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Music from Big Pink

 
Album Review: Music from Big Pink

  • Artist: The Band
  • Rating: StarStarStarStarStar
  • Release Date: July 01, 1968
  • Total Time: 42:22
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. Some songs took on the theme of declining institutions less clearly than others, but the points were made musically as much as lyrically. Tenor Richard Manuel's haunting, lonely voice gave the album much of its frightening aspect, while Rick Danko's and Levon Helm's rough-hewn styles reinforced the songs' rustic fervor. The dominant instrument was Garth Hudson's often icy and majestic organ, while Robbie Robertson's unusual guitar work further destabilized the sound. The result was an album that reflected the turmoil of the late '60s in a way that emphasized the tragedy inherent in the conflicts. Music from Big Pink came off as a shockingly divergent musical statement only a year after the ornate productions of Sgt. Pepper, and initially attracted attention because of the three songs Bob Dylan had either written or co-written. However, as soon as "The Weight" became a minor singles chart entry, the album and the group made their own impact, influencing a movement toward roots styles and country elements in rock. Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre. ~ William Ruhlmann, All Music Guide

Tracks

Track TitleComposersPerformersTime
Tears of Rage (Lyrics) Bob Dylan, Richard Manuel The Band (5:23)
To Kingdom Come (Lyrics) Robbie Robertson The Band (3:22)
In a Station (Lyrics) Richard Manuel The Band (3:34)
Caledonia Mission (Lyrics) Robbie Robertson The Band (2:59)
The Weight Robbie Robertson The Band (4:38)
We Can Talk (Lyrics) Richard Manuel The Band (3:06)
Long Black Veil (Lyrics) Marijohn Wilkin, Danny Dill The Band (3:06)
Chest Fever (Lyrics) Robbie Robertson The Band (5:18)
Lonesome Suzie (Lyrics) Richard Manuel The Band (4:04)
This Wheel's on Fire (Lyrics) Bob Dylan, Rick Danko The Band (3:14)
I Shall Be Released (Lyrics) Bob Dylan The Band (3:19)

Credits

The Band (Group), The Band (Main Performer), Bob Dylan (Artwork), Bob Dylan (Paintings), Bob Dylan (Cover Painting), Robbie Robertson (Guitar), Robbie Robertson (Keyboards), Robbie Robertson (Vocals), Robbie Robertson (Producer), Rick Danko (Bass), Rick Danko (Violin), Rick Danko (Vocals), Rick Danko (Group Member), John Simon (Producer), Milton Glaser (Design), Peter Grant (Art Direction), Albert B. Grossman (Arranger), Don Hahn (Engineer), Levon Helm (Guitar), Levon Helm (Drums), Levon Helm (Vocals), Levon Helm (Group Member), Dan Hersch (Mastering), Garth Hudson (Keyboards), Garth Hudson (Saxophone), Garth Hudson (Group Member), Jared Levine (Project Coordinator), Richard Manuel (Drums), Richard Manuel (Keyboards), Richard Manuel (Vocals), Richard Manuel (Group Member), Tony May (Engineer), Cheryl Pawelski (Producer), Cheryl Pawelski (Compilation), Andrew Sandoval (Producer), Andrew Sandoval (Compilation), Andrew Sandoval (Mastering), Andrew Sandoval (Mixing), Robert Vosgien (Mastering), Shelly Yakus (Engineer), Brian Kelly (Producer), Jaime Robbie Robertson (Group Member), Rob Bowman (Liner Notes), Michelle Azzopardi (Art Direction), Sam Gay (Creative Director), Kenny Nemes (Project Manager), Bryan Kelley (Producer), Elliott Landy (Photography), Caroline Ray (Project Manager), Brendan Gormley (Editorial Supervision), Shannon Ward (Producer), Rex Updegraft (Engineer), Jimmy Edwards (Project Manager)
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Wikipedia: Music from Big Pink
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Music from Big Pink
Studio album by The Band
Released July 1, 1968
Recorded Early 1968
Genre Rock
Length 42:22
Label Capitol
Producer John Simon
Professional reviews
The Band chronology
Music from Big Pink
(1968)
The Band
(1969)

Music from Big Pink is the 1968 debut album by rock band The Band. It features their best-known song, "The Weight."

Contents

Reception

With a rough sound, seemingly chaotic arrangements, and a distinctive blend of country, rock, folk, classical, R&B, and soul, Music From Big Pink is generally considered one of the best albums by the Band, along with their 1969 second album The Band. The album follows the band's backing of Bob Dylan on his 1966 tour (as The Hawks) and time spent at a shared house in upstate New York recording what would become The Basement Tapes, also with Dylan.

