The following list spans time periods and nationalities. In addition to works whose literary merit has been recognized by scholars, the list highlights best-selling authors and writers who have influenced the development of specific genres.
|
Name |
Dates |
Nationality |
Selected Works |
|---|---|---|---|
|
Abe, Kobo |
1924–1993 |
Japanese |
The Woman in the Dunes (1962); The Box Man (1973) |
|
Achebe, Chinua |
1930– |
Nigerian |
Things Fall Apart (1958) |
|
Agee, James |
1909–1955 |
American |
A Death in the Family (1957) |
|
Amis, Kingsley |
1922–1995 |
English |
Lucky Jim (1954) |
|
Anderson, Sherwood |
1876–1941 |
American |
Stories: Winesburg, Ohio (1919) |
|
Asimov, Isaac |
1920–1992 |
Russian-born American |
Foundation and Empire (1952); Stories: I, Robot (1950) |
|
Atwood, Margaret |
1939– |
Canadian |
The Circle Game (1966); The Handmaid’s Tale (1985); The Blind Assassin (2000) |
|
Austen, Jane |
1775–1817 |
English |
Sense and Sensibility (1811); Pride and Prejudice (1813); Emma (1816); Persuasion (1818) |
|
Baldwin, James |
1924–1987 |
American |
Another Country (1962) |
|
Balzac, Honoré de |
1799–1850 |
French |
The Human Comedy (1842–53); Cousin Bette (1846) |
|
Barth, John |
1930– |
American |
The Floating Opera (1956); The Sot-Weed Factor (1960); Giles Goat-Boy (1966) |
|
Bellow, Saul |
1915– |
American |
The Adventures of Augie March (1953); Seize the Day (1956); Herzog (1964) |
|
Benét, Stephen Vincent |
1898–1943 |
American |
Stories :“The King of the Cats” (1929); “The Devil and Daniel Webster” (1937) |
|
Bierce, Ambrose |
1842–1914 |
American |
Stories: An Occurrence at Owl Creek Bridge (1891); The Eyes of the Panther (1891) |
|
Blackwood, Algernon Henry |
1869–1951 |
English |
Stories: The Willows (1907); The Wendigo (1910) |
|
Böll, Heinrich |
1917–1985 |
German |
Group Portrait with Lady (1971); The Lost Honor of Katharina Blum (1974) |
|
Borges, Jorge Luis |
1899–1986 |
Argentine |
Stories: Fictions (1944); The Aleph (1949); The Maker (1960) |
|
Bowles, Paul |
1910– |
American |
The Sheltering Sky (1948). Stories: “A Distant Episode” (1945); “Pages from Cold Point” (1947) |
|
Bradbury, Ray |
1920– |
American |
The Martian Chronicles (1950); Fahrenheit 451 (1953) |
|
Breton, André |
1896–1966 |
French |
The Communicating Vessels (1932); Mad Love (1937) |
|
Brontë, Charlotte |
1816–1855 |
English |
Jane Eyre (1847) |
|
Brontë, Emily |
1818–1848 |
English |
Wuthering Heights (1847) |
|
Bukowski, Charles |
1920–1994 |
American |
Post Office (1971); Factotum (1975); Hollywood (1989) |
|
Burgess, Anthony |
1917–1993 |
English |
A Clockwork Orange (1962) |
|
Burroughs, William S. |
1914–1997 |
American |
Naked Lunch (1962); The Soft Machine (1961) |
|
Cain, James M. |
1892–1977 |
American |
The Postman Always Rings Twice (1934); Double Indemnity (1936) |
|
Caldwell, Erskine |
1903–1987 |
American |
Tobacco Road (1932); God’s Little Acre (1933) |
|
Camus, Albert |
1913–1960 |
French |
The Stranger (1942); The Plague (1947) |
|
Capote, Truman |
