Share on Facebook Share on Twitter Email
Answers.com

Nikolaus Lenau

 

Lenau, Nikolaus, is the pseudonym invariably used by Nicolaus Franz Niembsch, Edler von Strehlenau (Csatád, Hungary, 1802-50, Oberdöbling nr. Vienna), who was the child of an unhappy marriage between a dissipated Austrian cavalry officer and a Hungarian girl of good family. His father died when he was 5, and in his youth he was the subject of an emotional tug-of-war between his impoverished mother and his paternal grandparents. He developed into an impulsive, depressive, deeply disturbed personality. He studied at various universities, switching from faculty to faculty, and though he remained longest with medicine, he never qualified. In Vienna he was friendly with Bauernfeld and Grillparzer, and was especially close to Graf Auersperg (see Grün, Anastasius). After receiving a substantial inheritance in 1830, he moved in 1831 to Stuttgart where he had regular contact with Uhland, Schwab, and K. Mayer and was especially befriended by J. Kerner. For a time he was deeply attached to Lotte Gmelin, a niece of Schwab. Under the impulse of a romantic idealization he emigrated in 1832 to the United States, but was quickly disillusioned and returned in 1833 to Stuttgart.

In 1834 Lenau fell in love with Baroness Sophie von Löwenthal in Vienna, to whom he remained attached for the rest of his life. He conducted a dual correspondence with her, ‘official’ literary letters on the one hand, passionate private notes on the other. Her letters have been destroyed; Lenau's were published in 1906 and 1968 (ed. P. Härtling). He became increasingly subject to moods of despair from which neither the persisting link with Sophie von Löwenthal nor a betrothal to the actress Caroline Unger could distract him. A second engagement to Marie Behrends, the daughter of a Frankfurt patrician, preceded a complete mental breakdown in 1844. Lenau did not recover his sanity and eventually became almost totally paralysed. He was taken to the asylum at Winnental in Württemberg and was later transferred to Döbling (near Vienna), where he died.

Lenau's first published work was a collection of poems (Gedichte, 1832), and these were supplemented in 1838 by Neuere Gedichte. In 1844 he published a further volume entitled Gedichte, which contained new poems as well as reprinting those which had appeared in the earlier collections. Lenau's Faust. Ein Gedicht, of some 3, 000 lines, is partly indebted to Goethe's work and was published in 1836; Savonarola, a religious epic in the form of a cycle of verse romances, followed in 1837; and a second epic, Die Albigenser, in the form of a collection of longer poems described as ‘Freie Dichtungen’, was published in 1842. Lenau's last work of importance, the epic Don Juan, was published posthumously in 1851 by his friend Anastasius Grün, together with other shorter poems (Nachlaß). Of the longer works this is the best, but none of them has a vigour of imagination proportionate to its length.

Lenau's reputation rests chiefly on the lyric poetry, with its haunting rhythms, its pantheistic vision of nature, and its range of feeling from sadness to despair. Lenau was a violinist of merit, and was one of the first to appreciate the Beethoven of the Ninth Symphony and the late quartets. Under the name of Dr Moorfeld he is the central figure in the novel Der Amerika-Müde (1855) by F. Kürnberger. Sämtliche Werke und Briefe (6 vols.), ed. E. Castle, appeared 1910-23 and (based on this edition) Sämtliche Werke und Briefe (2 vols.) in 1970. Briefwechsel. Unveröffentlichtes und Unbekanntes, ed. J. Buchowiecki, appeared in 1969, the historisch-kritische Ausgabe, Werke und Briefe, ed. H. Brandt et al., 1989 ff.

Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
 
Columbia Encyclopedia: Nikolaus Lenau
Top
Lenau, Nikolaus ('kōlous lā'nou), pseud. of Nikolaus Niembsch Edler von Strehlenau (nēmpsh ād'lər fən shtrā'lənou), 1802-50, Austrian romantic poet, b. Hungary. He is considered Austria's chief lyric poet. Pessimism and melancholy dominate his work, which includes three volumes of vivid poems of peasant life (1832, 1838, 1840); the epics Savonarola (1837) and Die Albigenser (1842); and the long lyric poem Faust (1836). Lenau's mind failed in 1844, and he spent his last years in an asylum.

Bibliography

See study by H. Schmidt (1971).

Wikipedia: Nikolaus Lenau
Top
Lenau in 1839

Nikolaus Lenau was the nom de plume of Nikolaus Franz Niembsch Edler von Strehlenau (August 25, 1802, Schadat, near Temesvár, HungaryAugust 22, 1850, Oberdöbling, near Vienna), a Hungarian-Austrian poet.

