No Name on the Bullet

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AMG AllMovie Guide:

No Name on the Bullet

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Plot

John Gant (Audie Murphy) rides into the town of Lordsburg and quietly checks into the hotel. He doesn't say much, nor does he need to -- his mere presence does the talking. Gant is a killer, a hired assassin, a gunman with 23 dead men to his credit, but he is not a murderer or a criminal; all of his killings have been legal, a result of self-defense when the men he was after drew on him. When he comes to a town, someone dies as surely as if he were the angel of death -- he even tells the town doctor in Lordsburg (Charles Drake) that he's in "a similar line of work," and ends up playing chess with him. Who has he come to "see" in Lordsburg? No one is sure, but as the sheriff (Willis Bouchey) tells his deputy, it will be mighty interesting watching the leading citizens over the next few days. Sure enough, the town banker (Whit Bissell) locks himself in his office with a gun, his business partner starts packing iron for the first time in his life, the man they cheated in their dealings is also going armed; and one guilty cuckold (Warren Stevens) is positive his ex-rival has paid Gant. Less than 12 hours after that, there's no law left in Lordsburg, every dirty little secret in every man's past starts bubbling to the surface, and gunplay has broken out in the streets between the men who think their respective rivals have brought Gant to town. ~ Bruce Eder, Rovi

Review

Jack Arnold didn't make too many movies in Cinemascope, but when he did, he knew how to fill the screen with useful picture information -- just check out High School Confidential, in case No Name on the Bullet isn't proof enough. There isn't a shot or a frame that wastes any of the space accorded him by the widescreen image. All of that, plus the superb pacing (nothing drags in this picture and, if anything, some moments seem slightly too brisk) and the fine acting (led by R.G. Armstrong as the hero's father), make this movie work extremely well. In the process, Arnold manages to cross swords with Fred Zinnemann's High Noon, depicting the fragility of the civil order in the West, even the late, almost modern West of long-settled towns; Lordsburg is depicted as being a lot like Hadleyville in the earlier movie, a town "small enough to be comfortable in, but big enough to have a future." It also benefits from Audie Murphy's understated acting in the film; for this movie, he had unknowingly adopted a style that later served Steve McQueen and Chuck Norris well, letting those around him do most of the acting (and the talking -- he doesn't have 300 words of dialogue in the whole movie) while he remains the center of attention. It's all a pretty compelling 77 minutes of viewing, and a provocative little Western. ~ Bruce Eder, Rovi

Cast

John Alderson - Ben Chaffee; R.G. Armstrong - Asa Canfield; Whit Bissell - Thad Pierce; Willis B. Bouchey - Buck Hastings; Charles Drake - Dr. Luke Canfield; Joan Evans - Ann Benson; Virginia Grey - Roseanne Fraden; Jim Hyland - Hugo Mott; Audie Murphy - John Gant; Simon Scott - Reeler; Edgar Stehli - Judge Benson; Karl Swenson - Earl Sticker; Charles Watts - Sid; Guy Wilkerson - Uncredited farmer in opening scene; Russ Bender - Storekeeper; Jerry Paris - Harold Miller; Warren Stevens - Lou Fraden

Credit

Alexander Golitzen - Art Director, Robert Emmet Smith - Art Director, Bill Thomas - Costume Designer, John Sherwood - First Assistant Director, Jack Arnold - Director, Frank Gross - Editor, Herman Stein - Composer (Music Score), Joseph E. Gershenson - Musical Direction/Supervision, Bud Westmore - Makeup, Harold Lipstein - Cinematographer, Jack Arnold - Producer, Howard Christie - Producer, Russell A. Gausman - Set Designer, Leslie I. Carey - Sound/Sound Designer, Frank H. Wilkinson - Sound/Sound Designer, Gene L. Coon - Screenwriter, Howard Amacker - Short Story Author

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Wikipedia on Answers.com:

No Name on the Bullet

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No Name on the Bullet

DVD cover for the film
Directed by Jack Arnold
Produced by Jack Arnold
Howard Christie
Written by Howard Amacker (story)
Gene L. Coon
Starring Audie Murphy
Charles Drake
Joan Evans
Virginia Grey
Music by Herman Stein
Cinematography Harold Lipstein
Editing by Frank Gross
Distributed by Universal-International
Release date(s) 1959
Running time 77 min.
Country United States
Language English

No Name on the Bullet is a 1959 western film. It is one of a handful of pictures in that genre directed by Jack Arnold, better known for his science-fiction movies of the era. Although it is one of Universal-International's modestly budgeted vehicles for World War II hero Audie Murphy, the top-billed actor is unusually, but very effectively, cast as the villain, a cold-blooded gun-for-hire.