1924–1984 |
American |
The Grass Harp (1951); Breakfast at Tiffany’s (1958). Non-fiction: In Cold Blood (1965) |
|
Cather, Willa |
1873–1947 |
American |
O Pioneers! (1913); My ántonia (1918) |
|
Cervantes Saavedra, Miguel de |
1547–1616 |
Spanish |
Don Quixote (1605–15) |
|
Chandler, Raymond |
1888–1959 |
American |
The Big Sleep (1939); The Lady in the Lake (1943) |
|
Cheever, John |
1912–1982 |
American |
The Wapshot Chronicle (1957); Falconer (1977) |
|
Christie, Agatha |
1891–1976 |
English |
Murder on the Orient Express (1934); And Then There Were None (1940) |
|
Clarke, Arthur C. |
1917– |
English |
2001: A Space Odyssey (1968) |
|
Clavell, James |
1924–1994 |
Australian-born American |
Tai-Pan (1966); Shogun (1975) |
|
Cocteau, Jean |
1889–1963 |
French |
Thomas the Imposter (1923); Les Enfants terribles (1929) |
|
Colette [Sidonie-Gabrielle Colette] |
1873–1954 |
French |
Gigi (1944) |
|
Conrad, Joseph |
1857–1924 |
English |
Lord Jim (1900); Heart of Darkness (1902) |
|
Cooper, James Fenimore |
1789–1851 |
American |
The Last of the Mohicans (1826); The Deerslayer (1841) |
|
Crane, Stephen |
1871–1900 |
American |
The Red Badge of Courage (1895) |
|
Crichton, [John] Michael |
1942– |
American |
The Andromeda Strain (1969); Jurassic Park (1990) |
|
Davies, Robertson |
1913–1995 |
Canadian |
What’s Bred in the Bone (1985) |
|
Defoe, Daniel |
1660–1731 |
English |
Robinson Crusoe (1719); Moll Flanders (1722) |
|
Dickens, Charles |
1812–1870 |
English |
The Pickwick Papers (1836–37); A Christmas Carol (1843); A Tale of Two Cities (1859); Great Expectations (1861) |
|
Dinesen, Isak [Karen Blixen] |
1885–1962 |
Danish |
Stories: Seven Gothic Tales (1934); Winter’s Tales (1942); Memoir: Out of Africa (1937) |
|
Doctorow, E. L. |
1931– |
American |
Ragtime (1975); Billy Bathgate (1989) |
|
Dos Passos, John |
1896–1970 |
American |
U.S.A. (trilogy; 1930–36) |
|
Dostoyevsky, Fyodor Mikhaylovich |
1821–1881 |
Russian |
Crime and Punishment (1866); The Idiot (1869); The Brothers Karamazov (1880) |
|
Doyle, Sir Arthur Conan |
1859–1930 |
English |
A Study in Scarlet (1887); The Adventures of Sherlock Holmes (1892) |
|
Dreiser, Theodore |
1871–1945 |
American |
Sister Carrie (1900); An American Tragedy (1925) |
|
Du Maurier, Daphne |
1907–1989 |
English |
Rebecca (1938) |
|
Dumas, Alexandre père |
1802–1870 |
French |
The Count of Monte Cristo (1844–45); The Three Musketeers (1844) |
|
Eco, Umberto |
1932– |
Italian |
The Name of the Rose (1980); Foucault’s Pendulum (1989) |
|
Eliot, George [Mary Ann Evans] |
1819–1880 |
English |
Silas Marner (1861); Middlemarch (1871–72) |
|
Ellison, Harlan |
1934– |
American |
Stories: “Repent, Harlequin!” Said the Ticktockman (1965); A Boy and His Dog (1969) |
|
Ellison, Ralph |
1914–1994 |
American |
Invisible Man (1952) |
|
Faulkner, William |
1897–1962 |
American |
As I Lay Dying (1930); Sanctuary (1931); Light in August (1932); Absalom, Absalom! (1936) |
|
Fielding, Henry |
1707–1754 |
English |
Tom Jones (1749) |
|
Finney, Jack |
