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Murder, My Sweet

 
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Murder, My Sweet

  • Director: Edward Dmytryk
  • AMG Rating: starstarstarstar
  • Genre: Mystery
  • Movie Type: Detective Film, Film Noir
  • Themes: Private Eyes, Femmes Fatales, Dangerous Attraction
  • Main Cast: Dick Powell, Claire Trevor, Anne Shirley, Otto Kruger, Mike Mazurki
  • Release Year: 1944
  • Country: US
  • Run Time: 95 minutes
  • MPAA Rating: NR

Plot

One-time movie crooner Dick Powell literally turned his career around in the 1944 film noir Murder My Sweet. Powell stars as Phillip Marlowe, the hard-boiled private detective antihero created by novelist Raymond Chandler. Hired by hulking, psychotic Moose Malloy (Mike Mazurki) to locate Moose's old girl friend, Marlowe is pitched headlong into a morass of intrigue and deception. The participants include duplicitous glamour-girl Claire Trevor, sodden slattern Esther Howard, suave blackmailer Otto Kruger and dyspeptic doctor Ralf Harolde. At one point, Marlowe is railroaded into a lunatic asylum, where under the influence of drugs he experiences a surrealistic nightmare the like of which would not be seen on screen again until Hitchcock's Vertigo (1958). So fascinating are the "bad" characters in Murder My Sweet that the two 100% "good" characters, heroine Anne Shirley and detective Don Douglas, seem wishy-washy wimps by comparison. After years of insipid golly-gee roles, Dick Powell startled his fans with his cynical, world-weary portrayal of Philip Marlowe. The part put him back on top of the box-office tallies and enabled him to extend his acting career into the 1950s, which led to an even more lucrative "third life" as a powerful TV-studio executive. Murder My Sweet was based on Chandler's Farewell My Lovely, previously filmed in 1942 as The Falcon Takes Over; a remake, Farewell, My Lovely, was produced in 1975, with Robert Mitchum as Marlowe. ~ Hal Erickson, All Movie Guide

Review

Edward Dmytryk's sharp, skillfully made noir arguably captures the wit and verbal fluency of Raymond Chandler's style more faithfully than any of the other films made from his books. One of the key early noirs, it revived the career of Powell, who was by then eager to escape his choir-boy image. Through the use of voice-over narration, the film is able to retain the writer's vision of rot beneath the cheery surfaces of the City of Angels, as the sardonic detective keeps up a running commentary on the far from angelic gallery of characters. While his disdain is evenly spread, he reserves his greatest contempt for Otto Kruger's quack "psychic advisor," a precursor to New Age con artists of more modern vintage. Hired by a Frankenstein-like ex-con to find his old girl friend, Powell's Marlowe seems to either get cold-cocked or drugged in every other scene, a state of affairs he comes to regard with bemused detachment. A sequence in which Marlowe has been fed some malign psychoactive substance now seems especially funny due to the now less-than-frightening special effects. Unlike most noirs, in which the protagonist is overwhelmed by a nightmarish sense of disorientation, Chandler's detective has the wit of the only sane man in a world gone mad. Powell is perfect as the snarky, semi-tough hero, and Claire Trevor makes a slyly elusive femme fatale. ~ Michael Costello, All Movie Guide

Cast

Miles Mander - Mr. Grayle; Douglas Walton - Marriott; Donald Douglas - Lt. Randall; Ralf Harolde - Dr. Sonderborg; Esther Howard - Mrs. Florian; Ernie S. Adams - Bartender; George Anderson - Detective; Stanley Andrews; Jack Carr - Short Guy; Ralph Dunn - Detective; Paul Hilton - Boy; John Indrisano - Chauffeur; Donald Kerr - Taxi Driver; Paul Phillips - Detective Nulty; Dewey Robinson - The Boss; Shimen Ruskin - Elevator Operator; Lawrence Wheat - Butler; Sam Finn - Headwaiter

Credit

Carroll Clark - Art Director, Albert S. D'Agostino - Art Director, Edward Stevenson - Costume Designer, William Dorfman - First Assistant Director, Edward Dmytryk - Director, Joseph Noriega - Editor, Sid Rogell - Executive Producer, Roy Webb - Composer (Music Score), Constantin Bakaleinikoff - Musical Direction/Supervision, Harry J. Wild - Cinematographer, Adrian Scott - Producer, Darrell Silvera - Set Designer, Michael Orenbach - Set Designer, Vernon Walker - Special Effects, James G. Stewart - Sound/Sound Designer, John Paxton - Screenwriter, Raymond Chandler - Book Author

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Wikipedia: Murder, My Sweet
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Murder, My Sweet
(Farewell, My Lovely)

Theatrical release poster
Directed by Edward Dmytryk
Produced by Adrian Scott
Written by Novel:
Raymond Chandler
Screenplay:
John Paxton
Narrated by Dick Powell
Starring Dick Powell
Claire Trevor
Anne Shirley
Music by Roy Webb
Cinematography Harry J. Wild
Editing by Joseph Noriega
Distributed by RKO Pictures
Release date(s) December 18, 1944
(United States)
Running time 95 minutes
Country United States
Language English

Murder, My Sweet (1944) is a film noir directed by Edward Dmytryk, and starring Dick Powell, Claire Trevor, and Anne Shirley.[1] The film was originally released in the United Kingdom under the title Farewell, My Lovely, which is the title of the 1940 Raymond Chandler novel it is based on, and also the film's original American title.


