Neil LaBute

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Biography

Combining intriguing moral and ethical metaphors with dark portraits of the underside of American life, writer and director Neil LaBute became one of the most controversial new filmmakers to emerge in the 1990s, offering a perspective that was intelligent and possessing a brutally clear focus.

Neil LaBute was born in Detroit, MI, on March 19, 1963. When LaBute was a child, his family moved to Spokane, WA, and during his high school days in the Pacific Northwest he developed a keen interest in both writing and theater. After graduating from high school, LaBute received a scholarship from Brigham Young University, a college in Provo, UT, which was founded and is still overseen by the Church of Jesus Christ of Latter-day Saints, known to many as the Mormons. LaBute received a degree in Theater and Film at B.Y.U., and converted to the Church of Jesus Christ of Latter-day Saints while a student. LaBute went on to graduate work at the University of Kansas and New York University, and participated in a writing workshop at London's Royal Court Theatre, as well as attending the Sundance Institute's Playwright's Lab at N.Y.U. LaBute first began writing and staging original plays while studying at Brigham Young, and in 1993 he returned to B.Y.U. to premier his drama In the Company of Men, a startling and controversial tale of two businessmen who conspire to emotionally destroy a receptionist at their firm. In 1997, LaBute decided to adapt In the Company of Men for the screen, and on a budget of only 25,000 dollars, shot the film in two weeks in and around Fort Wayne, IN, with a friend from his college days, Aaron Eckhart, who played Chad, one of the businessmen. In the Company of Men was accepted at the 1997 Sundance Film Festival, and to LaBute's surprise, it won the Filmmaker's Trophy as Best Dramatic Feature; the film was picked up for national distribution, and went on to gross 2.9 million dollars.

Following the success with In the Company of Men, LaBute next wrote and directed Your Friends & Neighbors, an examination of the sexual and emotional failings and frailties of three couples; it was also based on one of LaBute's earlier plays, entitled Lepers. Shot on a relatively lavish five-million-dollar budget, Your Friends & Neighbors, while not as widely acclaimed as In the Company of Men, received solid reviews and confirmed his status as an exciting new talent in filmmaking. LaBute was also one of several new filmmakers chronicled in the documentary Independent's Day. In 2000, LaBute refocused his attentions to the stage with Bash: Latterday Plays, a collection of three short plays (which, like his two films, was adapted from a previous LaBute stage production entitled Bash: A Gaggle of Saints). Bash, starring Calista Flockhart and Paul Rudd, proved to be a hot ticket in its New York off-Broadway run, and a performance of the play was taped for later broadcast on the Showtime premium cable network. That same year, LaBute released his third feature film, which was also his first film which he did not write -- Nurse Betty, a dark but sweet comedy about a slightly touched woman chasing her dreams after the murder of her husband, while being followed by the gunmen who did in her spouse. Nurse Betty proved LaBute could work with a lighter touch, and became a respectable box-office success. LaBute's next project, Possession (2002), was another departure for him, in that it focused mainly on romance and elements of period drama. After that, he returned to the themes of his earlier films, writing and directing The Shape of Things (2003), which he had originated as a play in London.

In perhaps his most substantial departure to date, LaBute confounded fans and critics by taking a stab at the horror genre by serving as writer and director of the 2006 remake, The Wicker Man. Though many of LaBute's previous efforts could well have been considered horror films in the sense that they portrayed man as the ultimate emotional monster, The Wicker Man marked the first time the director had entered the genre proper and, considering the longstanding cult-status of the original, expectations among genre enthusiasts were fairly high for the dramatic frightener.

When not busy with his work, LaBute lives with his wife and two children in Fort Wayne, IN. ~ Rovi
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Neil LaBute
Born Neil N. LaBute
(1963-03-19) March 19, 1963 (age 49)
Detroit, Michigan, U.S.
Occupation Film director, screenwriter, playwright

Neil N. LaBute[1] (born March 19, 1963) is an American film director, screenwriter and playwright.

Contents

Early life

LaBute was born in Detroit, Michigan, the son of Marian, a hospital receptionist, and Richard LaBute, a long-haul truck driver.[2][3] LaBute is of French Canadian, English, and Irish ancestry,[3] and was raised in Spokane, Washington. He studied theater at Brigham Young University (BYU), where he joined The Church of Jesus Christ of Latter-day Saints. At BYU he also met actor Aaron Eckhart, who would later play leading roles in several of his films. He produced a number of plays that pushed the envelope of what was acceptable at the conservative religious university, some of which were shut down after their premieres. However, he also was honored as one of the "most promising undergraduate playwrights" at the BYU theater department's annual awards.[4] LaBute also did graduate work at the University of Kansas, New York University, and the Royal Academy of London.

