| This article relies largely or entirely upon a single source. Please help improve this article by introducing appropriate citations of additional sources. (September 2009) |
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| Baroque music |
| Common practice period |
| Contemporary classical music |
| Expressionism (music) |
| Neoclassicism (music) |
| Neoconservative postmodernism |
| Neoromanticism (music) |
| New Objectivity |
| Postmodern music |
| Romantic music |
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| Atonal (see Atonality) |
| List of pieces that use serialism and twelve-tone
(see Serialism and Twelve-tone technique) |
| Extended techniques (see Extended technique) |
| Pandiatonic (see Pandiatonic) |
| Polytonal (see Polytonality) |
| Process music (see Process music) |
| Quartal (see Quartal harmony) |
| Quarter tone (see Quarter tone) |
| Whole tone (see Whole tone scale) |
| Phase (see Phasing) |
| Quotation (see Musical quotation) |
In music, neoconservative postmodernism is "a sort of 'postmodernism of reaction',"[1] which values, "textual unity and organicism as totalizing musical structures," like, "latter-day modernists,"[2] and includes composers such as Fred Lerdahl, John Harbison, and Steve Reich[3].
Neoconservative, "postmodernism is understood as a 'return to the verities of tradition (in art, family, religion...)' and where, crucially, modernism 'is reduced to a style...and condemned or excised entirely as a cultural mistake; pre- and postmodern elements are then elided, and the humanist tradition is preserved.'"[4]
Sources
- ^ Kramer, Jonathan (1995). "Beyond Unity: Toward an Understanding of Musical Understanding of Musical Postmodernism," p.22,24. In Concert Music, Rock, and Jazz since 1945, ed. Elizabeth West Marvin and Richard Hermann, 11-34. Rochester, N.Y.: University of Rochester Press. ISBN 1580460968. quoted in Brackett, John (2008). John Zorn: Tradition and Transgression, p.xviii. Bloomington: Indiana University Press. ISBN 978-0-253-22025-7.
- ^ Kramer (1995) cited in Brackett (2008), p.xviii.
- ^ Brackett (2008), p.xviii.
- ^ Foster, Hal (1998), ed. The Anti-Aesthetic: Essays on Postmodern Culture, xiii. New York: New Press. ISBN 1565847423. quoted in Brackett (2008), p.xviii.
See also
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