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Narc

 
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Narc

  • Director: Joe Carnahan
  • AMG Rating: starstarstar
  • Genre: Thriller
  • Movie Type: Police Detective Film, Crime Thriller
  • Themes: Murder Investigations, Rogue Cops, Drug Trade
  • Main Cast: Ray Liotta, Jason Patric, Chi McBride, Busta Rhymes, Anne Openshaw
  • Release Year: 2002
  • Country: US
  • Run Time: 105 minutes
  • MPAA Rating: R

Plot

Suspended from the police force following an undercover drug bust gone horribly awry, Detroit undercover narcotics officer Nick Tellis (Jason Patric) is reluctantly goaded back into active duty in hopes that he can help to crack the case of a slain fellow officer. Promised reinstatement in the force in exchange for his efforts, Tellis is paired with the victim's volatile ex-partner Henry Oak (Ray Liotta) and soon begins to actively seek the killer in an increasingly complex case. A recent father whose wife fears for her husband's safety and begs him not to take back to the dangerous streets, Tellis struggles with his conscience as he navigates a twisting road of half-realized truths, shifting loyalties and questionable agendas. With every step closer to Tellis gets to solving the troubling murder, he grows farther away from his wife and newborn son, and edges ever closer to a resolution so complicated that it threatens to devour his soul and shatter every preconceived difference he has ever made between cop and criminal. ~ Jason Buchanan, All Movie Guide

Review

A jarring and gritty tale of revenge and the search for redemption set against the decayed backdrops of inner-city Detroit, director Joe Carnahan's Narc offers a compelling crime story with actors Ray Liotta and Jason Patric in top form. Having tread familiar ground in the similarly-themed 1991 crime drama Rush, Patric turns in what might be his finest performance as a cop haunted by the mistakes of his past, but increasingly determined to redeem himself by aiding in the capture of a viscous cop-killer. Likewise, Liotta strikes a fierce chord as an unhinged and single-mindedly determined cop bent on capturing (and likely maiming) the drug dealers responsible for his former partner's demise. If Patric and Liotta had been underused and under-appreciated for some time, this film is a true testament to their remarkable ability to immerse themselves so much in character that the actor becomes a transparent vessel and the character a strikingly tangible and sympathetic entity into their own. If his freshman effort Blood, Guts, Bullets and Octane garnered director Carnahan the unfavorable stigma of a Tarantino rip-off artist, Narc find's Carnahan truly coming into his own as a compelling storyteller. Though at times the clichés of crime thrillers boil to the surface, Carnahan has the kind of creativity and energy to quickly shift those familiar conventions into something truly effective and satisfying, and by skillfully taking the time to make his characters as street-smart, sympathetic and intimidating as they should be, he wisely builds the intensity to an almost unbearable level leading into a showdown that is as satisfying as it is believable and true to form. The amount of time spent drawing the characters as complex and believable individuals may seem unusual for a police detective thriller, but it's precisely this approach that makes Narc's ultimate denouement so powerful. There are many moments in which sympathies are shifted and the perspectives questioned, and by skillfully employing a Rashomon-like technique as the film edges closer to the abyss, Carnahan displays a deft ability to keep his audience frantically guessing. ~ Jason Buchanan, All Movie Guide

Cast

Richard Chevolleau - Steeds; John Ortiz - Ruiz; Alan C. Peterson - Freeman Franks

Credit

Steve Montgomery - Associate Producer, Clare Walker - Casting, Mary Vernieu - Casting, Gersha Phillips - Costume Designer, Marcel Suamure - First Assistant Director, Michael Johnson - First Assistant Director, Joe Carnahan - Director, John Gilroy - Editor, Adam Stone - Executive Producer, David C. Glasser - Executive Producer, George Furla - Executive Producer, Randy Emhett - Executive Producer, Andy Emilio - Executive Producer, Tony Grazia - Line Producer, Cliff Martinez - Composer (Music Score), Taavo Sooder - Production Designer, Alex Nepomniaschy - Cinematographer, Ray Liotta - Producer, Diane Nabatoff - Producer, Michelle Grace - Producer, Richard Penn - Sound/Sound Designer, Joe Carnahan - Screenwriter, Bob Davidson - Gaffer

