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Music for the Jilted Generation

 
Album Review: Music for the Jilted Generation
 

  • Artist: The Prodigy
  • Rating: StarStarStarStarStar
  • Release Date: February 28, 1995
  • Genre: Electronica

Review

The Prodigy's response to the sweeping legislation and crackdown on raves contained in 1994's Criminal Justice Bill is an effective statement of intent. Pure sonic terrorism, Music for the Jilted Generation employs the same rave energy that charged their debut, Experience, up the charts in Britain, but yokes it to a cause other than massive drug intake. Compared to their previous work, the sound is grubbier and less reliant on samples; the effect moved the Prodigy away from the American-influenced rave and acid house of the past and toward a uniquely British vision of breakbeat techno that was increasingly allied to the limey invention of drum'n'bass. As on Experience, there are so many great songs here that first-time listeners would be forgiven for thinking of a greatest-hits compilation instead of a proper studio album. After a short intro, the shattering of panes of glass on "Break & Enter" catapults the album ahead with a propulsive flair. Each of the four singles -- "Voodoo People," "Poison," "No Good (Start the Dance)," and "One Love" -- are excellent, though album tracks like "Speedway" and "Their Law" (with help from Pop Will Eat Itself) don't slip up either. If Experience seemed like an excellent fluke, Music for the Jilted Generation is the album that announced the Prodigy were on the charts to stay. ~ John Bush, All Music Guide

Tracks

Track TitleComposersPerformersTime
Intro Liam Howlett The Prodigy (:45)
Break & Enter Liam Howlett The Prodigy (8:24)
Their Law Liam Howlett Pop Will Eat Itself, The Prodigy (6:40)
Full Throttle Liam Howlett The Prodigy (5:02)
Voodoo People Liam Howlett The Prodigy (6:27)
Speedway [Theme from Fastlane] Liam Howlett The Prodigy (8:56)
The Heat (The Energy) Liam Howlett The Prodigy (4:27)
Poison Liam Howlett The Prodigy (6:42)
No Good (Start the Dance) Liam Howlett The Prodigy (6:17)
One Love [Edit] Liam Howlett The Prodigy (3:53)
The Narcotic Suite: 3 Kilos Liam Howlett The Prodigy (7:25)
The Narcotic Suite: Skylined Liam Howlett The Prodigy (5:56)
The Narcotic Suite: Claustrophobic Sting Liam Howlett The Prodigy (7:13)

Credits

Pop Will Eat Itself (Performer), The Prodigy (Main Performer), Neil McLellan (Producer), Stuart Haygarth (Photography)
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Wikipedia: Music for the Jilted Generation
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Music for the Jilted Generation
Music for the Jilted Generation cover
Studio album by The Prodigy
Released 4 July 1994 (UK)
28 February 1995 (US)
4 August 2008 (re-release)
Recorded Earthbound Studios and The Strongroom
Genre Techno
Hardcore
Industrial
Rave
Electronic
Length 78:07
Label XL Recordings
Mute Records (US)
Producer Liam Howlett, Neil McLellan
Professional reviews
The Prodigy chronology
Experience
(1992)
Music for the Jilted Generation
(1994)
Voodoo People
(1995)
Alternate cover
Cover for the More Music for the Jilted Generation 2008 re-release
Cover for the More Music for the Jilted Generation 2008 re-release
Singles from Music for the Jilted Generation
  1. "One Love"
    Released: October 1993
  2. "No Good (Start the Dance)"
    Released: 16 May 1994
  3. "Voodoo People"
    Released: August 1994
  4. "Poison"
    Released: 6 March 1995

Music for the Jilted Generation is an album by British band The Prodigy. The album was released through XL Recordings in July 1994. The album was re-released in 2008 as More Music for the Jilted Generation. The re-release includes remastered and bonus tracks.[1]

Contents

Album information

It is largely a response to the corruption of the rave scene in England by its mainstream status as well as Great Britain's Criminal Justice and Public Order Act 1994, which effectively criminalised raves, rave culture, and by implication, rave music itself. The latter is exemplified in the song "Their Law" (predominant lyric: "Fuck 'em and their law"), and the spoken word intro, which paraphrases a quote from The Lawnmower Man.

When Liam Howlett came to the cutting room for the final phase in the album production he realized that all the tracks he had originally planned for wouldn't fit onto a CD so One Love had to be edited, The Heat [The Energy] was slightly cut and the track called "We Eat Rhythm" was left out. "We Eat Rhythm" was later released on a free cassette with Select Magazine in October '94 entitled 'Select Future Tracks'.

