Harry Nilsson had a hit, a Grammy, and critical success, yet he still didn't have a genuine blockbuster to his name when it came time to finally deliver a full-fledged follow-up to Nilsson Sings Newman, so he decided it was time to make that unabashed, mainstream pop/rock album. Hiring Barbra Streisand producer Richard Perry as a collaborator, Nilsson made a streamlined, slightly domesticated, unashamed set of mature pop/rock, with a slight twist. This is an album, after all, that begins by pining for the reckless days of youth, then segues into a snapshot of suburban disconnectedness before winding through a salute to and covers of old R&B tunes ("Early in the Morning" and "Let the Good Times Roll," respectively), druggie humor ("Coconut"), and surging hard rock ("Jump Into the Fire"). There are certainly hints of the Nilsson of old, particularly in his fondness for Tin Pan Alley and McCartney melodicism -- as well as his impish wit -- yet he hadn't made a record as cohesive as this since his first time out, nor had he ever made something as shiny and appealing as this. It may be more accessible than before, yet it's anchored by his mischievous humor and wonderful idiosyncrasies. Chances are that those lured in by the grandly melodramatic "Without You" will not be prepared for either the subtle charms of "The Moonbeam Song" or the off-kilter sensibility that makes even his breeziest pop slightly strange. In short, it's a near-perfect summary of everything Nilsson could do; he could be craftier and stranger, but never did he achieve the perfect balance as he did here. ~ Stephen Thomas Erlewine, Rovi
Nilsson Schmilsson is the seventh album by Harry Nilsson. Commercially, this was Nilsson's strongest work, producing three of his better known songs and achieving acclaimed chart success. This album marks the first of two of Nilsson's albums produced by Richard Perry. It was ranked No. 84 on Pitchfork Media's "Top 100 Albums of the 1970's".[7] Two of Nilsson's self-penned songs, "Jump into the Fire" and "Coconut", subsequently became hits. The album performed well at the 1973 Grammy Awards, earning a nomination for Album of the Year, while "Without You", a cover of a song by the band Badfinger, won a Grammy for Best Male Pop Vocal Performance.
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