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My Back Pages

 
Lyrics: My Back Pages
 

Performed by: Bob Dylan; Hollies; Ramones; Steve Earle; The Byrds; Tom Petty
Written by: Bob Dylan

Credits: Dylan, Bob (Songwriter); SPECIAL RIDER MUSIC (Publisher)

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"My Back Pages"
album track by Bob Dylan

from the album Another Side of Bob Dylan

Released 1964
Genre Folk music
Label Columbia Records
Writer Bob Dylan
Composer Bob Dylan
Producer Tom Wilson
Another Side of Bob Dylan track listing
  1. "All I Really Want to Do"
  2. "Black Crow Blues"
  3. "Spanish Harlem Incident"
  4. "Chimes of Freedom"
  5. "I Shall Be Free No. 10"
  6. "To Ramona"
  7. "Motorpsycho Nitemare"
  8. "My Back Pages"
  9. "I Don't Believe You (She Acts Like We Never Have Met)"
  10. "Ballad in Plain D"
  11. "It Ain't Me Babe"
"My Back Pages"

1967 Dutch picture sleeve.
Single by The Byrds
from the album Younger Than Yesterday
B-side "Renaissance Fair"
Released March 13, 1967
Format 7" single
Recorded 5 December – 8 December 1966, 3 February 1967, Columbia Studios, Hollywood
Genre Folk rock
Length 2:31
Label Columbia
Writer(s) Bob Dylan
Producer Gary Usher
The Byrds singles chronology
"So You Want to Be a Rock 'n' Roll Star
(1967)
"My Back Pages"
(1967)
"Have You Seen Her Face"
(1967)

"My Back Pages" is a Bob Dylan song from the album Another Side of Bob Dylan (see 1964 in music). It is stylistically similar to his earlier protest songs, with only a solo acoustic guitar. However its lyrics and in particular the refrain ("Ah, but I was so much older then/I'm younger than that now.") seem intended to mark a rejection of much of Dylan's earlier personal and political idealism, and disillusionment with the "protest scene" with which he was associated.

Contents

Background

Dylan's disenchantment with "the movement" had surfaced in a ranting speech he gave in 1963 when accepting an award from the Emergency Civil Liberties Committee (ECLC) in New York.[1] Mike Marqusee writes: "No Song on Another Side distressed Dylan's friends in the movement more than 'My Back Pages' in which he transmutes the rude incoherence of his ECLC rant into the organized density of art. The lilting refrain ... must be one of the most lyrical expressions of political apostasy ever penned. It is a recantation, in every sense of the word." [2]

Others have not fully agreed with Marqusee's interpretation, instead seeing the change of Dylan's philosophy as part of a slow transition. Pointing to the fact that Dylan still performed many of his earlier songs after "My Back Pages" was written, and in fact still does. In an interview with the Sheffield University Paper in May 1965, Dylan himself made the following comments on the situation;[3]

Q: Your songs have changed a lot over the last couple of years. Are you consciously trying to change your style, or would you say that this was a natural development?

A: Oh, it's a natural one, I think. The big difference is that the songs I was writing last year, songs like "Ballad in Plain D", they were what I call one-dimensional songs, but my new songs I'm trying to make more three-dimensional, you know, there's more symbolism, they're written on more than one level.

Q: How long does it take you to write a song? Say a song like "Hard Rain"?

A: Well, I wrote "Hard Rain" while I was still on the streets, I guess that was the first three-dimension song I wrote. It took me about - oh, about two days.

Also in early 1966 Margaret Steen wrote the following for The Toronto Star after interviewing Dylan in late 1965;

"...But though his words are new he was still writing in old musical forms - and why was this any less artificial than singing dated lyrics? I mean the way-out electronic Space Age sound was the natural next step - electric music is what's happening today, it's sheer 20th-century. "Before," he says of his first protest songs, leaning forward with one of his rare stares right at me, "every song had to have a specific point behind it, a person, a thing. I would squeeze a shapeless concept into this artificial shape, like, like...." Like 'With God on Our Side, his ironic commentary of three years ago on how people justify fighting, which ends with the lines:

The words fill my head And fall to the floor, If God's on our side He'll stop the next war.

"Yeah! Yeah! Like that one," says Dylan, excited that I'm catching on to what he means. "It's a good song, I'm not putting it down; but this thing I wanted to say, I had to jam it into a very timed, rigid stylized pattern. "Now!....Well for one thing, the music, the rhyming and rhythm, what I call the mathematics of a song, are more second-nature to me. I used to have to go after a song, seek it out. But now, instead of going to it I stay where I am and let everything disappear and the song rushes to me. Not just the music, the words, too. Those old songs I used to write, everyone is imitating them now. What I'm doing now you can't learn by studying, you can't copy it, someone else can't say he's writing a song 'like that'.""

Dylan also added later in the same interview;

" There is silence for a few moments while I think of some of the more intriguing lines from his songs. What, I asked him did he mean by:

Ah, but I was much older then, I'm younger than that now.

"My God, did I write that line?" He smiles. "I was in my New York phase then, or at least, I was just coming out of it. I was still keeping the things that are really really real out of my songs, for fear they'd be misunderstood. Now," with another smile, "I don't care if they are." Like, he had all the answers, then. If we can get rid of the Bomb nobody will fight any more. If we integrate the schools every one will love one another. It was so simple, he was so much older then.