1911–1995 |
American |
Invasion of the Body Snatchers (1955) |
|
Fitzgerald, F. Scott |
1896–1940 |
American |
The Great Gatsby (1925); Tender Is the Night (1934) |
|
Flaubert, Gustave |
1821–1880 |
French |
Madame Bovary (1857); A Sentimental Education (1869) |
|
Ford, Ford Madox |
1873–1939 |
English |
The Good Soldier (1915) |
|
Forster, E. M. |
1879–1970 |
English |
Howard’s End (1910); A Passage to India (1924) |
|
Fowles, John |
1926– |
English |
The Collector (1963); The French Lieutenant’s Woman (1969) |
|
Fuentes, Carlos |
1928– |
Mexican |
The Old Gringo (1986) |
|
Galsworthy, John |
1867–1933 |
English |
The Forsyte Saga (1922) |
|
Garcia Márquez, Gabriel |
1928– |
Colombian |
One Hundred Years of Solitude (1967); Love in the Time of Cholera (1988) |
|
Gide, André |
1868–1951 |
French |
The Immoralist (1902); The Counterfeiters (1926) |
|
Gogol, Nikolai |
1809–1852 |
Russian |
Dead Souls (1842). Stories: “Diary of a Madman” (1935); “The Overcoat” (1842) |
|
Golding, William |
1911–1993 |
English |
Lord of the Flies (1954) |
|
Goldsmith, Oliver |
1730–1774 |
English |
The Vicar of Wakefield (1766) |
|
Gordimer, Nadine |
1923– |
South African |
The Lying Days (1953); The Conversationist (1974); The House Gun (1998) |
|
Gorky, Maxim |
1868–1936 |
Russian |
Mother (1906); Stories: “Chelkash” (1895); “Twenty-Six Men and a Girl” (1899) |
|
Grass, Günther |
1927– |
German |
The Tin Drum (1959) |
|
Graves, Robert |
1895–1985 |
English |
I, Claudius (1934) |
|
Greene, Graham |
1904–1991 |
English |
The End of the Affair (1951); The Quiet American (1957); Our Man in Havana (1958) |
|
Grisham, John |
1955– |
American |
The Firm (1991); The Client (1993) |
|
Hammett, [Samuel] Dashiell |
1894–1961 |
American |
The Maltese Falcon (1930); The Glass Key (1931); The Thin Man (1934) |
|
Hardy, Thomas |
1840–1928 |
English |
Far from the Madding Crowd (1874) |
|
Hawthorne, Nathaniel |
1804–1864 |
American |
The Scarlet Letter (1850); The House of the Seven Gables (1851); |
|
Heller, Joseph |
1923–2000 |
American |
Catch-22 (1961) |
|
Hemingway, Ernest |
1899–1961 |
American |
The Sun Also Rises (1926); A Farewell to Arms (1929); For Whom the Bell Tolls (1940); The Old Man and the Sea (1952). |
|
Henry, O. |
1862–1910 |
American |
Stories: “The Gift of the Magi” (1905); “The Ransom of Red Chief” (1910) |
|
Hesse, Hermann |
1877–1962 |
German |
Siddhartha (1922); Steppenwolf (1927) |
|
Highsmith, Patricia |
1921–1995 |
American |
Strangers on a Train (1949); The Talented Mr. Ripley (1955) |
|
Hilton, James |
1900–1954 |
English-born American |
Goodbye, Mr. Chips (1934) |
|
Himes, Chester |
1909–1984 |
American |
If He Hollers Let Him Go (1945); Cotton Comes to Harlem (1965) |
|
Howells, William Dean |
1837–1920 |
American |
The Rise of Silas Lapham (1885) |
|
Hugo, Victor Marie |
1802–1885 |
French |
The Hunchback of Notre Dame (1831); Les Misérables (1862) |
|
Hurston, Zora Neale |
1903–1960 |
American |
Their Eyes Were Watching God (1937) |
|
Huxley, Aldous |
1894–1963 |
