No Wave Cinema

It has been suggested that this article or section be merged into No Wave. (Discuss) Proposed since December 2011.

No Wave Cinema was a Colab sponsored^[1] boom (1976–1985) in underground filmmaking on the Lower East Side of New York City. Its name, much like its cousin No Wave music, was a stripped down style of guerrilla filmmaking that emphasized mood and texture above other concerns.

This brief movement, also known as New Cinema (after a short-lived screening room on St. Mark’s Place run by several filmmakers on the scene), had a significant impact on both underground film, spawning the Cinema of Transgression (Beth B, Richard Kern, Nick Zedd, Tessa Hughes Freeland and others) and a new generation of independent filmmaking in New York (Jim Jarmusch, Tom DiCillo, Steve Buscemi, and Vincent Gallo), as well as Remodernist film.

Filmmakers associated with the movement included Amos Poe, Vivienne Dick, John Lurie, and others.

In 2011, French filmmaker Céline Danhier made a documentary film entitled BLANK CITY. The film presents an oral history of No Wave Cinema through interviews with Jim Jarmusch, John Waters, Steve Buscemi, Debbie Harry, Fab 5 Freddy, Thurston Moore, Richard Kern, Jack Sargeant, Amos Poe, Susan Seidelman, Charlie Ahearn, and Nick Zedd. The soundtrack includes Patti Smith, Television, Richard Hell & The Voidoids, James Chance and the Contortions, Bush Tetras, Sonic Youth and many more.^[2]

See also

• Cinema of the world
• Experimental film

References

External links

• Official Myspace page for "Llik your idols", a documentary about the Cinema of Transgression & No Wave Cinema

This film genre-related article is a stub. You can help Wikipedia by expanding it. v t e