Morrison Hotel

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  • Artist: The Doors
  • Rating: StarStarStarStarHalf Star
  • Release Date: 1970
  • Total Time: 37:05
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

The Doors returned to crunching, straightforward hard rock on Morrison Hotel, an album that, despite yielding no major hit singles, returned them to critical favor with hip listeners. An increasingly bluesy flavor began to color the songwriting and arrangements, especially on the party'n'booze anthem "Roadhouse Blues." Airy mysticism was still present on "Waiting for the Sun," "Queen of the Highway," and "Indian Summer"; "Ship of Fools" and "Land Ho!" struck effective balances between the hard rock arrangements and the narrative reach of the lyrics. "Peace Frog" was the most political and controversial track, documenting the domestic unrest of late-'60s America before unexpectedly segueing into the restful ballad "Blue Sunday." "The Spy," by contrast, was a slow blues that pointed to the direction that would fully blossom on L.A. Woman. ~ Richie Unterberger, Rovi

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Morrison Hotel
Studio album by The Doors
Released February 1, 1970
Recorded November 1969
"Indian Summer": late August 1966
"Waiting for the Sun" begun in March 1968
Genre Blues rock, psychedelic rock
Length 37:05
Label Elektra
Producer Paul A. Rothchild
The Doors chronology
The Soft Parade
(1969)
Morrison Hotel
(1970)
L.A. Woman
(1971)

Morrison Hotel (sometimes referred to as Hard Rock Café from the title of the first side of the LP, whose second side is titled Morrison Hotel) is The Doors' fifth album. It was released in 1970. After their experimental work The Soft Parade was not as well-received as anticipated, the group went back to basics and back to their roots. On this album, there is a slight steer toward blues, which would be fully explored by the band on their next album, L.A. Woman. The strategy worked; even though no major hit singles were drawn from the album, Morrison Hotel reestablished The Doors as favorites of the critics, peaking at #4 on the US album chart, and when they followed with L.A. Woman the next year, they were rewarded with two more US Top 20 hits. The album also became the band's highest charting studio album in the UK, where it peaked at #12.

Additional musicians include G. Puglese (a.k.a. John Sebastian)[1] on harmonica and Lonnie Mack on bass.

The cover photo was taken at the actual Morrison Hotel located at 1246 South Hope Street in Los Angeles. The band asked the owners if they could photograph the hotel and they declined, so the band went inside when nobody was looking and took the photograph.[1] The rear cover features a photograph of the Hard Rock Café on 300 East 5th Street, Los Angeles.[2] The founders of the later and otherwise unrelated Hard Rock Cafe chain used the name, having seen it on the Doors' album. The original cafe is no longer open for business.

Contents

Track listing

Side one: "Hard Rock Café"

  1. "Roadhouse Blues" (Jim Morrison, The Doors) – 4:03
  2. "Waiting for the Sun" (Morrison) – 3:58
  3. "You Make Me Real" (Morrison) – 2:53
  4. "Peace Frog" (Morrison, Robby Krieger) – 2:51
  5. "Blue Sunday" (Morrison) – 2:13
  6. "Ship of Fools" (Morrison, Krieger) – 3:08

Side two: "Morrison Hotel"

  1. "Land Ho!" (Morrison, Krieger) – 4:10
  2. "The Spy" (Morrison) – 4:17
  3. "Queen of the Highway" (Morrison, Krieger) – 2:47
  4. "Indian Summer" (Morrison, Krieger) – 2:36
    • Outtake from The Doors' debut album sessions (Recorded late August 1966)
  5. "Maggie M'Gill" (Morrison, The Doors) – 4:23

40th Anniversary CD bonus tracks

  1. "Talking Blues" - 0:59
  2. "Roadhouse Blues" (Takes 1–3, recorded November 4, 1969) - 8:47
  3. "Roadhouse Blues" (Take 6, recorded November 4, 1969) - 9:26
  4. "Carol" - 0:56
  5. "Roadhouse Blues" (Take 1, recorded November 5, 1969) - 4:32
  6. "Money Beats Soul" - 1:04
  7. "Roadhouse Blues" (Takes 13–15, recorded November 5, 1969) - 6:21
  8. "Peace Frog" (False Starts & Dialogue) - 2:00
  9. "The Spy" (Version 2) - 3:48
  10. "Queen of the Highway" (Jazz Version) - 3:36

The 40th anniversary reissues were completely remixed along with being remastered. This practice extended to incorporating vocal and instrumental components which were not part of the original album. As Ray Manzarek said, "There are background vocals by Jim Morrison, piano parts of mine that weren't used, and guitar stingers and solos by Robby Krieger that never made the original recordings, that can now be heard for the first time."

Reception

Professional ratings
Review scores
Source Rating
Robert Christgau B+[3]
Allmusic 4.5/5 stars[4]
Rolling Stone (mixed)[5]
Slant Magazine 3/5 stars[6]

Morrison Hotel was, upon its release, seen by many as a comeback for the Doors following the critical failure of The Soft Parade and the Miami incident of 1969. Dave Marsh, the editor of Creem magazine, said of the album that it was: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far",[7] while Rock Magazine called it "without any doubt their ballsiest (and best) album to date".[7] Circus Magazine praised it as "possibly the best album yet from the Doors" and "Good hard, evil rock, and one of the best albums released this decade".[7]

Personnel

The Doors
Additional musicians
Technical staff and artwork

Chart positions

Album

Year Chart Position
1970 Pop Albums 4

Singles

Year Single Chart Position
1970 "You Make Me Real"
B-side: "Roadhouse Blues"
Pop Singles 50

In popular culture

External links

References

  1. ^ a b Densmore, John (1991). Riders on the Storm: My Life with Jim Morrison and The Doors. London: Bloomsbury, Arrow. pp. 234-237, 244. ISBN 0-09-993300-4. 
  2. ^ Feelnumb.com: The Doors Original “Hard Rock Cafe”, November 17th, 2009
  3. ^ Robert Christgau Review
  4. ^ Allmusic Review
  5. ^ "Album Review". Rolling Stone Magazine, Lester Bangs. http://www.rollingstone.com/music/reviews/album/2747/21416. Retrieved 14 July 2010. 
  6. ^ Slant Magazine Review
  7. ^ a b c J. Hopkins and D. Sugerman: No One Here Gets Out Alive, p. 284

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