| 1959 | Life Against Death: A Psychoanalytic Meaning of History. Brown draws on Freudian concepts to construct a history of the human race in this influential and provocative study. A graduate of Oxford University who received a Ph.D. from the University of Wisconsin, Brown was a professor of languages, classics, and comparative literature at Wesleyan University, the University of Rochester, and the University of California at Santa Cruz. |
Quotes:
"Freedom is poetry, taking liberties with words, breaking the rules of normal speech, violating common sense. Freedom is violence."
"Love without attachment is light."
"The money complex is the demonic, and the demonic is God's ape; the money complex is therefore the heir to and substitute for the religious complex, an attempt to find God in things."
"I am what is mine. Personality is the original personal property."
"The human body is not a thing or substance, given, but a continuous creation. The human body is an energy system which is never a complete structure; never static; is in perpetual inner self-construction and self-destruction; we destroy in order to make it new."
| Born | September 25, 1913 El Oro, Mexico |
|---|---|
| Died | October 2, 2002 (aged 89) Santa Cruz, California |
| Era | 20th-century philosophy |
| Region | Western philosophy |
| School | Marxism, psychoanalysis, poetry (classical and modernist) |
| Notable ideas | Symbolic Consciousness, polymorphous perversity |
|
Influenced by
|
|
Norman Oliver Brown (September 25, 1913, El Oro, Mexico – October 2, 2002, Santa Cruz, California) was an American classicist.
Brown's father was an Anglo-Irish mining engineer. His mother was a Cuban of Alsatian and Cuban origin. He was educated at Clifton College, then Balliol College, Oxford (B.A., M.A., Greats; his tutor was Isaiah Berlin) and the University of Wisconsin–Madison (Ph.D., Classics).
In 1938, Brown married Elizabeth Potter.[1] During World War II, he worked for the Office of Strategic Services as a specialist on French culture. His supervisor was Carl Schorske, and his colleagues included Herbert Marcuse and Franz Neumann.[2] His other friends included the historians Christopher Hill and Hayden White as well as the philosopher Stuart Hampshire. At Wesleyan University, he befriended the composer John Cage, an association that proved fruitful to both.[3][4][5][6][7] Brown became a professor of classics at Wesleyan. During Brown's tenure there, Schorske became a professor of history and the two engaged in a mutually beneficial interdisciplinary discourse.[8]
Brown's commentary on Hesiod's Theogony and his first monograph, Hermes the Thief: The Evolution of a Myth, showed a Marxist tendency. Brown supported Henry A. Wallace's Progressive Party candidacy for president in 1948.[1] Following Brown's disenchantment with politics in the wake of the 1948 presidential election, he studied the works of Sigmund Freud. This culminated in his classic 1959 work, Life Against Death: The Psychoanalytic Meaning of History. The book's fame grew when Norman Podhoretz recommended it to Lionel Trilling.[9]
Love's Body, published in 1966, examined "the role of erotic love in human history, describing a struggle between eroticism and civilization."[1] The book was criticized by Herbert Marcuse in "Love Mystified: A Critique of Norman O. Brown", an article published in February 1967 in Commentary. Brown's "A Reply to Herbert Marcuse" was published by Commentary in March 1967.[10]
In the late 1960s, following a stay at the University of Rochester, Brown moved to the University of California, Santa Cruz, as professor of humanities, teaching in the Boards of Studies in History of Consciousness and Literature.[2] He was a highly popular professor, known to friends and students alike as "Nobby". The range of courses he taught, while broadly focused around the themes of poetics, mythology, and psychoanalysis, included classes on Finnegans Wake, Islam, and, with Carl Schorske, Goethe's Faust.
Apocalypse and/or Metamorphosis, published in 1991, was an anthology that collected many of Brown's later writings. It contained "Dionysus in 1990", an article in which Brown used the work of Georges Bataille, whom he described as a "fellow traveler on the Dionysian path", to develop a post-Marxist critique of political economy.[11]
In The Challenge of Islam, a collection of lectures given in 1981 and published in 2009, Brown argues that Islam challenges us to make life a work of art. Drawing on Henri Corbin’s The Creative Imagination in the Sufism of Ibn ‘Arabi, he argues that "Muhammad is the bridge between Christ and Dante and Blake.”[12]
In 1970, Brown was interviewed by Warren Bennis and Sam Keen for Psychology Today. Bennis asked him whether he lived out the vision of polymorphous perversity in his books. He replied, "....I perceive a necessary gap between seeing and being. I would not be able to have said certain things if I had been under the obligation to unify the word and the deed. As it is I can let my words reach out and net impossible things - things that are impossible for me to do. And this is a way of paying the price for saying or seeing things. You will remember that I discovered these things as a late learner. Polymorphous perversity in the literal, physical sense is not the real issue. I don't like the suggestion that polymorphous perversity of the imagination is somehow second-best to literal polymorphous perversity."[13]
|
||||||||||||||
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)