded a cover of "Yer Blues" as well as a jam called "Whole Lotta Yoko".[2]

Another noteworthy musical collaboration in the late 1960s was with the Jack Bruce and Friends band featuring Mitchell along with ex-Cream bassist and vocalist Jack Bruce, keyboardist Mike Mandel and jazz-fusion guitarist and future The Eleventh House frontman Larry Coryell. Mitchell played in this band during late 1969 and early 1970, when Hendrix was working with the Band of Gypsys.

Mitchell also took part in some of Miles Davis' demo sessions for Miles' 1969 album Bitches Brew, but does not appear on the final album.

Post-Hendrix

After Hendrix's death, Mitchell (with engineer Eddie Kramer) finished production work on multiple incomplete Hendrix recordings, resulting in the posthumous releases The Cry of Love and Rainbow Bridge. In 1972, he teamed up with guitarists Mike Pinera (from Iron Butterfly) and April Lawton to form the innovative act Ramatam. They recorded one album and were Emerson, Lake & Palmer's opening act at a number of concerts. Interestingly, Mitchell had been offered the drum spot in ELP during 1970, but turned it down in favour of playing with Hendrix. Ramatam never achieved commercial success and Mitchell left the act before their second LP was released. Mitchell also performed in some concerts with Terry Reid, Jack Bruce and Jeff Beck (substituting for drummer Cozy Powell, then sick).

According to John McDermott's book Hendrix: Setting the Record Straight, Michael Jeffery, Hendrix's manager, relegated Mitchell and Noel Redding to paid employees without an ownership share in future revenues. This limited their earnings to a low rate and led to Mitchell and Redding being largely excluded from sharing in future revenues generated from their work with the Experience. This arrangement pressured Mitchell in the mid-1970s to sell a prized Hendrix guitar. In addition, he sold his small legal claim to future Hendrix record sales for a sum reported to be about $200,000. In 1974, he auditioned for Paul McCartney's band Wings, but was turned down in favour of drummer Geoff Britton.

For the rest of the 1970s through to the 1990s, Mitchell continued to perform and occasionally record, usually under the radar of most of his fans. He kept reasonably busy with session work (such as Junior Brown's Long Walk Back album) as well as participating in various Hendrix-related recordings, videos, and interviews.

In 1999, Mitchell appeared on the Bruce Cameron's album Midnight Daydream that included Billy Cox and Buddy Miles along with Jack Bruce. Mitchell, seemingly in an attempt to satisfy the most enthusiastic fans of his drum work with Hendrix, even played a series of live shows with the Hendrix emulator Randy Hansen. Most recently, he was part of the Gypsy Sun Experience, along with Cox and guitarist Gary Serkin. He became semi-retired, living in Europe.

In 2005, he was named the 23rd greatest drummer of all time by Rolling Stone.

Death

His last days were spent celebrating Hendrix's music on the 2008 Experience Hendrix Tour. For nearly four weeks the tour travelled coast to coast in an 18-city tour in the US, finishing in Portland, Oregon.[4] The tour also featured Buddy Guy, Jonny Lang, Kenny Wayne Shepherd, Eric Johnson, Cesar Rosas, David Hidalgo, Aerosmith's Brad Whitford, Hubert Sumlin, Chris Layton as well as Eric Gales and Mato Nanji. Five days after the tour ended Mitchell was found dead at about 3am on November 12, in his room at the Benson Hotel in downtown Portland.[5] Following medical tests, it was revealed by the Multnomah County Medical Examiner's Office that Mitchell had died in his sleep of natural causes.[6][7] He was the last surviving member of the original Experience. Mitchell had planned to leave Portland that day to return to his home in England.[citation needed]

Style

Mitchell pioneered a style of drumming which would later become known as fusion. This is a "lead" style of playing distinguished by interplay with lead instruments such as guitar or keyboards, and the blending of jazz and rock drumming styles. Though the use of lead drums was not a new concept in the world of jazz, it was relatively unheard of in the rock genre at the time. Upon joining Hendrix in late 1966, it soon became evident to Mitch that the trio format of the band was similar to the recently formed Cream, and that it would allow him an opportunity to become more free with his playing. Like a jazz drummer, Mitchell's playing not only provided a rhythmic support for the music, but also a source of momentum and melody. He made heavy use of snare rudiments, fast single and double stroke rolls, and jazz triplet patterns in his playing, and shifted between both traditional and matched grips. Notable examples of his style include the rudiment-heavy fills on Hey Joe, which help to carry the song through a series of increasingly intense climaxes. Manic Depression is a 3/4 rock waltz that finds Mitchell playing a driving Afro-Cuban inspired beat, which then shifts to an explosion of triplets all around the drumkit during the outro.

Third Stone from the Sun incorporates a swing ride pattern to underpin Hendrix's jazzy surf guitar, and the spacey breakdown section features polyrhythmic drum fills that float over the 4/4 meter. 1983... (A Merman I Should Turn to Be) features military-style snare drum work and delicate cymbal playing that evokes the sound of wind chimes. The long blues jam Voodoo Chile features Mitchell playing a deep blues groove with subtle hi-hat accenting and powerful drum fills that help to propel the song to new heights. Alongside Hendrix's revolutionary guitar work and songwriting, Mitchell's playing helped redefine rock music drumming.[8]

Discography

References

External links


 
 

 

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