English |
Crome Yellow (1921); Antic Hay (1923); Brave New World (1932) |
|
Irving, John |
1942– |
American |
The World According to Garp (1978) A Prayer for Owen Meany (1989) |
|
Irving, Washington |
1783–1859 |
American |
Stories: The Sketch Book (1819–20 |
|
James, Henry |
1843–1916 |
American |
The American (1877); Portrait of a Lady (1881); The Ambassadors (1903) |
|
Jong, Erica |
1942– |
American |
Fear of Flying (1973) |
|
Joyce, James |
1882–1941 |
Irish |
Portrait of the Artist as a Young Man (1916); Ulysses (1922); Stories: Dubliners (1914) |
|
Kafka, Franz |
1883–1924 |
German |
Metamorphosis (1915); Amerika (1927) |
|
Keneally, Thomas |
1935– |
Australian |
The Chant of Jimmie Blacksmith (1972); Schindler’s List (1982) |
|
Kerouac, Jack |
1922–1969 |
American |
On the Road (1957) |
|
Kesey, Ken |
1935– |
American |
One Flew Over the Cuckoo’s Nest (1962) |
|
King, Stephen |
1947– |
American |
Carrie (1974); The Shining (1977); The Tommyknockers (1987) |
|
Knowles, John |
1926– |
American |
A Separate Peace (1959) |
|
Krantz, Judith |
1927– |
American |
Scruples (1978); Princess Daisy (1980); I’ll Take Manhattan (1986) |
|
L’Amour, Louis |
1908–1988 |
American |
How the West Was Won (1963) |
|
Laclos, Pierre Choderlos de |
1741–1803 |
French |
Les Liaisons dangereuses (1782) |
|
Lampedusa, Tomasi di |
1896–1957 |
Italian |
The Leopard (1958) |
|
Lawrence, D. H. |
1885–1930 |
English |
Sons and Lovers (1913); Lady Chatterly’s Lover (1928) |
|
Le Carré, John |
1931– |
English |
The Spy Who Came in from the Cold (1963); Tinker, Tailor, Soldier, Spy (1974) |
|
Le Guin, Ursula K. |
1929– |
American |
The Left Hand of Darkness (1969); The Dispossessed (1974) |
|
Lee, Harper |
1926– |
American |
To Kill a Mockingbird (1960) |
|
Lessing, Doris |
1919– |
English |
Children of Violence (5 vols.; 1952– 69); The Golden Notebook (1962) |
|
Levin, Ira |
1929– |
American |
A Kiss Before Dying (1953); Rosemary’s Baby (1967) |
|
Lewis, [Harry] Sinclair Lewis |
1885–1951 |
American |
Babbitt (1922); Arrowsmith (1925); Elmer Gantry (1927) |
|
London, Jack |
1876–1916 |
American |
The Call of the Wild (1903); White Fang (1906) |
|
Mahfouz, Naguib |
1911– |
Egyptian |
New Cairo (1946); The Palace of Desire (1957); Wedding Song (1987) |
|
Mailer, Norman |
1923– |
American |
The Naked and the Dead (1948); The Executioner’s Song (1979) |
|
Malamud, Bernard |
1914–1986 |
American |
The Natural (1952); The Assistant (1957) |
|
Mann, Thomas |
1875–1955 |
German |
Buddenbrooks (1900); The Magic Mountain (1924); Doctor Faustus (1947) |
|
Mansfield, Katherine |
1888–1923 |
New Zealander |
Stories: “Prelude” (1918); “The Garden Party” (1922) |
|
Maugham, William Somerset |
1874–1965 |
English |
The Moon and Sixpence (1916); The Razor’s Edge (1944) |
|
Maupin, Armistead |
1944– |
American |
Tales of the City (1978) |
|
McCarthy, Mary |
1912–1989 |
American |
The Group (1963); Autobiography: Memories of a Catholic Girlhood (1957) |
|
McCullers, Carson |
1917–1967 |
American |
