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Murder on the Orient Express

 
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Murder on the Orient Express

  • Director: Sidney Lumet
  • AMG Rating: starstarstarstar
  • Genre: Mystery
  • Movie Type: Whodunit, Ensemble Film
  • Themes: Train Rides, Murder Investigations, Star Detectives
  • Main Cast: Albert Finney, Lauren Bacall, Ingrid Bergman, Sean Connery, Martin Balsam, Vanessa Redgrave
  • Release Year: 1974
  • Country: UK
  • Run Time: 127 minutes
  • MPAA Rating: PG

Plot

Like many of Agatha Christie's mysteries, Murder on the Orient Express is predicated on an actual event, in this case the Lindbergh kidnapping. In the movie, everyone on board the Orient Express seems to have concluded that hateful financier Ratchett (Richard Widmark) was behind the abduction and murder of the infant daughter of a famed aviatrix. Thus, when Ratchett is himself found murdered, everyone is suspect. Normally, the police would handle the investigation, but the train has been stalled by a snowslide halfway between Istanbul and Paris. Thus, it's up to the insufferable but brilliant Belgian detective Hercule Poirot (an unrecognizable Albert Finney) to activate his "little grey cells" and determine who's guilty. Among the suspects are colorful characters played by Lauren Bacall, Martin Balsam, Jacqueline Bisset, Sean Connery, Wendy Hiller, John Gielgud, Anthony Perkins, Vanessa Redgrave, and Ingrid Bergman, whose performance won her a third Academy Award. (In her acceptance speech, Bergman apologized for her win, insisting that Day for Night's Valentina Cortese deserved the prize.) The first and best in a long line of contemporary Christie adaptations, the film scores on atmosphere, period detail, and richness of characterization. ~ Hal Erickson, All Movie Guide

Review

This lavish adaptation of Agatha Christie's Murder on the Orient Express is uncharacteristic territory for director Sidney Lumet. The creator of socially conscious message movies (12 Angry Men, Fail-Safe), intense emotional dramas (The Pawnbroker), dark satires (Dog Day Afternoon, Network), and morally complex crime movies (Serpico), Lumet usually marks his films with a gritty, realistic edge. Rich and visually ornate, Murder is opulent in both style and pacing. The leisurely direction appears well-suited to most members of the large, talented cast. Albert Finney was nominated for an Oscar as Best Actor in the lead role and Ingrid Bergman won her third Oscar as a Swedish missionary (though Lumet initially wanted her for Wendy Hiller's role as the Russian princess). The elegant cinematography and costume design were also nominated for Academy Awards. The success of Murder paved the way for a number of other Christie adaptations. ~ Brendon Hanley, All Movie Guide

Cast

Jacqueline Bisset - Countess Andrenyi; Richard Widmark - Ratchett; Colin Blakely - Cyrus Hardman; Jean-Pierre Cassel - Pierre Michel; George Coulouris - Dr. Constantine; Vernon Dobtcheff - Concierge; John Gielgud - Beddoes; Wendy Hiller - Princess Dragomiroff; Denis Quilley - Antonio Foscarelli; Rachel Roberts - Hildegarde Schmidt; George Silver - Chef; Michael York - Count Andrenyi; Jeremy Lloyd - A.D.C.; Anthony Perkins - McQueen; John Moffatt - Chief Attendant

Credit

Jack Stephens - Art Director, Tony Walton - Costume Designer, Ted Sturgis - First Assistant Director, Sidney Lumet - Director, Anne V. Coates - Editor, Richard Rodney Bennett - Composer (Music Score), Marcus Dods - Musical Direction/Supervision, Tony Walton - Production Designer, Geoffrey Unsworth - Cinematographer, Lord John Brabourne - Producer, Richard Goodwin - Producer, Peter Handford - Sound/Sound Designer, Bill Rowe - Sound/Sound Designer, Paul Dehn - Screenwriter, John Siddall - Draftsman, Agatha Christie - Book Author

