AMG AllMovie Guide:

Mr. & Mrs. Smith

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Plot

In Hitchcock's rare foray into comedy (courtesy of a wittily risque script by Norman Krasna), Mr. Smith (Robert Montgomery) makes the mistake of telling Mrs. Smith (Carole Lombard) that if he had it to do all over again, he might not have married her. Shortly thereafter, Mr. Smith discovers that his marriage is invalid. Rather than say goodbye, the newly aroused Mr. Smith attempts to entice Mrs. Smith into the bedroom, thrilled at the prospect of an "illicit" romance. But Mrs. Smith has also been apprised that her marriage is no more--and, remembering Mr. Smith's "second thoughts", she kicks him out of the house. This comedy of misunderstanding rolls merrily along from this point onward, accommodating an uproarious scene at a fancy restaurant, a near-liaison between Mrs. Smith and new beau Gene Raymond on the World's Fair parachute jump, and a farcical denouement at a ski lodge, with Mrs. Smith's conjugally crossed skis symbolizing the carnal pleasures ahead for both Mr. and Mrs. Smith. ~ Hal Erickson, Rovi

Review

Mr. and Mrs. Smith is an enjoyable romantic comedy that mines the screwball vein without quite finding a rich lode therein. It has the elements that great screwball comedies require -- an eccentric leading lady with madcap tendencies, a leading man at odds with her, a series of comic misunderstandings that all evolve from one central plot point, an able supporting cast, a setting among the Park Avenue class -- but this particular highball doesn't get the mixtures right and so lacks a kick. Part of this is due to Alfred Hitchcock, whose direction is assured when it needs to be frantic. Hitchcock gives us the laughs, mind you, but they're laid-back chuckles rather than guffaws. Still, even if one misses the frenetic pacing that the material seems to call for, there's something reassuring about the unhurried, confident tone Hitchcock lends to the piece. Certainly, one is in very amiable company with the likes of a luscious Carole Lombard, a smooth Robert Montgomery, and an amusing Gene Raymond. If Smith never quite explodes, it still fizzes along very nicely. ~ Craig Butler, Rovi

Cast

Betty Compson - Gertie; Lucile Watson - Mrs. Custer; William Tracy - Sammy; Charles Halton - Mr. Deever; Esther Dale - Mrs. Krausheimer; Emma Dunn - Martha; Patricia Farr - Gloria; William Edmunds - Owner of Lucy's; Adele Pearce - Lily; Ernie Alexander - Bellhop; Murray Alper - Harold the Driver; Pamela Blake - Lily; Ralph Brooks - Waiter Captain; Georgia Carroll - Pretty Girl; Francis Compton - Mr. Flugle; Alec Craig - Thomas the Clerk; Ralph Dunn - Cop; James Flavin - Escort; Jack Gardner - Elevator boy; Sam Harris; Robert Emmett Keane - Section Manager; Beatrice Maude - Secretary to Jeff; Emory Parnell - Conway; James Pierce - Doorman; Ralph Sanford - Store checker; Allen Wood - Bellhop; Margo Woode - Secretary to David; Frank Mills - Cab Driver; Ronnie Rondell - Waiter captain

Credit

Van Nest Polglase - Art Director, L.P. Williams - Art Director, Irene Sharaff - Costume Designer, Dewey Starkey - First Assistant Director, Alfred Hitchcock - Director, Willaim Hamilton - Editor, Edward Ward - Composer (Music Score), Roy Webb - Composer (Music Score), Roy Webb - Musical Direction/Supervision, Harry Stradling - Cinematographer, Harry E. Edington - Producer, Darrell Silvera - Set Designer, Vernon Walker - Special Effects, Norman Krasna - Screenwriter

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Mr. & Mrs. Smith

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Mr. & Mrs. Smith (1941 film)

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For other uses see Mr. & Mrs. Smith
Mr. & Mrs. Smith

original film poster
Directed by Alfred Hitchcock
Produced by Harry E. Edington
Written by Norman Krasna
Starring Carole Lombard
Robert Montgomery
Gene Raymond
Music by Edward Ward
Cinematography Harry Stradling Sr.
Editing by William Hamilton
Distributed by RKO Radio Pictures
Release date(s) January 31, 1941
Running time 95 minutes
Country United States
Language English
Budget $743,000[1]
Box office $1,400,000[2]

Mr. & Mrs. Smith is a 1941 screwball comedy film directed by Alfred Hitchcock, written by Norman Krasna, and starring Carole Lombard and Robert Montgomery. It also features Gene Raymond, Jack Carson, Philip Merivale and Lucile Watson.

