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Nino Rota

 
Artist: Nino Rota
 

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Hal Willner, David Arnold, Vittorio Demarin, L'Orchestre De La Suisse Romande, Ilya

Formal Connection With:

Luchino Visconti, Federico Fellini
  • Born: December 03, 1911
  • Died: April 10, 1979
  • Active: '50s, '60s, '70s
  • Genres: Soundtrack
  • Instrument: Arranger, Main Performer, Composer
  • Representative Albums: "Music for Film," "The Godfather," "The Godfather, Pt. 2"
  • Representative Songs: "La Dolce Vita," "La Strada," "Sicilian Pastorale"

Biography

Famed for his inspired work with director Federico Fellini, Nino Rota was one of the most prolific and acclaimed film composers of his era, with a list of soundtrack credits ranging from La Dolce Vita to Franco Zeffirelli's Romeo and Juliet to Francis Ford Coppola's The Godfather. Born December 3, 1911 in Milan. Italy, Rota was a child prodigy who had already written an opera and an oratorio prior to his fifteenth birthday; he subsequently studied at the Curtis Institute in Philadelphia as well as the Liceo Musicale in Bari, where from 1950 to 1978 he served as director. In 1933 Rota first entered the Italian film industry, scoring the "white telephone" romances and musicals prevalent during the era; before 1950, he composed the music for some 30 features, as well as the operas Torquemada and The Florentine Straw Hat.

With the 1952 release Lo Sceicco Bianco, Rota teamed for the first time with Fellini; their 30 year collaboration was one of the most fruitful director-composer pairings in film history, resuting in world classics including 1954's La Strada (later adapted by Rota into a ballet), 1963's 8 1/2, 1974's Amarcord and, perhaps most famously, 1960's La Dolce Vita. Launched to international prominence through his work with Fellini, Rota also began composing material for other major filmmakers including Luchino Visconti (1960's Rocco E I Suoi Fratelli), King Vidor (1956's War and Peace) and Mario Monicelli (1959's La Grande Guerra). In 1968 he scored Zeffirelli's Romeo and Juliet, and its love theme became among his most recognized compositions; even more distinctive was his theme for Coppola's 1972 classic The Godfather. For 1974's The Godfather Part II, Rota won an Academy Award; he died on April 10, 1979. ~ Jason Ankeny, All Music Guide
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Discography: Nino Rota
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Roma

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Fellini Masterpieces: La Strada/Nights Cabiria

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Casanova

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Casanova

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Amarcord [Sony International]

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Music to the Films of Fellini

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Great War

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Federico Fellini & Nino Rota

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Greatest Hits

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Swindle (Il Bidone)

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Actor: Nino Rota
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  • Born: Dec 31, 1911 in Milan, Italy
  • Died: Apr 10, 1979
  • Active: '40s-'70s
  • Major Genres: Drama, Comedy
  • Career Highlights: The Godfather Part II, The Godfather, Romeo and Juliet
  • First Major Screen Credit: Treno Popolare (1933)

Biography

Italian composer Nino Rota's first oratorio was performed in 1921, when he was a veteran at age 11. Refining his skills at the Milan Conservatory, the Santa Cecilia Academy of Italy, and the Curtis Institute of the United States, Rota continued turning out symphonies, operas, and ballets throughout his long career, and also spent nearly four decades as director of the Bari Conservatory. His best-known operas include Torquemada (1942), The Florentine Straw Hat (1946), and Alladin and His Magic Lamp (1968), all bearing the influence of his many years as a film composer. Rota's first movie work was for Italy's "white telephone" romances and musicals of the 1930s. In an earthier vein, Rota composed for several of the neorealist directors of the postwar era. His longest professional association (25 years) was with director Federico Fellini, who once described the relationship thusly: "It is a harmonious collaboration that I haven't felt like changing. His music is a kind of drama that is very true for my story and images." Rota's better-known Fellini scores were for La Strada (1954), Il Bidone (1955), Nights of Cabiria (1956), and, perhaps best of all, La Dolce Vita (1961). One of Rota's many stage compositions was for a late-'50s ballet version of La Strada. When director Francis Ford Coppola wanted an authentic Italian "feel" for the music of the Godfather, he knew exactly who to contact: Nino Rota, who won his first-ever Oscar for the now-classic The Godfather score (alas, he was later disqualified because he'd lifted his themes from one of his own earlier film scores). Outside of Godfather, Nino Rota's most popular film composition was the love theme from Zeffirelli's Romeo and Juliet (1968). ~ Hal Erickson, All Movie Guide
 
Music Encyclopedia: Nino Rota
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(b Milan, 3 Dec 1911; d Rome, 10 April 1979). Italian composer. He studied at the Milan Conservatory, privately with Pizzetti (1925-6), with Casella in Rome, and at the Curtis Institute (1931-2). In 1939 he joined the staff at the Bari Conservatory (director from 1950). He wrote fluently in a cool, direct style: his output includes operas (notably The ltalian Straw Hat, 1955), three symphonies, concertos and instrumental pieces, besides numerous film scores (many for Fellini, Visconti and Zeffirelli).