Contents

Biography

He was born at Schadat (Hungarian: Csatád) near Temesvár in Hungary, now Lenauheim, Romania. His father, a government official, died at Budapest in 1807, leaving his children in the care of their mother, who in 1811 married again. In 1819 Nikolaus went to the University of Vienna; he subsequently studied Hungarian law at Bratislava and then spent the best part of four years in qualifying himself in medicine. Unable to settle down to any profession, he had already begun to write verse; and the disposition to sentimental melancholy inherited from his mother, stimulated by disappointments in love and by the prevailing fashion of the romantic school of poetry, descended into gloom after his mother's death in 1829.

Soon afterwards, a legacy from his grandmother enabled him to devote himself wholly to poetry. His first published poems appeared in 1827, in Johann Gabriel Seidl's Aurora. In 1831 he went to Stuttgart, where he published a volume of Gedichte (1832) dedicated to the Swabian poet, Gustav Schwab. Here he also made the acquaintance of Ludwig Uhland, Justinus Kerner, Karl Mayerl and others; but his restless spirit longed for change, and he determined to seek for peace and freedom in America.

In October 1832 he landed at Baltimore and settled on a homestead in Ohio. He also lived six months in New Harmony, Indiana, with a group called the Harmony Society. But the reality of life in the primeval forest fell lamentably short of the ideal he had pictured; he disliked the Americans with their eternal English lisping of dollars (englisches Talergelispel); and in 1833 he returned to Germany, where the appreciation of his first volume of poems revived his spirits. From then on he lived partly in Stuttgart and partly in Vienna. In 1836 appeared his Faust, in which he laid bare his own soul to the world; in 1837, Savonarola, an epic in which freedom from political and intellectual tyranny is insisted upon as essential to Christianity. In 1838 his Neuere Gedichte proved that Savonarola had been the result of a passing exaltation. Of these new poems, some of the finest were inspired by his hopeless passion for Sophie von Löwenthal, the wife of a friend. In 1842 appeared Die Albigenser, and in 1844 he began writing his Don Juan, a fragment of which was published after his death. Soon afterwards his never well-balanced mind began to show signs of aberration, and in October 1844 he was placed under restraint (after jumping out of a window one morning and running down a street, while shouting "Revolt! Freedom! Help! Fire!" [1]) for the rest of his life. He died in the asylum at Oberdöbling near Vienna and was buried in the cemetery of Weidling, near Klosterneuburg. On his grave is the replica of an open book with an extract from one of his poems (An Frau Kleyle) inscribed on the lefthand page, while on the righthand page there is the final stanza from his poem Vergangenheit. The city of Stockerau in Lower Austria has proclaimed itself the "Lenau City", because Nikolaus Lenau went on extensive walks in the alluvial forests next to Stockerau and the Danube and was inspired to write one of his most famous lyric poems, "Schilflieder", during this time. He has various streets and squares named after him in Vienna and the surrounding area.

Lenau's fame rests mainly upon his shorter poems; even his epics are essentially lyric in quality. His excellent poem, "Herbst", expresses the sadness and melancholy he felt after his sojourn in the United States and his strenuous travels across the Atlantic to return to Europe. In it, he mourns the loss of youth, the passing of time and his own sense of futility. The poem is archetypal of Lenau's style and culminates with the speaker dreaming of death as a final escape from emptiness. He is the greatest modern lyric poet of Austria, and the typical representative in German literature of that pessimistic Weltschmerz which, beginning with Lord Byron, reached its culmination in the poetry of Giacomo Leopardi.

Lenau's Sämtliche Werke were first published in 4 vols. by Anastasius Grün (1855).

Lenau's Grave in Weidling, Austria

Other Sources

  • E. Castle (2 vols., 1900).
  • E. Castle, Lenau und die Familie Löwenthal (1906).
  • L. A. Frankl, Ein Lenaus Biographie (1854, 2nd ed,, 1885).
  • L. A. Frankl, Lenaus Tagebuch und Briefe an Sophie Löwenthal (1891).
  • M. Koch, Krschner's Deutsche Nationalliteratur, vols. 154-155 (1888).
  • A. Marchand, Les Poètes lyriques de l'Autriche (1881).
  • L. Roustan, Lenau et son temps (1898).
  • A. Schlossar, Lenaus Briefe an die Familie Reinbeck (1896).
  • A. X. Schurz, Lenaus Leben, grosstenteils aus des Dichters eigenen Briefen (1855).

External links

References

  1. ^ Janů, Jaroslav. Lenau. pp. 116. 
Wikisource has original works written by or about:

 
 

 

Copyrights:

German Literature Companion. The Oxford Companion to German Literature. Copyright © 1976, 1986, 1997, 2005 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Nikolaus Lenau" Read more