Career

LaBute's exposure to and interest in the film industry came with a viewing of The Soft Skin (La Peau Douce 1964), said the director to Robert K. Elder in an interview for The Film That Changed My Life.[5]

It exposed me, probably in the earliest way, to “Hey, I could do that.” I’ve never been one to love the camera or even to be as drawn to it as I am to the human aspect of it, and I think it was a film that speaks in a very simple way of here’s a way that you can tell a story on film in human terms. It was the kind of film that made me go, “I could do this; I want to tell stories that are like this and told in this way.” And so it was altering for me in that way, in its simplicity or deceptive simplicity.[6]

In 1993, he returned to Brigham Young University to premiere his play In the Company of Men, for which he received an award from the Association for Mormon Letters. He taught drama and film at IPFW in Fort Wayne, Indiana in the early 1990s where he adapted and filmed the play, shot over two weeks and costing $25,000, beginning his career as a film director. The film won the Filmmakers Trophy at the Sundance Film Festival, and major awards and nominations at the Deauville Film Festival, the Independent Spirit Awards, the Thessaloniki Film Festival, the Society of Texas Film Critics Awards and the New York Film Critics Circle.

LaBute has received high praise from critics for his unsettling portrayals of humans.[citation needed] In the Company of Men portrays two misogynist businessmen (one played by Eckhart) cruelly plotting to romance and emotionally destroy a deaf woman. His next film Your Friends & Neighbors (1998), with an ensemble cast including Eckhart and Ben Stiller, was a shockingly honest[citation needed] portrayal of the sex lives of three suburban couples. In 2000 he wrote an off-Broadway play entitled Bash: Latter-Day Plays, a set of three short plays (Iphigenia in orem, A gaggle of saints, and Medea redux) depicting essentially good Latter-day Saints doing disturbing and violent things. One of the plays was a much-talked-about one-person performance by Calista Flockhart.[citation needed] This play resulted in his being disfellowshipped from the LDS Church. He has since formally left the LDS Church.[7]

LaBute's 2002 play The Mercy Seat was one of the first major theatrical responses to the September 11, 2001 attacks.[citation needed] Set on September 12, it concerns a man who worked at the World Trade Center but was away from the office during the attack — with his mistress. Expecting that his family believes that he was killed in the towers' collapse, he contemplates using the tragedy to run away and start a new life with his lover. Starring Liev Schreiber and Sigourney Weaver, the play was a commercial and critical success.[citation needed] While hesitant to term The Mercy Seat "political theater", Labute said, "I refer to this play in the printed introduction as a kind of emotional terrorism that we wage on those we profess to love." He dedicated this edition to David Hare, in response to Hare’s "straightforward, thoughtful, probing work."[8]

LaBute's The Wicker Man, was an American version of a British cult classic. His first horror film, it starred Nicolas Cage and Ellen Burstyn and was released on September 1, 2006 by Warner Bros. Pictures to scathing critical reviews and mediocre box office.[citation needed] It has spawned several memes, mostly concerning Cage's hammy acting and overdone lines.[citation needed]

His next play, reasons to be pretty, played Off-Broadway May 14-July 5, 2008 in a production by MCC Theater at The Lucille Lortel Theatre. LaBute's first ever Broadway production is reasons to be pretty which began previews at the Lyceum Theatre on March 6, 2009 with an opening on April 2, 2009. The play was nominated for three 2009 Tony Awards—including Best Play, Best Leading Actor in a Play (Thomas Sadoski), and Best Featured Actress in a Play (Marin Ireland) -- but did not win in any category. reasons opened to good reviews and continued to pick up fans, but, not enough to sustain its existence on Broadway. The producers ended the run early, with the last performance on June 14, 2009.

Critics have responded to his plays as having a misanthropic tone.[9][10][11] Rob Weinert-Kendt in The Village Voice referred to LaBute as "American theater's reigning misanthrope."[12] The New York Times said that critics labeled him a misanthrope, on the release of his film, Your Friends & Neighbors. The UK's Independent newspaper dubbed him "America's misanthrope par excellence."[13] Citing In the Company of Men and The Shape of Things, critic Daniel Kimmel identified a thread running through his work: "LaBute is a misanthrope who assumes that only callous people who use and abuse others can survive." Critics labeled him a misogynist after his In the Company of Men.[14]

LaBute directed Death at a Funeral, a remake of a 2007 British film of the same name. It was written by Dean Craig (who also wrote the original screenplay) and starred Chris Rock.

LaBute wrote a new Introduction and new scenes for the Chicago Shakespeare Theater production of The Taming of the Shrew by William Shakespeare from April 7 to June 6, 2010. LaBute framed the classic play in overtly metatheatrical terms and added a lesbian romance in a subplot.

