Term used for several instruments. The ‘musette de Poitou’ of the 17th century was a simple bagpipe, accompanied by an ‘hautbois de Poitou’ (a bagless chanter) or by a consort of such instruments. It was used by musicians of the Grande Ecurie du Roi at Versailles. In 17th- and early 18th-century France, the musette was a small bagpipe, of aristocratic design; many works for it as a solo, ensemble or accompanying instrument were written in the 1720s and 1730s by Boismortier, Rameau and others. In the 1830s, the name was given to a small oboe, without reed-cap, pitched a 5th above the normal instrument, used for rural colour and domestic amusement (it was sometimes called ‘hautbois pastorale’). The basse du musette is a basset oboe, probably of Swiss 18th-century origin.
The term is also used for a gavotte-like piece of pastoral character whose style suggests the sound of the musette or bagpipe, generally with a drone bass. Musettes appeared in 18th-century French ballets and as keyboard pieces.