"No, I'm not disillusioned. I'm just not illusioned, either. The civil rights and protest songs, I wrote when nobody else was writing them. Now everyone is. But I've found out some things. The groups promoting these things, the movement, would try to get me involved with them, be their singing spokesman - and inside these groups, with all their president vice-president secretary stuff, it's politics, all politics. Inside their own pettinesses they're as bad as the hate groups. I won't even have a fan club because it'd have to have a president, it'd be a group.""

The Byrds' version

"My Back Pages" was released as a single by the American rock band The Byrds on March 13, 1967 by Columbia Records (see 1967 in music).[4] The song was also included on the band's fourth album, Younger Than Yesterday, which was released on February 6, 1967.[4] It should be noted, however, that the version featured on the single is a radio edit that omits the song's second verse, in order to reduce the playing time from 3:08 (as on the Younger Than Yesterday album) to 2:31.[5] The single reached #30 on the Billboard Hot 100,[6] but failed to chart in the United Kingdom. "My Back Pages" is notable for being the last single by The Byrds to reach the Top 40 in the U.S. charts.[6]

The song was initially suggested as a suitable vehicle for The Byrds by their manager, Jim Dickson. Lead guitarist, Jim McGuinn, felt that it would make an effective cover version but the band's outspoken guitarist and singer, David Crosby, felt that covering a Dylan song was formulaic.[7] The Byrds had already released six Dylan covers on their first two albums, Mr. Tambourine Man and Turn! Turn! Turn!, and enjoyed particular success with their recordings of "Mr. Tambourine Man" and "All I Really Want to Do".[4] However, upon its release, "My Back Pages" was received well by the critics and today is regarded as one of The Byrds' strongest Dylan interpretations.[4]

After its release on Younger Than Yesterday, the song would go on to become a staple of The Byrds' live concert repertoire, until their final disbandment in 1973.[4] A later line-up of The Byrds re-recorded an excerpt of the song as part of a medley on their 1969 album, Dr. Byrds & Mr. Hyde.[8] The song was also performed live by a reformed line-up of The Byrds featuring Roger McGuinn, David Crosby and Chris Hillman in January 1989.[9]

Besides its appearance on the Younger Than Yesterday and Dr. Byrds & Mr. Hyde albums, "My Back Pages" also appears on several Byrds' compilations, including The Byrds' Greatest Hits, History of The Byrds, The Original Singles: 1967–1969, Volume 2, The Byrds, The Very Best of The Byrds, The Essential Byrds and There Is a Season.[10] Additionally, an unreleased alternate version of the song (which at one time had been considered for release as a single), featuring additional guitar effects by McGuinn was included as a bonus track on the Columbia/Legacy reissue of Younger Than Yesterday in 1996.[11]

The Byrds version also appeared as the closing song of the "Forever Blue" episode of Cold Case in 2006.[12]

Other cover versions

The song has been covered by numerous artists,[13] including The Ramones, Po!, The Hollies, The Nice, Eric Johnson, The Box Tops, Carl Verheyen, Marshall Crenshaw, Keith Jarrett, Steve Earle, and *64.

A live version of the song was performed by Bob Dylan, Eric Clapton, George Harrison, Neil Young, Roger McGuinn and Tom Petty during Dylan's 30th anniversary concert celebration in New York City, October 1992. The recording includes vocals from McGuinn, Petty, Young, Clapton, Dylan and George Harrison, along with guitar solos by Clapton and Young.

A Japanese-language cover by The Magokoro Brothers is included in the soundtrack of the Dylan film Masked and Anonymous.

1995 famous german rockmusician Wolfgang Niedecken made a cover called "Vill passiert sickher" - he sings in german cologne dialect.

References

  1. ^ Dylan and the ECLC
  2. ^ Marquesee, Mike (2003). Chimes of Freedom: The Politics of Bob Dylan's Art. New Press. pp. 105–106. 
  3. ^ Sheffield University Paper May 1965
  4. ^ a b c d e Rogan, Johnny. (1998). The Byrds: Timeless Flight Revisited. Rogan House. ISBN 0-95295-401-X. 
  5. ^ "Byrds Records". Byrds Flyght. http://users.skynet.be/fa388247/discobyrdsbyrds2.htm. Retrieved 2009-08-09. 
  6. ^ a b "The Byrds chart data". Ultimate Music Database. http://www.umdmusic.com/default.asp?Lang=English&Search=Byrds&Where=Bands. Retrieved 2009-08-09. 
  7. ^ "Younger Than Yesterday". ByrdWatcher: A Field Guide to the Byrds of Los Angeles. http://ebni.com/byrds/lpyty.html. Retrieved 2009-08-09. 
  8. ^ "Dr. Byrds & Mr. Hyde". ByrdWatcher: A Field Guide to the Byrds of Los Angeles. http://ebni.com/byrds/lpdbmh.html. Retrieved 2009-09-15. 
  9. ^ "The Byrds Bootleg CD List". Byrds Flyte. http://users.skynet.be/byrdsflyght/cdbyrds.htm. Retrieved 2009-08-09. 
  10. ^ "My Back Pages album appearances". allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=33:wjftx0tdldfe. Retrieved 2009-08-09. 
  11. ^ Rogan, Johnny. (1996). Younger Than Yesterday (1996 CD liner notes). 
  12. ^ "Forever Blue featured songs list". Heard On TV. http://heardontv.com/tvshow/Cold+Case/Season+4/Forever+Blue. Retrieved 2009-08-09. 
  13. ^ "My Back Pages cover versions". allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=17:1037629. Retrieved 2009-08-09. 

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