The best of the various Rolling Stones collections issued by British Decca during the early '70s, No Stone Unturned is a marvelous gathering of (primarily) non-album B-sides and EP cuts that would not be entirely superseded until the appearance of the three-CD Singles Collection: The London Years singles collection almost a decade and a half later. Indeed, the only serious criticism of the set should be its brevity -- 12 songs merely scraped the surface of the Stones' unavailable catalog, and the presence of two songs that had only ever been issued in the U.S. ("Sad Day" and "Congratulations") simply rubbed salt into the British collectors' wounds. In the years before ABKCO consolidated the Stones' U.K. and U.S. catalogs, those old American B-sides and album-fillers were impossible to find in Britain, and their piecemeal distribution over sundry compilations was seen as nothing short of opportunistic gouging. That said, No Stone Unturned certainly cherry-picks the best of the Stones' period rarities, from the post-psychedelia of "Child of the Moon," all the way back to the primeval beat-boomery of the instrumental "Stoned" and their grinding take on "Money" -- the song that illustrated for early-'60s observers just how far removed from Beatle-dom the Stones' early influences really were. When the Fab Four sang the same song, after all, they sounded like they were willing to go out and work for their pay. The Stones sounded just as happy to live off somebody else's. ~ Dave Thompson, Rovi
No Stone Unturned is a compilation album by The Rolling Stones released in 1973. Seven of the twelve tracks had been previously released on single b-sides in the United Kingdom. The rest had never appeared on an album in the United Kingdom, with some having been released on EPs and one, "Congratulations", having only been released in the United States to that point.
The song Sad Day is released as a single from the LP. Keith said he didn't mind them repackaging the old stuff but wished they would use a bit more imagination about it. He said that "putting out old flipsides as singles is shit". He said the record company Decca were supposed to be making records "but they might just as easily be making baked beans." Keith then bluntly called the record company "the biggest bunch of shits in the world".[1]
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