The Heart is a Lonely Hunter (1940); The Ballad of the Sad Café (1951) |
|
McCullough, Colleen |
1937– |
Australian |
The Thorn Birds (1977) |
|
Melville, Herman |
1819–1891 |
American |
Typee (1846); Moby Dick (1851); Stories: “Bartleby the Scrivener” (1853) |
|
Michener, James |
1907–1997 |
American |
Hawaii (1959); Cheskapeake (1978) |
|
Miller, Henry |
1891–1980 |
American |
Tropic of Cancer (1934); Tropic of Capricorn (1939) |
|
Mishima, Yukio |
1925–1970 |
Japanese |
The Sailor Who Fell From Grace with the Sea (1963) |
|
Mitchell, Joseph |
1908–1996 |
American |
Stories: Up in the Old Hotel (1992) |
|
Mitchell, Margaret |
1900–1949 |
American |
Gone with the Wind (1936) |
|
Morrison, Toni |
1931– |
American |
Song of Solomon (1977); Beloved (1987); Jazz (1992) |
|
Murasaki, Lady Shikibu |
c.978–c.1014 |
Japanese |
The Tale of Genji (c.1010) |
|
Murdoch, Iris |
1919–1999 |
English |
A Severed Head (1961); The Good Apprentice (1985) |
|
Nabokov, Vladimir Vladimirovich |
1889–1977 |
Russian-born American |
Lolita (1955); Pnin (1957); Pale Fire (1962) |
|
Naipaul, V. S. |
1932– |
Trinidadian |
A Bend in the River (1979); Way in the World (1994) |
|
Natsume, Soseki |
1867–1916 |
Japanese |
I Am a Cat (1905–6); The Wayfayer (1912-13) |
|
Nin, Anaïs |
1903–1977 |
French-born American |
Cities of the Interior (5 vols.; 1959); Seduction of the Minotaur (1961) |
|
Noma, Hiroshi |
1915–1991 |
Japanese |
Zone of Emptiness (1952) |
|
O’Connor, [Mary] Flannery |
1925–1964 |
American |
Wise Blood (1949); The Violent Bear It Away (1955) |
|
O’Hara, John |
1905–1970 |
American |
Appointment in Samarra (1934); Butterfield 8 (1935) |
|
Oates, Joyce Carol |
1938– |
American |
Do With Me What You Will (1973); Bellefleur (1980) |
|
Orwell, George |
1903–1950 |
English |
Animal Farm (1945); 1984 (1949) |
|
Page, Thomas Nelson |
1853–1922 |
American |
Stories: In Ole Virgina, Marse Chan, and Other Stories (1887) |
|
Parker, Dorothy |
1893–1967 |
American |
“Lady with a Lamp” (1932); “The Waltz” (1933) |
|
Pasternak, Boris Leonidovich |
1890–1960 |
Russian |
Doctor Zhivago (1957) |
|
Paton, Alan Stewart |
1903–1988 |
South African |
Cry the Beloved Country (1948) |
|
Petronius, Gaius |
d. AD 66 |
Roman |
The Satyricon (c.50) |
|
Poe, Edgar Allan |
1809–1849 |
American |
Stories: “The Fall of the House of Usher” (1839); “The Tell-Tale Heart” (1843); “The Pit and the Pendulum” (1843); “The Cask of Amontillado” (1846) |
|
Porter, Katherine Anne |
1890–1980 |
American |
Ship of Fools (1962). Stories: “Pale Horse, Pale Rider” (1939); “Noon Wine” (1939) |
|
Potok, Chaim |
1929– |
American |
The Chosen (1967); The Promise (1969) |
|
Proust, Marcel |
1871–1922 |
French |
Remembrance of Things Past (7 vols.; 1913–27) |
|
Puig, Manuel |
1932–1990 |
Argentinian |
The Kiss of the Spider Woman (1976) |
|
Pushkin, Alexander Sergeevich |
1789–1837 |
Russian |
Eugene Onegin (1831); The Captain’s Daughter (1836) |
|
Rabelais, François |
c.1494–1553 |
French |
Gargantua and Pantagruel (1532–64) |
|
Rand, Ayn |