Contents

Plot

Detective Philip Marlowe (Dick Powell) is hired by hulking Moose Malloy (Mike Mazurki) to locate his old girlfriend that he lost track of while serving time in prison. With each lead he follows, Marlowe encounters lies, larceny, perjury, theft and a beautiful femme fatale (Claire Trevor).

Cast

Release and title change

The film was first screened on December 18, 1944 in Minneapolis, Minnesota with the title Farewell, My Lovely. It opened in New York City, however, on March 8, 1945, as Murder, My Sweet.[2]

Dick Powell was previously known (1930s and early 1940s) for light comedies and musicals, so the casting of him as Chandler's hard-boiled private detective antihero was a surprise to audiences. The studio executives changed the title from Farewell, My Lovely because they believed audiences would think the film was a musical. Powell's performance is much debated by fans of Chandler and film noir; some think it too light and comic; others consider it the best interpretation of Philip Marlowe on film.[3]

Critical reception

The film's opening scene.

Murder, My Sweet is considered one of the best Chandler adaptations. Glenn Erickson, in a recent review of the film, wrote, "Murder, My Sweet remains the purest version of Chandler on film, even if it all seems far too familiar now."[4]

It is also considered one of the pre-eminent film noirs. Alison Dalzell, writing for the Edinburgh University Film Society notes, "Of all the adaptations of Chandler novels, this film comes as close as any to matching their stylish first person narrative and has the cinematic skill and bravado of direction to carry it off. Since the '40s countless mystery and neo-noir films have been made in Hollywood and around the world. Murder, My Sweet is what they all aspire to be."[5]

According to film critics Ellen Keneshea and Carl Macek, the picture takes Chandler's novel and transforms it into a "film with a dark ambiance unknown at [the] time." Dymytryk was able to transcend the tough dialogue and mystery film conventions by creating a "cynical vision of society." As such, the film enters the world of film noir.[6]

When the film was released in its day, Bosley Crowther, the film critic for The New York Times, appreciated the adaptation of Chandler's novel and lauded the acting, writing, "Practically all of the supporting roles are exceptionally well played, particularly by Mike Mazurki, the former wrestler, as the brutish Moose Malloy; Otto Kruger as Jules Amthor, quack-psychologist and insidious blackmailer; Anne Shirley as an innocent among the wolf pack, and Don Douglas as the police lieutenant. In short, Murder, My Sweet is pulse-quickening entertainment."[7]

The staff at Variety magazine also gave the film kudos, writing, "Murder, My Sweet, a taut thriller about a private detective enmeshed with a gang of blackmailers, is as smart as it is gripping...Performances are on a par with the production. Dick Powell is a surprise as the hard-boiled copper. The portrayal is potent and convincing. Claire Trevor is as dramatic as the predatory femme, with Anne Shirley in sharp contrast as the soft kid caught in the crossfire."[8]

Awards

Wins

Other versions

See: Farewell, My Lovely -- Film adaptations

The Chandler novel has been filmed once before, in 1942, as The Falcon Takes Over, directed by Irving Reis, part of a film series which featured George Sanders, as The Falcon.[9] In 1975 the story was remade as Farewell, My Lovely, featuring Robert Mitchum as Marlowe and directed by Dick Richards.[10]

The film version of Murder, My Sweet was dramatized as an hour-long radio play on the June 11, 1945 broadcast of Lux Radio Theater, starring Dick Powell and Claire Trevor in their original film roles.

References

  1. ^ Murder, My Sweet at the Internet Movie Database.
  2. ^ Silver, Alain and Elizabeth Ward, eds. Film Noir: An Encyclopedic Reference to the American Style, cast and crew section of Murder, My Sweet article by Ellen Keneshea and Carl Macek, page 192, 3rd edition, 1992. Woodstock, New York: The Overlook Press. ISBN 0-87951-479-5.
  3. ^ Clute, Shannon and Richard Edwards. Out of the Past: Investigating Film Noir, Episode 26: Murder, My Sweet. Last accessed: December 13, 2007.
  4. ^ Erickson, Glenn. DVD Savant Review, film analysis, 2007. Last accessed: December 13, 2007.
  5. ^ Dalzell, Alison. Edinburgh University Film Society, film review. 1997. Last accessed: December 13, 2007.
  6. ^ Silver, Alain and Elizabeth Ward, eds., ibid.
  7. ^ Crowther, Bosley. The New York Times, film review, March 9, 1945. Last accessed: December 13, 2007.
  8. ^ Variety. Murder, My Sweet, film review, March 8, 1945. Last accessed: December 13, 2007.
  9. ^ The Falcon Takes Over at the Internet Movie Database.
  10. ^ Farewell, My Lovely at the Internet Movie Database.

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