The cover of the inner artwork of the record was analysed in an article published in 2008 in the techno underground Magazine Datacide. The author compares the picture with a persiflage which was published in 2003 on the Kid606 album Kill Sound Before Sound Kills You. The article not only describes the representation of Raves in graphic artwork but also describes the marketing strategy of the band with the album and criticises it from a pretentious point of view:

'With the picture The Prodigy are taking a stance in the conflict of ravers versus the police in those days. At the same time this statement is used to market a rebellious attitude. The picture is part of the artwork of a record - which is of course a commodity. The teenage (and male) consumer ought to identify himself with the presented rebellion. With the help of the artwork a certain image of The Prodigy is established: They should be seen as anti-stars, who define themselves through refusal and opposition(...)'[2]

Reception

  • Rolling Stone (20 April 1995, p.80) - 3.5 Stars - Very Good - "A soundtrack for those British rave hordes who dodge Tory truncheons, Music for the Jilted Generation thrills initiates with a political buzz Americans might miss. But the Prodigy's hard-core techno generates universal dance fever....Truly trippy."
  • Alternative Press (April 1995, p.84) - "Jilted Generation throws much darker shapes than its predecessor. Moreover, it slams harder and rawer and covers more ground--21st century hip hop, Latin funk, horror trance, Vapourspace-like ambient--in addition to their usual crowd-pleasing, hi-NRG tekno. Thumbs up for the use of guitar and flute, too."
  • Option (July–August 1995, pp. 129–131) – "...the Prodigy jolts an industrial sensibility with techno drive and then rides the seemingly endless grooves until we're numb...for intensely pumping dance music, this album has more life than most."
  • Mojo (p.56) - Ranked #83 in Mojo's "100 Modern Classics" – "One-man Bomb Squad Liam Howlett was a breakbeat maker without peer."
  • Spin (September 1999, p.150) - Ranked #60 in Spin's "90 Greatest Albums of the '90s".
  • NME (24 December 1994, p.22) - Ranked #9 in NME's list of the "Top 50 Albums Of 1994".
  • Q - Voted the 62nd greatest album of all time by Q readers in early 1998 and ranked one of the best British albums of the last 50 years in 2008.
  • On 4 December 2008, Zane Lowe inducted it into his 'masterpieces' by playing the album in full on his BBC Radio 1 show.

Track listing

All songs written by Liam Howlett unless indicated otherwise.

  1. "Intro" – 0:45
  2. "Break & Enter" – 8:24
  3. "Their Law" (Howlett, Pop Will Eat Itself) – 6:40
  4. "Full Throttle" – 5:02
  5. "Voodoo People" – 6:27
  6. "Speedway [Theme from Fastlane]" – 8:56
  7. "The Heat [The Energy]" – 4:27
  8. "Poison" (Howlett, Maxim Reality) – 6:42
  9. "No Good [Start The Dance]" – 6:17
  10. "One Love [Edit]" – 3:53
    The Narcotic Suite
  11. "3 Kilos" – 7:25
  12. "Skylined" – 5:56
  13. "Claustrophobic Sting" – 7:13

More Music for the Jilted Generation disc 2

  1. "Voodoo People [Radio 1 Maida Vale Session]"
  2. "Poison [Radio 1 Maida Vale Session]"
  3. "Break & Enter [2005 Live Edit]"
  4. "Their Law [Live at Pukkelpop]"
  5. "No Good [Start The Dance] [Bad For You Mix]"
  6. "Scienide"
  7. "Goa [The Heat The Energy Part 2]"
  8. "Rat Poison"
  9. "Voodoo People [Dust Brothers Remix]"

Chart positions

Personnel

  • Liam Howlett - Performer, Producer (on tracks 1, 2, 3, 6, 8, 11, 12 and 13) at Earthbound studios, Co-producer (other tracks) at The Strongroom
  • Neil McLellan - Co-producer (on tracks 4, 5, 7, 9 and 10) at The Strongroom
  • Maxim Reality - Vocals on "Poison"
  • Pop Will Eat Itself - Performer on "Their Law"
  • Phil Bent - live flute
  • Lance Riddler - live guitar on "Voodoo People"
  • sample: Baby D "Casanova" on "Break & Enter"
  • sample: Kelly Charles "No Good For Me" on "No Good (Start the Dance)"
  • sample: Star Wars Episode IV: A New Hope "We're going in full throttle" reversed on "Full Throttle"
  • sample: Nirvana "Very Ape" on "Voodoo People"

References

  1. ^ "More Music for the Jilted Generation", 2008 release [1] (Retrieved 26 May 2008)
  2. ^ "Commodities for the Jilted Generation" by Hans-Christian Psaar published in Datacide Magazine (10/2008, p.28)
Preceded by
Happy Nation by Ace of Base
UK number one album
16 July – 22 July 1994
Succeeded by
Voodoo Lounge by The Rolling Stones

 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Music for the Jilted Generation" Read more

 

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