Mrs Warren's Profession (1902), a play by George Bernard Shaw dealing with prostitution.
| Irish Literature Companion: Mrs Warren's Profession |
Mrs Warren's Profession (1902), a play by George Bernard Shaw dealing with prostitution.
| Notes on Drama: Mrs. Warren's Profession |
Contents: Plot Summary Characters Themes Style Critical Overview Criticism Sources Further Reading |
George Bernard Shaw
1902
When Shaw completed Mrs. Warren's Profession in 1893, it was censored for eight years. When it was finally produced on the London stage in 1902, the public was outraged by its controversial content. Reviewers overwhelmingly condemned the play as immoral, citing its focus on prostitution and incest. Today, however, the play is applauded for its astute view of the corruption at the heart of Victorian society. The play centers on Mrs. Warren, who, forced by the economic realities of nineteenth-century London, becomes a prostitute and later runs several successful brothels. Through her characterization, Shaw exposes the corruption and hypocrisy of the "genteel" class. He also explores the personal consequences of such a profession as Mrs. Warren struggles to gain the respect and love of her daughter after she discovers the truth about her mother. Modern audiences admire the play's artistry as well as its subject since, as Shaw notes in his "Apology," "Mrs. Warren's defence of herself and indictment of society is the thing that most needs saying."
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Mrs Warren's Profession is a play written by George Bernard Shaw in 1893. The story centers on the relationship between Mrs Warren, a prostitute, described by Shaw as "on the whole, a genial and fairly presentable old blackguard of a woman," and her "prudish" daughter, Vivie.[1] Mrs Warren is a middle-aged woman whose Cambridge-educated daughter, Vivie, is horrified to discover that her mother's fortune was made managing high-class brothels. The two strong women make a brief reconciliation when Mrs Warren explains her impoverished youth, which originally led her into prostitution. Vivie forgives her mother until learning that the highly profitable business remains in operation.
Shaw said he wrote the play "to draw attention to the truth that prostitution is caused, not by female depravity and male licentiousness, but simply by underpaying, undervaluing, and overworking women so shamefully that the poorest of them are forced to resort to prostitution to keep body and soul together."
Shaw explained the source of the play in a letter to The Daily Chronicle on 28 April 1898:
Miss Janet Achurch [an actress and friend of Shaw’s] mentioned to me a novel by some French writer [Yvette by Guy de Maupassant] as having a dramatisable story in it. It being hopeless to get me to read anything, she told me the story.... In the following autumn I was the guest of a lady [Beatrice Webb] of very distinguished ability — one whose knowledge of English social types is as remarkable as her command of industrial and political questions. She suggested that I should put on the stage a real modern lady of the governing class — not the sort of thing that theatrical and critical authorities imagine such a lady to be. I did so; and the result was Miss Vivie Warren.... Mrs. Warren herself was my version of the heroine of the romance narrated by Miss Achurch. The tremendously effective scene — which a baby could write if its sight were normal — in which she justifies herself, is only a paraphrase of a scene in a novel of my own, Cashel Byron’s Profession (hence the title, Mrs Warren's Profession), in which a prize-fighter shows how he was driven into the ring exactly as Mrs. Warren was driven on the streets.[2]
The play was originally banned by the Lord Chamberlain (Britain's official theatre censor) because of its frank discussion and portrayal of prostitution, but was finally first performed on Sunday, January 5, 1902, at London's New Lyric Club with the distinguished actor-manager, Harley Granville-Barker among the cast. (Members-only clubs have always been a device to avoid the eye of authority, but actors often also use it to invite their fellow-artists to a private showing of a play, usually on Sundays, when theatres are closed to the public.) There was another performance, this time on the public stage, in New York City in 1905. The New York police arrested everyone concerned, cast and crew, but it seems only the house manager of the theatre was actually charged.
Sir Harry Johnston wrote a sequel, a novel entitled Mrs. Warren's Daughter, in about 1922.
A radio adaptation was broadcast on the BBC in 2002 and re-broadcast in January 2009 on BBC Radio 7 starring Maggie Steed in the title role.
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| Mrs. Warren's Profession (Critical Overview) (play) | |
| Mrs. Warren's Profession (Sources) (play) | |
| Mrs. Warren's Profession (Further Reading) (play) |
| What is the Theme for Mrs Warren's Profession? | |
| Mrs warrens profession criticism? | |
| Mrs Warren's Profession famous lines? |
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