1905–1982 |
Russian-born American |
The Fountainhead (1943); Atlas Shrugged (1957) |
|
Réage, Pauline |
1908–1998 |
French |
The Story of O (1955) |
|
Remarque, Erich Maria |
1898–1970 |
German |
All Quiet on the Western Front (1929) |
|
Rice, Anne |
1941– |
American |
Interview with the Vampire (1976); Cry to Heaven (1982); The Vampire Lestat (1985) |
|
Robbins, Tom |
1936– |
American |
Another Roadside Attraction (1971); Even Cowgirls Get the Blues (1976) |
|
Roth, Philip |
1933– |
American |
Goodbye, Columbus (1959); Portnoy’s Complaint (1969); The Human Stain (2000) |
|
Rushdie, Salman |
1947– |
Indian |
Midnight’s Children (1980); The Satanic Verses (1989) |
|
Sagan, Francoise |
1935– |
French |
Bonjour tristesse (1954) |
|
Saki [Hector Hugh Munro] |
1870–1916 |
Scottish |
The Unbearable Bassington (1912); Stories: “Tobermory” (1911); “The Open Window” (1914) |
|
Salinger, J. D. |
1919– |
American |
The Catcher in the Rye (1951 ); Franny and Zooey (1961) |
|
Sand, George [Amandine Lucie Aurore Dupin] |
1804–1876 |
French |
The Devil’s Pool (1846); The Country Waif (1848) |
|
Sandburg, Carl |
1878–1967 |
American |
Remembrance Rock (1948); Stories: Rootabaga Stories (1922) |
|
Saroyan, William |
1908–1981 |
American |
The Human Comedy (1943); Stories: The Daring Young Man on the Flying Trapeze (1934) |
|
Sartre, Jean-Paul |
1905–1980 |
French |
Nausea (1938) |
|
Scott, Sir Walter |
1771–1832 |
Scottish |
Rob Roy (1817); Ivanhoe (1819) |
|
Shelley, Mary Wollstonecraft |
1791–1851 |
English |
Frankenstein (1818) |
|
Shute, Nevil |
1899–1960 |
Australian |
A Town Like Alice (1950); On the Beach (1957) |
|
Sinclair, Upton |
1878–1968 |
American |
The Jungle (1906) |
|
Singer, Isaac Bashevis |
1904–1991 |
Polish-born American |
The Magician of Lublin (1960); Enemies, a Love Story (1972); Stories: “The Spinoza of Market Street” (1944); “Gimpel the Fool” (1945) |
|
Smiley, Jane |
1949– |
American |
A Thousand Acres (1991); Horse Heaven (2000) |
|
Solzhenitsyn, Aleksandr I. |
1918– |
Russian |
One Day in the Life of Ivan Denisovich (1962); The Cancer Ward (1968) |
|
Southern, Terry |
1926–1995 |
American |
Candy (1958); Blue Movie (1970) |
|
Spark, Muriel |
1918– |
Scottish-born English |
Memento Mori (1959); The Girls of Slender Means (1963) |
|
Stein, Gertrude |
1874–1946 |
American |
The Making of Americans (1906–11); Autobiography: The Autobiography of Alice B. Toklas (1933) |
|
Steinbeck, John Ernst |
1902–1968 |
American |
The Grapes of Wrath (1939); Of Mice and Men (1937); Cannery Row (1945) |
|
Stendhal [Marie- Henri Beyle] |
1788–1842 |
French |
The Charterhouse of Parma (1839) |
|
Sterne, Laurence |
1713–1768 |
Irish-born English |
Tristam Shandy (1759-67) |
|
Stevenson, Robert Louis |
1850–1894 |
Scottish |
Treasure Island (1883); The Strange Case of Dr. Jekyll and Mr. Hyde (1886) |
|
Stoker, Bram |
1847–1912 |
Irish |
Dracula (1897) |
|
Stowe, Harriet Beecher |
1811–1896 |
American |
Uncle Tom’s Cabin (1852) |
|
Styron, William |
1925– |
American |
