(b Vienna, 24 Aug 1856; d Munich, 2 July 1911). Austrian conductor,composer and editor. He studied at the Vienna Conservatory, where he was in Bruckner's theory class. As conductor of the court opera in Karlsruhe (1881-1903) he made standards virtually second to none in Germany. From 1886, when he first worked at Bayreuth, he became internationally known for his Wagner performances (noted for their clarity). He moved to the Munich opera house in 1903. Besides editing vocal scores of Wagner's operas he made orchestral arrangements of German songs and French ballet music, also composing stage works and songs.
| Felix Mottl | |
|---|---|
| Background information | |
| Born | 1856 Unter Sankt Veit, Austria |
| Died | 2 July 1911 (age 54) Munich, Germany |
| Genres | Classical |
| Occupations | Conductor, pedagogue |
| Associated acts | Bayerisches Staatsorchester |
Felix Josef von Mottl (1856 – 2 July 1911) was an Austrian conductor and composer. He was regarded as one of the most brilliant conductors of his day.[1] He composed three operas, of which Agnes Bernauer (Weimar, 1880) was the most successful, as well as a string quartet and numerous songs and other music. His orchestration of Wagner's Wesendonck Lieder is still the most commonly performed version. He was also a teacher, counting among his pupils Ernest van Dyck and Wilhelm Petersen.
Born in Unter Sankt Veit, today Hietzing, Vienna, Mottl's birth date has been reported variously as 29 July,[1] 24 August,[2] and 29 August.[3] After early voice training at the Löwenburg Konvikt, a training school for the Imperial Court Chapel, Mottl had a successful career at the Vienna Conservatoire.[1] He became known as a gifted conductor of Wagner's music, and assisted Hans Richter in the preparations for the first complete Ring Cycle at Bayreuth; in 1886 he directed the performance of Tristan und Isolde at the Bayreuth Festival. From 1881 to 1903 he was conductor at the Karlsruhe Opera, and made a wide reputation for his activity there, particularly in producing the works of Wagner, Hector Berlioz and Emmanuel Chabrier, whose operas he championed; Mottl also orchestrated Chabrier's Bourrée fantasque and Trois valses romantiques. In later years, as a conductor of Wagner especially, he visited London and New York, where he was guest conductor for the Metropolitan Opera in 1903. In 1904 he was made a director of the Akademie der Künste at Berlin.
In June 1907 he cut some player piano rolls with Welte-Mignon, including his own piano transcription of the Prelude, the Love Duet and Brangäne's Warning from Tristan. He suffered a heart attack on 21 June 1911, while conducting his 100th performance of Tristan in Munich. He was taken to hospital, where he died 11 days later, on 2 July, but not before marrying his longtime mistress, the soprano Zdenka Fassbender.[4]
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
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