The initial critical reception of the album was generally positive, though sales were slim; Al Kooper's rave review of the LP in Rolling Stone helped draw public attention to it. The fact that Bob Dylan had composed three of the songs also helped to increase sales.

At the time, "The Weight" peaked at #63 on Billboard's Hot 100 singles chart (North America). The album peaked at #30 on Billboard's Pop Albums chart in 1968, and then recharted as a #8 hit on the Top Internet Albums chart in 2000 (see 2000 in music). The song "The Weight" has gained widespread popularity, in spite of its dismal chart ranking, due partially to its inclusion in the cult favorite film Easy Rider, though it was omitted from the soundtrack due to a licensing issue (a cover version by the band Smith was included on the soundtrack album instead).

In 2003, the album was ranked number 34 on Rolling Stone magazine's list of the 500 greatest albums of all time.

The laid-back feel of the album drew the attention of many other artists. For example, Eric Clapton cites the album's roots rock style as what convinced him to quit Cream, and pursue the styles of Blind Faith, Delaney and Bonnie and his debut album. George Harrison also took note of this style as well as the down-home camaraderie as he was becoming more disgruntled with the constant rifts between The Beatles at the time.

Inspiration for the title

"Big Pink" is a pink house in West Saugerties, New York located at 56 Parnassus Lane (formerly 2188 Stoll Road). The house was built by Ottmar Gramms, who bought the land in 1952. The house was newly built when Rick Danko, who was collaborating with Bob Dylan at the time, found it as a rental. It was to this house that Dylan would eventually retreat to write songs and play them and try others, in its large basement. The 2 track recordings made by them, as sort of audio sketch book, in the basement itself, came known as the Basement Tapes. These tapes were circulated among other musicians at the time, and hits were made of "Too Much of Nothing" and "The Mighty Quinn" as recordings by other artists, 'Peter, Paul and Mary' and 'Manfred Mann' respectively. The house became known locally as 'Big Pink' for its pink siding. Members of Mr. Dylan's band (with Mr. Dylan himself writing one and co-writing two ) wrote most of the songs on Music From Big Pink at or around the house, and the band then adopted the moniker, The Band. Two of the songs written were on the Basement Tapes. Naturally enough, the house became the site of the rehearsing of the album, the actual recording of which took place in New York and Los Angeles.[1] The house was sold by Mr. Gramms in 1977 to M. Amitin, who rented the house to Parnassus Records a label specializing in classical music which used the basement as its headquarters. In 1998, Mr. Amitin sold the house to Don & Sue LaSala, who maintain the house as a private residence and keep the creative tradition alive by creating music in the Basement with friends from the Woodstock area and beyond.

Cover Art

Bob Dylan was responsible for the cover art of Music from Big Pink.[2]

Track listing

Side one

  1. "Tears of Rage" (Bob Dylan, Richard Manuel) – 5:23
  2. "To Kingdom Come" (Robbie Robertson) – 3:22
  3. "In a Station" (Manuel) – 3:34
  4. "Caledonia Mission" (Robertson) – 2:59
  5. "The Weight" (Robertson) – 4:38

Side two

  1. "We Can Talk" (Manuel) – 3:06
  2. "Long Black Veil" (Marijohn Wilkin, Danny Dill) – 3:06
  3. "Chest Fever" (Robertson) – 5:18
  4. "Lonesome Suzie" (Manuel) – 4:04
  5. "This Wheel's on Fire" (Dylan, Rick Danko) – 3:14
  6. "I Shall Be Released" (Dylan) – 3:19

A remastered version of this album was released in 2000 and in addition to the above, the following alternative and outtakes appeared:

  1. "Yazoo Street Scandal" (Robertson) – 4:01
  2. "Tears of Rage" (Dylan, Manuel) – 5:32
  3. "Katie's Been Gone" (Manuel, Robertson) – 2:46
  4. "If I Lose" (Charlie Poole) – 2:29
  5. "Long Distance Operator" (Dylan) – 3:58
  6. "Lonesome Suzie" (Manuel) – 3:00
  7. "Orange Juice Blues (Blues for Breakfast)" (Manuel) – 3:40
  8. "Key to the Highway" (Big Bill Broonzy) – 2:28
  9. "Ferdinand the Imposter" (Robertson) – 3:59

Personnel

Charts

Album - Billboard (North America)

Year Chart Position
1968 Pop Albums 30
2000 Top Internet Albums 8

Singles - Billboard (North America)

Year Single Chart Position
1968 "The Weight" Pop Singles 63

References

External links


 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Music from Big Pink" Read more

 

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