Similar Movies

Bad Lieutenant; Deep Cover; The French Connection; Internal Affairs; Reservoir Dogs; Rush; Serpico; The Outrage; Donnie Brasco; Night Falls on Manhattan; Cop Land; Traffic; Training Day; Dark Blue; A Man Apart; How It All Went Down; Last Man Standing; Dirty; Running Scared; Miami Vice; The Departed; Slow Burn; Street Kings
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Wikipedia: Narc (film)
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Narc

Theatrical poster
Directed by Joe Carnahan
Produced by Ray Liotta
Michelle Grace
Diane Naratoff
Julius R. Nasso
Associate Producer:
Seth Kittay
Stephen Montgomery
Line Producer:
Tony Grazia
Consulting Producer:
Scott Stone
Field Producer:
Sharon Seto
Executive Producer:
Tom Cruise
Paula Wagner
Peter Block
Randall Emmett
George Furla
David Glasser
Michael Gordon
Adam Stone
Jeff Waxman
Co-Executive Producer:
Jed Baron
Andy Emilio
Carol Gillson
Michael Grayson
Brian Keathley
Written by Joe Carnahan
Starring Jason Patric
Ray Liotta
Chi McBride
Busta Rhymes
Music by Cliff Martinez
Cinematography Alex Nepomniaschy
Editing by John Gilroy
Studio Lions Gate Films
Cruise/Wagner Productions
Splendid Pictures
Emmett/Furla Films
Tiara Blu Films
Cutting Edge Entertainment
JR Media Services
Narc LLC
Distributed by Paramount Pictures
Release date(s) December 17, 2002
Running time 105 min.
Country U.S. USA
Canada Flag of Canada
Language English
Budget ~ US$6,500,000

Narc is a 2002 Canadian-American crime film about corrupt police involved in the illegal drug trade. It was released to critical acclaim and moderate commercial success.[citation needed] It was written and directed by Joe Carnahan. The plot centers around the efforts of two police detectives as they search for the murderer of an undercover police officer. As they proceed in the investigation they engage in suspect tactics and give viewers a glimpse into the seedy side of undercover work.

Contents

Plot

The film opens with an intense scene of undercover narcotics officer Nick Tellis chasing a drug dealer through the streets of Detroit after his identity has been discovered. After the dealer fatally injects a bystander with drugs (whom Tellis was forced to leave behind), he holds a young child hostage. Tellis manages to shoot and kill the dealer before he can hurt the child. However, one of the bullets inadvertently hits the child's pregnant mother, causing her to eventually miscarry.

Eighteen months later, Tellis is persuaded by the Detroit Police Department to return to the force to investigate the murder of another undercover narcotics officer, Michael Calvess. Tellis is reluctant, as his wife disapproves of him risking his life, and she wants him to spend more time at home with their baby. However, realizing there is very little else he can do for a living, he decides to read the files on the case and eventually agrees to come aboard, on two conditions. The first is that he will receive a desk job at the station if he secures a conviction. The second is that another detective, veteran Henry Oak, whom Tellis becomes aware of through reading the investigation files on Calvess' death, is assigned to the case as well. Tellis' reason for wanting Oak is his opinion after reading the files that the only useful pieces in the investigation thus far came from him. Tellis is also informed by the department chief about Oak's reputation as a driven and effective policeman who is also unstable. Despite reservations, Oak is assigned to the case.

The two begin to build rapport while carrying out a violent investigation. Here we learn that Oak is a dedicated, although haunted cop who uses an excessive amount of violent force when facing criminals. Oak also believes that the department just wants the case buried and forgotten. During the investigation, Oak reveals that his wife died of cancer, and that they never had any children together. He recalls a drug bust decades prior, where he found a ten year old girl naked, who had been sold for prostitution by her stepfather for rent money. Oak became enraged and beat the man to a bloody pulp. He sees that case as being similar to the current one. Meanwhile, Tellis' wife becomes increasingly distressed for her husband's wellbeing. Tellis visits Calvess's widow Kathryn, and asks her questions about the relationship between the two of them while he was on the street, hoping to make a decision about his own private life. Oak turns up at the house during the conversation, and is furious that she is being persistently interviewed by police. He seems increasingly protective of Kathryn and her children's safety.

Tellis and Oak visit the scene of an apparent murder of a drug dealer and gun collector, who was shot dead in his bath. Tellis discovers the bullet had no fire-pin mark, and he surmises that the man was using it as a bong and forgot that it was loaded. Once heated, the shotgun discharged, killing the drug user. After determining that this lead is fruitless, Tellis and Oak visit the house of a man who was involved in the shootout eighteen months ago that started the film. They find incriminating evidence, but nothing concrete that suggests he carried out the murder of Calvess, although they do find the police badge of Calvess. However, the man impulsively turns a gun on them both, wounding Tellis in the neck, before Oak kills him in self-defense.

