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The Native American flute has achieved some measure of fame for its distinctive sound, used in a variety of New Age and world music recordings. The instrument was originally very personal; its music was played without accompaniment in courtship, healing, meditation, and spiritual rituals. Now it is played solo, along with other instruments or vocals, or with backing tracks[1] both in Native American music and in other styles. There are two different types of Native American flute, the plains flute[2] and the woodlands flute,[3] each with slightly different construction.
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History
There are many stories about how different peoples discovered the flute. A common character in these stories is the woodpecker, who put holes in hollow branches while searching for termites. The wind would blow around these branches, creating sounds that the people noticed and sought to recreate. The actual development of the flute most likely did not follow this pattern. The theory that it was developed by the Ancient Pueblo Peoples based on Mesoamerican designs is the most common solution.[4]
The late 1960s saw a roots revival centered around the flute, with a new wave of flutists and artisans like Doc Tate Nevaquaya and Carl Running Deer. Of special importance is R. Carlos Nakai (Changes, 1983), who has achieved some mainstream renown for his mixture of the flute with New Age and ambient sounds. Mary Youngblood is the only Native American flautist to win two Grammy awards, although several others have been noted as Grammy nominees.
Notable and award winning Native American flautists include: Timothy Archambault, Charles Littleleaf, Jeff Ball, Douglas Blue Feather, Joseph Firecrow, Kevin Locke, Robert Mirabal, Jay Red Eagle, Robert Tree Cody, and David Atlas.
A few classical composers have written for the Native American flute, including James DeMars, David Yeagley, Brent Michael Davids, and Philip Glass. File AuthenticNativeFlute.jpg
Construction
The Native American flute is the first flute in the world constructed with two air chambers - there is a wall inside the flute between the top (slow) air chamber and the bottom chamber which has the whistle and finger holes. The top chamber also serves as a secondary resonator, which gives the flute its distinctive sound. There is a hole at the bottom of the "slow" air chamber and a (generally) square hole at the top of the playing chamber. A block (or "fetish") is tied on top of the flute. In a plains flute, a spacer is added or a channel is carved into the block itself to form a thin, flat air stream for the whistle hole (or "window"). In contrast, a woodlands flute has the channel carved into the top of the flute, allowing for a less reedy sound.[2][3]
The "traditional" Native American flute was constructed using measurements based on the body - the length of the flute would be the distance from inside of the elbow to tip of the index finger, the length of the top air chamber would be one fist-width, the distance from the whistle to the first hole also a fist-width, the distance between holes would be one thumb-width, and the distance from the last hole to the end would generally be one fist-width.[2][3]
Materials
Native American flutes can be made from various materials. Juniper , Redwood and Cedar are popular, as they provide a nice aroma. The softwoods are generally preferred by most flute players because of the softer tones produced by the wood. Other harder woods such as walnut and cherry are appreciated for the clear, crisp, richness of sound that they can produce. Although traditionally flutes would be made from river cane (Arundinaria gigantea), bamboo or a local wood, more exotic rainforest woods or even plastics are now used.[2][3]
| Indigenous music of North America: Topics |
|
|---|---|
| Native American/First Nations | |
| Chicken scratch | Ghost Dance |
| Hip hop | Native American flute |
| Peyote song | Pow wow |
| Tribal music articles | |
| Arapaho | Blackfoot |
| Dene | Innu |
| Inuit | Iroquois |
| Kiowa | Kwakwaka'wakw |
| Navajo | Pueblo (Hopi, Zuni) |
| Seminole | Sioux (Lakota, Dakota) |
| Yaqui music | Yuman |
| Related topics | |
| Music of the United States - Music of Canada | |
Variations
Some modern Native American flutes are called "drone" flutes, and are two (or more) flutes built together. Generally, the drone chamber plays a fixed note which the other flute can play against in harmony. However, the drone may also change octaves as it resonates with the melody played on the adjacent flute. Important information: Commercially, ONLY flutes actually crafted by enrolled Native Americans or their approved artisans are considered Native American Flutes. It is Illegal for any other to connote Native origins, or to misnomer their Native American STYLE Flutes as "Native", per the [http://www.doi.gov/iacb/act.html 1990 Indian Arts And Crafts Act, this Act makes such misrepresentation a Federal felony. Non-Native makers must at least include such terms as "style" in descriptions of their wares.
Music
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Modern Native American flutes are generally tuned to a variation of the minor pentatonic scale, which gives the instrument its distinctive plaintive sound. Recently some makers have begun experimenting with different scales, giving players new melodic options. Also, modern flutes are generally tuned in concert keys (such as A or D) so that they can be easily played with other instruments. The root keys of modern Native American flutes span a range of about three and a half octaves, from C2 to A5[5].
Early recordings of Native American flutes are available from several sources [6].
Fingering
Native American flutes most commonly have either 5 or 6 holes, but instruments can have anything from no holes to seven (including a thumb hole). Various makers employ different scales and fingerings for their flutes[7].
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Films
- Songkeepers (1999, 48 min.). Directed by Bob Hercules. Produced by Dan King. Lake Forest, Illinois: America's Flute Productions. Five distinguished traditional flute artists - Tom Mauchahty-Ware, Sonny Nevaquaya, R. Carlos Nakai, Hawk Littlejohn, Kevin Locke – talk about their instrument and their songs and the role of the flute and its music in their tribes.[8]
- Journey to Zion (2008, 44 min.). A documentary by Tim Romero. Santa Maria, California: Solutions Plus. An inspirational documentary about Native flute enthusiasts attending the Zion Canyon Art & Flute Festival located in Springdale, Utah, the gateway to Zion National Park. - Anthony Natividad, John Dumas, Mark Holland, Scott August, Joe Young, Jay Nash – speak about their instrument as their connection to spirituality and healing. Flute makers talk about their craft - John Kulias, Brent Haines, Dennis Hatch and John Shorter.
References
- ^ Backing tracks for Native American Flutes
- ^ a b c d Anatomy of the Plains Flute, Flutetree.com
- ^ a b c d Native Flutes Contemporary Construction, Zadjik Productions
- ^ History of Native American Flute, Zadjik Productions
- ^ Keys of Native American flutes
- ^ NAF Fingering Diagrams
- ^ Early Native American flute Recording Discography
- ^ National Museum of the American Indian
See also
- International Native American Flute Association
- List of Native American flute makers
- List of Native American musicians
External links
- International Native American Flute Association
- Flute Key Native American Flute Resources Web Site.
- Flute Tree Native American Flute Informational Web Site.
- NAF Music A Yahoo! Music Group With Largest Web Collection of Free Native American Flute Sheet Music and Tab.
- NAF Music Songs A Yahoo! Music Group enabling the upload of Native American Flute Music songs
- List of archives containing Native American flutes
- Finger Diagram Fonts for writing out Native American Flute music.
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