While Hitchcock later claimed he directed the film – the only pure comedy he made in America – as a favour to Lombard, the files at RKO Radio Pictures show that Hitchcock himself pursued the project.[3]

Contents

Plot

Ann (Carole Lombard) and David Smith (Robert Montgomery) are a happily married couple living in New York. One morning, Ann asks David if he had to do it over again, would he marry her? To her disappointment, he answers he wouldn't. Later that day, they both separately find out that, due to a complication when they married three years earlier, they are in fact not legally married. Ann does not mention this to David, and thinks he will remarry her that very night after he takes her out to a romantic dinner. When this does not happen, she angrily kicks David out of their home.

David spends the night at his club, where a friend advises him to just wait a day, and then go back home. But when David drops by after work, Ann announces behind a closed door that she is not married to David, and has no intention of ever marrying him.

An angry and disheartened David takes to following Ann around, in the process interrupting a date and getting her fired from her job. A friend and co-worker of David, Jeff (Gene Raymond), tells David he will talk to Ann and persuade her to remarry David. But when David shows up later that evening, he finds that Jeff has instead arranged a date with Ann the following night. David arranges a blind date at the same restaurant, but his date is vulgar and rude and the affair ends in disaster.

Later, Ann and Jeff go to the World's Fair, but become stuck on a ride and are forced to sit through several hours of rain many feet up in the air.

Ann and Jeff begin to date seriously, and Ann even meets Jeff's parents, an event that quickly becomes awkward when David barges in. To escape, Ann and Jeff decide to take a vacation with Jeff's parents at a skiing resort—the same resort where Ann and David had earlier been planning to holiday. Upon arriving at the resort, they find that David has rented a cabin right next to them, but when confronted, David simply faints. David spends the next few hours pretending to be sick and delirious while Ann fawns over him, but when Ann discovers his deception, she yells at him and leaves. Ann then loudly stages a pretend one-way conversation with Jeff in order for David to see they are very serious about each other. This falls through when David storms in to find her talking to thin air. In the end, Ann and David, once the picture of a happy couple, are screaming at each other when Jeff walks in. Ann then attacks Jeff for not beating up David, and Jeff and his parents leave in a huff.

Ann, alone at last, struggles with her skis until David offers to help her, then lifts up her legs so that she cannot get up. When Ann yells at him, he just bends down and kisses her, silencing her.

Cast

Alfred Hitchcock can be seen passing Robert Montgomery in front of his building, at about 43 minutes into the film. Lombard herself directed Hitchcock in the brief scene, forcing him to redo his very simple part many times.[citation needed]

Adaptations in other media

The Screen Guild Theater adapted the film to radio on February 8, 1942 with Errol Flynn and Lana Turner, then again December 14, 1942 with Joan Bennett, Robert Young and Ralph Bellamy and once more on January 1, 1945 with Preston Foster, Louise Albritton and Stuart Erwin. On January 30, 1949, it was adapted to Screen Director's Playhouse with Robert Montgomery, Mary Jane Croft and Carlton Young.

Notes

  1. ^ Richard B. Jewell's RKO film grosses, 1929–51: the C. J. Trevlin Ledger: a comment, Historical Journal of Film, Radio and Television, Volume 14, Issue 1, 1994
  2. ^ Richard B. Jewell's RKO film grosses, 1929–51: the C. J. Trevlin Ledger: a comment, Historical Journal of Film, Radio and Television, Volume 14, Issue 1, 1994
  3. ^ Spoto, Donald (1999). The Dark Side of Genius: The Life of Alfred Hitchcock. Da Capo. p. 237. ISBN 0-306-80932-X. 

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