Musical hoax

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A musical hoax (also musical forgery and musical mystification) is a piece of music composed by an individual or group who intentionally misattribute it to someone else.[1]

Musical hoaxes ascribed to historical figures

Henri Casadesus

Marius Casadesus

Gaspar Cassadó

François-Joseph Fétis

  • Lute Concerto by "Valentin Strobel"

Remo Giazotto

Mikhail Goldstein

Arthur Hutchings

  • "New works" by "Paul Hindemith", in fact the rhythms and dynamics of a Beethoven piano sonata with nonsensically wrong notes.[2]

Fritz Kreisler [3]

Winfried Michel

Edouard Nanny[4]

Alessandro Parisotti

Manuel Ponce[citation needed]

Vladimir Vavilov

  • Ave Maria by Anonymous; The piece later received an unrelated misattribution to Giulio Caccini.
  • Elegy for guitar by "Mikhail Vyssotsky"
  • Kanzona for lute by "Francesco Canova da Milano"
  • Mazurka in C minor for guitar by "Andrey Sykhra"
  • Nocturne in C minor for guitar by "Vassily Sarenko"
  • Ricercar by "Niccolo Nigrino""

Ascribed to non-existent or purported historical individuals

Roger Eno

  • The Music of Neglected English Composers by Willington Crook, Ellishaw Blakehope, Pilham Aisby, Clare Brand, Jack Hill, Morley Butterknowle, Gayle Hawkes, Burwell Ruckland"[citation needed]

Paulo Galvao

Hans Keller and Susan Bradshaw

  • Mobile for Tape and Percussion (1961) by Piotr Zak"

Winfried Michel

  • Chamber music by "Giovanni Paolo Simonetti""

Roman Turovsky-Savchuk

  • Works for baroque lute by Johann Joachim Sautscheck, Gotthold Ephraim Sautscheck, Konradin Aemilius Sautscheck, et al.
  • Works for renaissance lute by Ioannes Leopolita and Jacobus Olevsiensis"

Rohan Kriwaczek

  • Works for solo violin, ascribed to various fictional English "funeral violinists"."

References

  1. ^ Musical Crimes: Forgery, Deceit, and Socio-Hermeneutics
  2. ^ Arthur Hutchings, "Personal View: 2. Du Côté de chez Zak", Musical Times 102, no. 1424 (October 1961): 623–24. Citation on p. 623.
  3. ^ Library of Congress Fritz Kreisler Collection
  4. ^ Slatford, Rodney (May 1999) "Review: Domenico Dragonetti in England (1794-1846): The Career of a Double Bass Virtuoso" Music & Letters (Oxford University Press) 80 (2): 297–299

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