LaBute's first produced play, Filthy Talk for Troubled Times (1989)--a series of biting exchanges by two 'everyman' in a bar—was staged from June 3–5, 2010 by MCC Theater in Manhattan as a benefit for MCC's Playwrights' Coalition and their commitment to developing new work. LaBute also directed the reading.

MCC will be the home to the World Premier of The Break of Noon. It will run from October 28-December 22, 2010. The play starts the 25th season of MCC. The play will then open in Los Angeles at the Geffen Theater, again directed by Bonney, from January 25-March 6, 2011 (Opening night: February 2, 2011). The show stars Tracee Chimo, David Duchovny, John Earl Jelks, and Amanda Peet. The show was directed by Jo Bonney, set design by Neil Patel, costume design by ESosa, lighting design by David Weiner, original music by Justin Ellington, sound design by Darron L.West, special effects by Matthew Holtzclaw, dialect coach Stephen Gabis, wig design by J. Jared Janas & Rob Greene, production manager B.D. White, production stage manager Christina Lowe, general manager Ted Rounsaville, casting by Telsey + Company, and publicity by O&M Co.[15]

The Unimaginable, a new short play by LaBute, will premier as part of the Terror 2010 season at the Southwark Playhouse in London, England from October 12-October 31, 2010.

He will also be partaking in the Bush Theatre's 2011 project Sixty Six Books where he has written a piece based upon a chapter of the King James Bible[16]

Style

LaBute's style is very language-oriented. His work is terse, rhythmic, and highly colloquial. His style bears similarity to one of his favorite playwrights, David Mamet. LaBute even shares some similar themes with Mamet including gender relations, political correctness, and masculinity.[17]

Filmography

LaBute also provides a guest audio commentary for the DVD release of Sex, Lies, and Videotape, alongside Steven Soderbergh.[citation needed]

Theater productions

The live stage performance rights for most of these plays are licensed by Broadway Play Publishing Inc.

References

  1. ^ http://www.filmreference.com/film/30/Neil-LaBute.html
  2. ^ Jordan, Pat (March 29, 2009). "Neil LaBute Has a Thing About Beauty". The New York Times. http://www.nytimes.com/2009/03/29/magazine/29LaBute-t.html?pagewanted=2. Retrieved May 20, 2010. 
  3. ^ a b Bigsby, C. W. E. (2007). Neil LaBute: stage and cinema. Cambridge University Press=. pp. 2, 235. ISBN 0-521-88254-0. 
  4. ^ People in the arts . The Deseret News. Sunday, May 6, 1984
  5. ^ http://www.amazon.com/dp/1556528256
  6. ^ LaBute, Neil. Interview by Robert K. Elder. The Film That Changed My Life. By Robert K. Elder. Chicago: Chicago Review Press, 2011. N. p2.48. Print.
  7. ^ Times & Seasons » An Interview with Neil LaBute
  8. ^ Baitz, Jon Robin. "Neil Labute". BOMB Magazine. Spring 2003. Retrieved 22 July 2011.
  9. ^ http://www.broadwayplaypubl.com/IN%20A%20DARK.htm
  10. ^ http://www.hackwriters.com/shapeofthings.htm
  11. ^ http://www.npr.org/templates/story/story.php?storyId=5163405
  12. ^ Jailbait Evokes a More Human Neil LaBute, Village Voice April 7, 2009 http://www.villagevoice.com/2009-04-08/theater/jailbait-evokes-a-more-human-neil-labute/
  13. ^ The Independent, "First Night: Fat Pig, Trafalgar Studios, London: A heart-warming tale from America's master misanthrope" "http://www.independent.co.uk/arts-entertainment/theatre-dance/reviews/first-night-fat-pig-trafalgar-studios-london-835324.html
  14. ^ "Neil LaBute has a Thing About Beauty," The New York Times, March 25, 2009 http://www.nytimes.com/2009/03/29/magazine/29LaBute-t.html?pagewanted=3&ref=theater
  15. ^ http://broadwayworld.com/article/Photo_Coverage_THE_BREAK_OF_NOON_Opening_Night_Curtain_Call_Party_20101123
  16. ^ http://www.bushtheatre.co.uk/biography/writers/
  17. ^ http://www.theaterpro.com/labute.html
  18. ^ Sherwin, Adam (March 30, 2011). "'Mad Men' saved from real-life advertising row". The Independent (London). http://www.independent.co.uk/news/media/tv-radio/mad-men-saved-from-reallife-advertising-row-2256728.html. 

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Mentioned in

The Woman Next Door (2009 Drama Film)
Death at a Funeral (2010 Comedy Film)
Tia Texada (Actor, Drama/Thriller)
Alison Pill (Actor, Drama/Comedy Drama)
Jodie Whittaker (Actor, Drama/Comedy)