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And Then There Were None; Appointment with Death; Death on the Nile; Evil Under the Sun; Green for Danger; The Last of Sheila; The Mirror Crack'd; Terror by Night; Witness for the Prosecution; Thirteen at Dinner; At Bertram's Hotel; Night Train to Terror; Witness for the Prosecution; Jawani Ki Hawa; 8 Women; The Seven Dials Mystery; The Great Alibi
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Wikipedia: Murder on the Orient Express (1974 film)
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Murder on the Orient Express

film poster by Richard Amsel
Directed by Sidney Lumet
Produced by John Brabourne
Written by Novel:
Agatha Christie
Screenplay:
Paul Dehn
Uncredited:
Anthony Shaffer
Starring Albert Finney
Lauren Bacall
Sean Connery
Ingrid Bergman
Michael York
Vanessa Redgrave
Jacqueline Bisset
Richard Widmark
John Gielgud
Anthony Perkins
Martin Balsam
Rachel Roberts
Wendy Hiller
Denis Quilley
Colin Blakely
Jean-Pierre Cassel
George Coulouris
Music by Richard Rodney Bennett
Cinematography Geoffrey Unsworth
Editing by Anne V. Coates
Distributed by EMI Films (UK)
Paramount Pictures (U.S.)
Release date(s) November 24, 1974
Running time 128 min.
Country United Kingdom
Language English

Murder on the Orient Express is a 1974 British mystery film directed by Sidney Lumet and based on the 1934 novel of the same name by Agatha Christie.

Contents

Overview

The film (and book) features the Belgian detective Hercule Poirot. Albert Finney stars as Poirot, who is asked by his friend Bianchi (Martin Balsam), a train company director, to investigate the murder of an American business tycoon, Mr. Ratchett (Richard Widmark) aboard a train with an all-star cast of suspects, including Lauren Bacall, Ingrid Bergman, Sean Connery, John Gielgud, Michael York and Anthony Perkins. The screenplay was penned by Paul Dehn and an uncredited Anthony Shaffer.

The film's tagline was: "The greatest cast of suspicious characters ever involved in murder."

It was the first of a number of "all-star" adaptations of Agatha Christie novels in the 1970s and early 1980s. Similar films included Death on the Nile, The Mirror Crack'd and Evil Under the Sun. It is the only occasion that Finney portrayed Poirot, with Peter Ustinov portraying the detective in subsequent films.

Richard Rodney Bennett's memorable Orient Express theme has been reworked into an orchestral suite and performed and recorded several times. It was performed on the original soundtrack album by the Orchestra of the Royal Opera House, Covent Garden under Marcus Dods. The piano soloist was the composer himself.

Plot

The murder

Having sorted a matter out in the Middle East, detective Hercule Poirot (Albert Finney) is returning to England aboard the Orient Express. During the journey, Poirot encounters his friend Bianchi (Martin Balsam), a director of the Compagnie Internationale des Wagons-Lits, which owns the line. The train is unusually crowded for the time of year, every first class berth has been booked. Shortly after the train's departure from Istanbul a wealthy American businessman, Ratchett (Richard Widmark), tries to secure Poirot's services for $15,000, citing death threats he has recently received. Poirot finds the case of little interest and turns it down. That night the train is caught in heavy snows in the Balkans. The next morning Ratchett is found stabbed to death in his cabin.

Poirot and Bianchi work together to solve the case. They enlist the help of Dr. Constantine (George Coulouris), a Greek medical doctor who was traveling in another coach with Bianchi as the only other passenger and thus not a suspect. Pierre Michel (Jean-Pierre Cassel), the middle-aged French conductor of the car, also assists the investigation, as well as being a suspect. Poirot soon discovers that Ratchett was not who he claimed to be. The victim's secret past indicates a clear motive for murder, even justification, but who was the killer?

Clues

Dr. Constantine's examination of the body reveals that Ratchett was stabbed 12 times. Some wounds were slight, but at least three of them could have resulted in death.

The stopped watch in the victim's pocket, as well as Poirot's reconstructed timeline of passenger activities the night before, indicate that Ratchett was murdered at about 1:15 a.m. The train had stopped, surrounded by fresh snow, before that time. There were no tracks in the snow and the doors to the other cars were locked, so the murderer is almost certainly still among the passengers in the coach in which Ratchett was killed.

Most importantly, Poirot realizes that Ratchett was in fact a gangster called Cassetti. Years ago, Cassetti and a henchman kidnapped and murdered Daisy Armstrong, the baby daughter of a wealthy British colonel who had settled in America. The body was found after the ransom had been paid. Overcome with grief, the pregnant Mrs. Armstrong went into labor early and died while giving birth to a stillborn baby. A maidservant named Paulette who was wrongly suspected of complicity in the kidnapping committed suicide. Colonel Armstrong, consumed by these tragedies, later killed himself as well. Cassetti's accomplice was arrested and executed, but Cassetti himself fled the country.

(The fictitious Armstrong case was inspired by the real-life kidnapping of aviator Charles Lindbergh's child.)