Returning home, Tellis is confronted by his wife, who leaves him as she can no longer bear to see him endangering his life. Tellis and Oak are told that the case has been closed, as the deceased suspect is quickly and conveniently determined to be Calvess's killer. They are furious, as they believe the killer has yet to be found, and continue their investigation independently. Oak determines that the main suspects are hiding out at an auto body shop. Once there, Oak finds and disarms one suspect while Tellis chases one outside and shoots him in the leg. After they are both tied up, Oak attempts to force a confession out of both of them. Tellis is getting increasingly suspicious of some of Oak's tactics, especially after viewing many files that suggest Oak had been repeatedly discharging a lady who has been arrested on several occasions. Oak finds many police issue guns in the trunk of one of the men's cars (after he shoots the tires on the other's car), including that which belonged to Calvess, and attacks both men violently, at which point Tellis steps in to calm him down and tells him to get CSI tools from the car outside. When he leaves the room, Tellis locks the door, turns on the tape recorder, and asks for the truth. The dealers explain that Calvess was the one who blew Tellis' cover eighteen months ago (seen at the start of the film), causing the shootout. They also recount Calvess's degeneration into chemical dependency. On the day of the murder, Calvess tried to make a deal with the two dealers, but it went badly. At that point, Oak arrived at the other end of the tunnel, trailing Calvess to confirm rumors that he had become an addict. Calvess went for his weapon, which was the dealers' justification for attacking him. The two men then ran off as Oak neared and began firing at them.

Tellis leaves the room and confronts Oak, telling him that the dealers claim that Oak shot at both of them four times, leaving a wound on one dealer's shoulder, before murdering Calvess himself for being a drug addict. Oak denies this, but the issue of his relationship with Calvess's wife Kathryn is then brought up. As it turns out, Kathryn was the ten year old girl Oak found all those years ago who was being prostituted. Based on Oak's earlier accounts, he considers her a daughter he never had, and has remained close all this time. He has since been protecting her by covering up several crimes that she committed in her teenage years. Tellis then tells Oak that he is going to make the arrest on his own, but Oak beats him with his shotgun and resumes brutalizing the dealers. He turns the tape recorder back on and attempts to beat a confession out of the two men, while threatening to shoot them. Tellis breaks into their car, retrieves a gun, and enters the building. He is forced to shoot Oak when he refuses to put his gun down. Tellis runs to aid Oak and, realizing he's dying, pleads with him to tell him the truth about what happened on the night Calvess died.

Oak explains (silently, shown in flashback) that it was Calvess who shot at the dealers as they ran away from Oak, leaving the shoulder bullet wound. Oak had an argument with him, explaining that he had finally had enough of defending Calvess and was going to turn him in to the Department. In a moment of despair, Calvess took his own gun and shot himself in Oak's presence. Oak had been protecting his name and family ever since, so Calvess' wife can have his pension and support her two daughters. If the Department found it was a suicide instead of a murder, Calvess' wife would not have received the pension. Oak's motive in the movie was to convict Mike's "murderers," the dealers who he felt had turned him into a junkie. Oak then dies in Tellis's arms, leaving the confession on tape. The two dealers are arrested outside, and Tellis has a few minutes to decide whether to hand the tape over to the police, a decision we never discover as the film's closing credits roll.

Production

The film had a record[citation needed] of 21 producers, one of whom was Tom Cruise. Though set in Detroit, the majority of the film was shot in Toronto, with only one day of actually shooting in Detroit. The word fuck and its variants are used 297 times in this film. (See also: List of films ordered by uses of the word "fuck".)

Reception

The film was well reviewed by most critics, receiving a metascore of 70 from Metacritic and an 82% "Fresh" rating from Rotten Tomatoes.

Box office

Narc earned $10,456,659 in the United States and Canada and took another $2,168,088 in other territories for a combined worldwide gross of $12,633,747, nearly doubling the production budget of $6.5 million.[1]

Cast

Actor Role
Jason Patric Nick Tellis
Ray Liotta Henry Oak
Chi McBride Captain Cheevers
Lloyd Adams Walter Dandridge
Stacey Farber Young Kathryn

References

External links


 
 

 

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