Opera in one act by Rimsky-Korsakov to his own libretto after Pushkin (1898, Moscow).
| Music Encyclopedia: Mozart and Salieri |
Opera in one act by Rimsky-Korsakov to his own libretto after Pushkin (1898, Moscow).
| Wikipedia: Mozart and Salieri |
| Operas by Nikolai Rimsky-Korsakov |
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The Maid of Pskov (1872) |
Mozart and Salieri (Russian: Моцарт и Сальери , Motsart i Sal’yeri) is a one-act opera in two scenes by Nikolai Rimsky-Korsakov, to a Russian libretto taken almost verbatim from Alexander Pushkin's 1830 verse drama of the same name.
The story follows the apocryphal legend that Antonio Salieri poisoned Wolfgang Amadeus Mozart out of jealousy over the latter's music.[1] Rimsky-Korsakov incorporated quotations from Mozart's Requiem and Don Giovanni into the score. Richard Taruskin has placed this opera in the historical context of the development of the realistic tradition in Russian opera.[2]
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The first performance took place at the Solodovnikov Theater in Moscow, presented by the Moscow Private Russian Opera, Moscow on 7 December 1898 (O.S. 25 November. The conductor was Iosif Truffi and scenic designer was Mikhail Vrubel.
Fyodor Chaliapin, who originated the role of Saleri claimed to have often sung the piece as a monodrama, as the role of Mozart goes no higher than g and was within his range.
The first U.S. performance took place in Forest Park, Pennsylvania, in 1933.[3]
| Role | Voice type | Premiere cast Moscow, 7 December 1898 (Conductor: Iosif Truffi) |
|---|---|---|
| Mozart | tenor | Vasily Shkafer |
| Salieri | baritone | Fyodor Shalyapin |
| A blind fiddler | silent role | |
| Offstage chorus: sings a few bars of Mozart's Requiem Mass in the second scene. | ||
Time: End of the 18th century
Salieri enjoys high social position as a composer, and has dedicated himself to the service of his art. Secretly, however, he is jealous of Mozart's works because he recognizes their superior quality, especially given what he sees as the "idle" character of Mozart. Salieri invites Mozart to dinner and plans to poison him.
Mozart and Salieri are dining at an inn. Mozart is troubled by his work on his Requiem, which an anonymous stranger in black commissioned from him. Mozart notes that Pierre Beaumarchais and Salieri were once friends, but then asks if it is true that Beaumarchais once poisoned someone. Salieri then surreptitiously pours poison into Mozart's drink. Mozart begins to play at the keyboard, as Salieri begins to cry. Mozart sees this, but Salieri urges Mozart to continue. Mozart begins to feel ill, and leaves. Salieri ends the opera singing farewell to Mozart and comparing himself to Michelangelo.
Audio Recordings (Mainly studio recordings)
Source: www.operadis-opera-discography.org.uk
Motsart i Salyeri (Russian)
Mozart und Salieri (German)
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| Amadeus (American Theater) | |
| Antonio Salieri | |
| Amadeus (Style) (play) |
| What music did Mozart and Salieri play? | |
| Salieris musical skill when mozart was on his deathbed? | |
| Salieri was not the anonymous patron who commissioned the requiem mass from mozart who did? |
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