Suspects

The thirteen suspects are:

Motive

Poirot soon comes to realise that all the suspects were connected to the Armstrong family and had reason to seek revenge for the tragedies that followed the kidnapping. Some openly admit their connections to the Armstrongs, while other ties must be uncovered by Poirot.

  • McQueen was the son of the District Attorney who prosecuted the case. He was very fond of Mrs Armstrong.
  • Miss Debenham was Mrs Armstrong's secretary.
  • Beddoes was Colonel Armstrong's army batman.
  • Col. Arbuthnott was an army friend of Col. Armstrong.
  • Princess Dragomiroff was Mrs Armstrong's godmother.
  • Miss Schmidt was the Armstrong's cook and a close friend of the maid Paulette.
  • Miss Ohlsson was Daisy's nursemaid.
  • Foscarelli was the Armstrong's chauffeur.
  • Hardman was, at the time, a policeman who was in love with Paulette.
  • Michel was Paulette's father.
  • Countess Andrenyi was Mrs Armstrong's sister.
  • Mrs Hubbard was Mrs Armstrong's mother.

Ratchett was sedated by Beddoes and McQueen. Each of the passengers then stabbed him in turn.

Poirot presents this explanation for the murder to the assembled passengers, describing it as the "complex" solution to the crime. Yet he first offers another explanation, a "simple" one. In the course of the inquiry evidence has been found of an intruder on the train, who may have murdered Ratchett and then escaped — evidence planted by the suspects. Poirot suggests that Ratchett/Cassetti may have been involved with the Mafia and murdered as the result of a feud. He leaves it to Bianchi, director of the line, to decide which explanation to present to the local police.

Bianchi decides that this "simple" solution will be enough for the local police and that Ratchett deserved everything he got. A cover-up is therefore instigated. Poirot is satisfied that justice has been done, though he does admit to a "struggle with my conscience."

Production details

Exterior shooting was mostly done in France, with a railroad workshop near Paris standing in for Istanbul station. The scenes of the train proceeding through central Europe were filmed in the Jura mountains on the then recently closed railway line from Pontarlier to Gilley, with the scenes of the train getting stuck being filmed in a cutting near Montbenoît[1]. Coincidentally, this area (part of Serbia in the story) is part of the micronation of Saugeais. There were concerns about a lack of snow in the weeks preceding the scheduled shooting of the snowbound train, and plans were made to truck in large quantities of snow at considerable expense. However, heavy snowfall the night before the shooting made the extra snow unnecessary—just as well, as the snow-laden backup trucks has themselves become stuck in the snow[2]

Christie's opinion

Agatha Christie had been quite displeased with some film adaptations of her works made in the 1960s, and accordingly was unwilling to sell any more film rights. When Nat Cohen, chairman of EMI Films, and producer John Brabourne attempted to get her approval for this film, they felt it necessary to have Lord Mountbatten of Burma (of the British Royal Family and also Brabourne's father-in-law) help them broach the subject.

In the end, according to Christie's husband Max Mallowan, "Agatha herself has always been allergic to the adaptation of her books by the cinema, but was persuaded to give a rather grudging appreciation to this one." Christie's biographer Gwen Robyns quoted her as saying, "It was well made except for one mistake. It was Albert Finney, as my detective Hercule Poirot. I wrote that he had the finest moustache in England — and he didn't in the film. I thought that a pity — why shouldn't he?"[3]

Cast

Academy Awards and nominations

  • Academy Award: Best Supporting Actress, Ingrid Bergman
  • Academy Award Nomination: Best Actor in a Leading Role, Albert Finney
  • Academy Award Nomination: Best Cinematography, Geoffrey Unsworth
  • Academy Award Nomination: Best Costume Design, Tony Walton
  • Academy Award Nomination: Best Music, Original Dramatic Score, Richard Rodney Bennett
  • Academy Award Nomination: Best Writing, Screenplay Adapted from Other Material, Paul Dehn

Other versions

A made-for-television movie, with Alfred Molina as Poirot, was made in 2001.

See also

References

  1. ^ Trains Oubliés Vol.2: Le PLM by José Banaudo, p. 54 (French). Editions du Cabri, Menton, France
  2. ^ DVD documentary "Making Murder on the Orient Express: The Ride"
  3. ^ The Agatha Christie Companion: The Complete Guide to Agatha Christie's Life and Work, by Dennis Sanders and Len Lovallo (1984), pgs. 438-441

External links


 
 

 

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