 

(born Dec. 31, 1911, Milan, Italy — died April 10, 1979, Rome) Italian composer of film scores. Rota had composed an oratorio and an opera by age 13. After studies at Philadelphia's Curtis Institute he began writing film scores. From 1950 to 1978 he served as director of the Liceo Musicale, a conservatory in Bari. In 1950 he also began his long association with Federico Fellini, for whom he would score films such as La strada (1955), La dolce vita (1960), 8 1/2 (1963), and Amarcord (1973). He provided scores for many other films including Francis Ford Coppola's The Godfather (1972) and The Godfather: Part II (1974).

For more information on Nino Rota, visit Britannica.com.

 
Wikipedia: Nino Rota
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Nino Rota
Born Giovanni Rota
December 3, 1911(1911-12-03)
Milan, Lombardy, Italy
Died April 10, 1979 (aged 67)
Rome, Italy

Nino Rota (December 3, 1911 – April 10, 1979) was an Italian composer best known for his work on film scores, notably the films of Federico Fellini. He also composed the music for two of Franco Zeffirelli's Shakespeare films, and for Francis Ford Coppola's Godfather trilogy.

Rota also composed ten operas, five ballets and many other orchestral and choral works, the most famous being his string concerto.

Contents

Biography

Born into a musical family in Milan, Rota studied at the conservatory there under Ildebrando Pizzetti. His first oratorio, L'infanzia di San Giovanni Battista, was performed in Milan and Paris as early as 1923 and his lyrical comedy, Il Principe Porcaro, was composed in 1926. Encouraged by Arturo Toscanini, Rota moved to the United States where he lived from 1930 to 1932. He won a scholarship to the Curtis Institute of Philadelphia, where he took classes in orchestra with Fritz Reiner and had Rosario Scalero as an instructor in composition. Returning to Milan, he wrote a thesis on the renaissance composer Gioseffo Zarlino. Rota earned a degree in literature from the University of Milan. In 1937, he began a teaching career that led to the directorship of the Bari Conservatory, a title he held from 1950 until his death in 1979.

During the 1940s, Rota composed scores for more than 32 films, including Renato Castellani's Zazà (1944). His association with Fellini began with Lo sceicco bianco (1952), followed by I vitelloni (1953) and La strada (1954). They continued to work together for decades, and Fellini recalled:

The most precious collaborator I have ever had, I say it straightaway and don't even have to hesitate, was Nino Rota — between us, immediately, a complete, total, harmony... He had a geometric imagination, a musical approach worthy of celestial spheres. He thus had no need to see images from my movies. When I asked him about the melodies he had in mind to comment one sequence or another, I clearly realized he was not concerned with images at all. His world was inner, inside himself, and reality had no way to enter it.[1]

Rota's score for Fellini's (1963) is often cited as one of the factors which makes the film cohesive. His score for Fellini's Juliet of the Spirits (1965) included a collaboration with Eugene Walter on the song, "Go Milk the Moon" (cut from the final version of the film), and they teamed again for the song "What Is a Youth?", part of Rota's score for Franco Zeffirelli's Romeo and Juliet. In all, Rota wrote scores to more than 150 films.

Rota wrote several concerti and other orchestral works as well as piano, chamber and choral music. After his death Rota's music was the subject of the 1981 tribute album Amarcord Nino Rota. Gus Van Sant used some of Rota's music in his 2007 film Paranoid Park.

Operas

His 1955 opera The Italian Straw Hat, an adaptation of the play by Eugène Labiche was presented by the Santa Fe Opera in 1977. In 2005 his opera Aladino e la lampada magica (Aladdin and the Magical Lamp), with Cosmin Ifrim in the title role, was performed in German translation at the Vienna State Opera and released on DVD.

Written for a radio production by RAI in 1950, his short opera, I due timidi (The Two Timid Ones), was presented by the Santa Fe Opera as part of their pre-season "One-Hour Opera" program in May/June 2008.

Film scores

References

External links


 
 

 

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Actor. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Nino Rota" Read more

 

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