Gaulish ravengoddess whose worship is recorded in several locations, including Britain. Her iconography is puzzling. In her left hand she carries a saucer or patera, evidently used for sacrifice on an altar; in some instances the saucer is replaced by a small pot, which may be an evocation of the great Celtic cauldron. In her left hand she carries what looks like a small house set at the end of a long pole. While the patera and house-on-pole may imply prosperity, well-being, and domesticity, her constant association with the carrion-eating raven evokes sombre associations with death. Her usual cult-partner is Sucellus [Latin, the good striker]. See Salomon Reinach, ‘Sucellus et Nantosvelta’, Revue Celtique, 17 (1896), 45–9; E. Linckenheld, ‘Sucellus et Nantosuelta’, Revue de l'Histoire des Religions, 99 (1929), 40–92; Miranda J. Green, Symbol and Image in Celtic Religious Art (London and New York, 1989), 27, 42–3, 49.
In Gaulish religion, Nantosuelta was a goddess of nature, the earth, fire, and fertility. The Mediomatrici (Alsace, Lorraine) depicted her in art as holding a model house or dovecote, on a pole (a bee hive). Nantosuelta is attested by statues, and by inscriptions. She was sometimes paired with Sucellus. Nantosuelta was also the Goddess of Nature in Lusitanian mythology[citation needed]. In addition, her symbol the raven symbolized her connection as a goddess of the dead.[citation needed]
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In this relief from Sarrebourg, near Metz, Nantosuelta, wearing a long gown is standing to the left. In her left hand she holds a small house-shaped object with two circular holes and a peaked roof. Her right hand holds a patera which she is tipping onto a cylindrical altar.
To the right Sucellus stands, bearded, in a tunic with a cloak on his right shoulder. He holds his mallet in his right hand and an olla in his left. Above the figures is a dedicatory inscription and below them in very low relief is bird, of a raven. This sculpture was dated by Reinach (1922, pp. 217–232), from the form of the letters, to the end of the first century or start of the second century.
An altar from Metz has a carving of a woman with similar dress to the Sarrebourg example, also holding a small house on a pole, thus presumed to be Nantosuelta. Sucellus is not shown on this example.
She was associated with the cornucopia.[citation needed]
The inscription (Jufer & Luginbühl p. 129) on the Sarrebourg altar (CIL XIII, 4542) reads:
To the God Sucellus and to Nantosuelta, Bellausus, son of Massa, willingly and deservedly fulfilled his vow.
The inscription on the Metz altar (AE 1896, 0049) says:
Here the dedication is to the Imperial house, and Nantosuelta is not explicitly mentioned. The visual depiction makes the identification secure.
Delamarre asserts that the name means ‘sun-warmed valley’ [1]. Roux in 1952 [2], Olmstead in 1994 [3] and Polomé in 1997 [4] maintained that the proto-Indo-European root *swel- ‘swelter’, found in Indo-European words denoting ‘sun’, was inherited into Gallic.
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