The Confessions of Nat Turner (1967); Sophie’s Choice (1979) |
|
Swift, Jonathan |
1667–1745 |
Irish |
Gulliver’s Travels (1726) |
|
Tanizaki, Jun’ichiro |
1886–1965 |
Japanese |
The Secret History of the Lord Musashi (1935); Seven Japanese Tales (1963) |
|
Thackeray, William Makepeace |
1811–1863 |
English |
Barry Lyndon (1844); Vanity Fair (1847–48) |
|
Theroux, Paul |
1941– |
American |
The Family Arsenal (1976); The Mosquito Coast (1981) |
|
Thurber, James |
1894–1961 |
American |
Story: “The Secret Life of Walter Mitty” (1939) |
|
Tolstoy, Leo |
1828–1910 |
Russian |
War and Peace (1863–69); Anna Karenina (1875–77); Play: Redemption (1911) |
|
Trollope, Anthony |
1815–1882 |
English |
Barchester Towers (1857); He Knew He Was Right (1869) |
|
Ts’ao Hsueh-ch’in |
c.1715–1763 |
Chinese |
Dream of the Red Chamber (c.1763) |
|
Turgenev, Ivan |
1818–1883 |
Russian |
Fathers and Sons (1862); Stories: “ The Diary of a Superfluous Man” (1850) |
|
Twain, Mark [Samuel Clemens] |
1835–1910 |
American |
Tom Sawyer (1876); Huckleberry Finn (1884) |
|
Updike, John |
1932– |
American |
Rabbit, Run (1960); Gertrude and Claudius (2000) |
|
Vidal, Gore |
1925– |
American |
The City and the Pillar (1948); Burr (1974) |
|
Voltaire [Francois-Marie Arouet] |
1694–1778 |
French |
Candide (1759) |
|
Vonnegut, Kurt, Jr. |
1922– |
American |
Player Piano (1952); Slaughterhouse Five (1969) |
|
Walker, Alice |
1944– |
American |
The Color Purple (1982) |
|
Warren, Robert Penn |
1905–1989 |
American |
All the King’s Men (1946); World Enough and Time (1950) |
|
Waugh, Evelyn |
1903–1966 |
English |
Decline and Fall (1928); A Handful of Dust (1934); Brideshead Revisited (1945) |
|
Weldon, Faye |
1933– |
English |
The Life and Loves of a She-Devil (1983) |
|
Wells, H. G. |
1866–1946 |
English |
The Invisible Man (1897); The War of the Worlds (1898) |
|
Welty, Eudora |
1909– |
American |
Delta Wedding (1946); The Optimist’s Daughter (1972) |
|
West, Nathaniel |
1903–1940 |
American |
Miss Lonelyhearts (1933); The Day of the Locust (1939) |
|
Wharton, Edith |
1862–1937 |
American |
Ethan Frome (1911); The Age of Innocence (1920) |
|
Wodehouse, P. G. |
1881–1975 |
English-born American |
My Man Jeeves (1919) |
|
Wolfe, Thomas |
1900–1938 |
American |
Look Homeward, Angel (1929) |
|
Wolfe, Tom |
1930– |
American |
The Bonfire of the Vanities (1987) |
|
Woolf, Virginia |
1882–1941 |
English |
Mrs. Dalloway (1925); To the Lighthouse (1927) |
|
Wouk, Herman |
1915– |
American |
The Caine Mutiny (1951) |
|
Wright, Richard |
1908–1960 |
American |
Native Son (1940) |
|
Yourcenar, Marguerite |
1903–1987 |
French-born American |
The Memoirs of Hadrian (1951) |
Brown, Susan Windisch, ed. Contemporary Novelists, 6th ed. Detroit: St. James, 1996.
Goring, Rosemary, ed. Larousse Dictionary of Writers. Edinburgh: Larousse, 1994.
Riggs, Thomas, ed. Reference Guide to Short Fiction, 2nd. ed. Detroit: St. James, 1999.
Vinson, James, and Daniel Kirkpatrick, eds. Great Foreign Language Writers. New York: St. Martin’s, 1984.