Contents

Plot

When infamous hired gunman John Gant arrives in the small town of Lordsburg, Arizona, the locals are terrified by his reputation and surprised by how young he is. Although Sheriff Buck Hastings would like to arrest Gant, he points out to the townsmen that Gant always coerces his rivals to draw their gun first, allowing him to kill them legally in "self-defence." While the men in the town speculate anxiously about Gant's target, Luke Canfield (played by Charles Drake, an off-screen friend and frequent co-star of Murphy), the town blacksmith and doctor, greets Gant and is totally unaware of Gant's reputation as a hired gunman. During his first meeting with Gant at the smithy, Luke demonstrates his perfect aim with a maul.

Luke proudly takes Gant on a tour through town and agrees to join him later for a game of chess. At home, Luke's fiancée, Anne Benson, tends to her father, Judge Benson, who suffers from consumption. Luke's father Asa joins them for dinner, during which Buck arrives to warn Luke to stay away from Gant. Asa cautions Buck not to condemn Gant prematurely, but Buck is reluctant to accept his advice and reveals that he feels he will be powerless against Gant's superior gun skills. Later, mine owners Earl Stricker and Thad Pierce assume that their partner, Ben Chaffee, has hired Gant to kill them in order to take sole ownership of the mine. When they find Gant in the saloon and propose a counter-offer, however, Gant observes that no innocent man would be afraid, and turns them away.

Upon hearing that Stricker and Pierce were seen talking with Gant, Chaffee assumes that they want to kill him. He questions Luke about Gant, and after Luke fails to calm him, the physician walks through town, noting that the townsmen are all hiding behind guns and locked doors. While clerk Lou Fraden and his wife Roseanne discuss their certainty that her ex-husband has sent Gant to kill them, Luke confronts Gant, asking him why he has come. Impressed with Luke's bravery and integrity, Gant explains that he believes that Luke, who saves the lives of men "who deserve to die," is less ethical than he. While they talk, a panicked Pierce shoots himself in his office and dies later that night. After this, Luke accuses Gant of murder. When Buck tries to throw Gant out of town, Gant refuses to leave. When the sheriff pulls a gun on Gant, Gant shoots him in the hand and renders him useless. As to why Gant didn't kill him, the gunman explains it was because no one was paying him.

Later, Judge Benson advocates using vigilante law to throw out Gant, but after Luke protests, suggests sacrificing the one man Gant is after in order to save the rest of the town. Meanwhile, Fraden, emboldened by alcohol, confronts Gant, who calmly encourages him to draw his gun. At Luke's urging, Fraden flees, leaving Luke to demand fruitlessly that Gant leave town. Next, Stricker gathers the townsmen to challenge Gant, and although Luke disapproves, he agrees to lead them, hoping to minimize the possible violence. Gant, angered to see Luke backed by a mob, warns the men that if they shoot him he will still live long enough to kill Luke, Reeger, Asa, Stricker and several other town leaders. The men disband silently. Later, Luke confesses to Judge Benson that he likes Gant, and the judge warns him that Gant's viciousness is a progressive disease that he cannot cure.

In the store the next day, Gant approaches Anne and questions her about her home life, but will not reveal his target. At the same time, the judge speculates to Luke that if the hunted man refused to defend himself, Gant could be legally arrested for murder, but Luke declares that no man could die without fighting. Soon after, Chafee and his men begin a shootout with Stricker which results in the death of many men. Sickened by a situation that he can not deal with, Sheriff Hastings takes off his badge and drops it on the street. Anne, who has grown suspicious about her father the judge, reads a letter locked in his drawer that reveals a past crime. Realizing the likelihood that Gant has been hired to kill her father, she goes to Gant's room with a gun. Gant bluffs her that her gun is unloaded and then easily takes it away from her. Anne declares that the judge will not defend himself, prompting Gant to rip off a piece of the upper part of her dress. There is more than one way to make a man pick up a gun.

Gant goes to the judge's home and tells him that his "friends from back East send their respects". The old man admits his past guilt and tells Gant that he knows enough to send himself, the governor, and several other wealthy and powerful men to prison, but all they have to do is wait and nature will do Gant's job for him. Unfortunately, his old associates are impatient. Of course, the Judge refuses to fight. Gant then shows him the piece of Anne's dress and implies that he has raped her. The old judge is angered enough to grab a rifle and follow Gant outside. The old man has severe coughing and fires a wild shot before collapsing on the porch steps. Luke arrives and sees Gant with his gun drawn and assumes that Gant shot the old man. Luke starts to throw a hammer at him, but Gant shoots him in the right shoulder. As Gant is walking away toward his horse, Luke uses his left arm to throw a hammer. Just as Gant turns around, he is struck in the upper part of his gun arm and breaking it so that Gant can no longer shoot. As Gant laboriously mounts his horse, Asa tells Luke that the old man was not shot. Luke offers to tend to his arm, but Gant replies that "Everything comes to a finish" and rides away.

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