A family on the run for their lives finds themselves in a beautiful but utterly unfamiliar world in this drama based on the autobiographical novel by Stefanie Zweig. Walter Redlich (Merab Ninidze) is a successful Jewish lawyer living in Germany during the rise of the Third Reich. Aware of the increasing dangers of remaining in Germany, Walter seeks exile on a farm in Kenya, while his socially prominent wife, Jettel (Juliane Koehler), and his young daughter, Regina (Lea Kurka), stay behind, as does his father, Max (Gerd Heinz), and Jettel's sister, Kaethe (Regine Zimmermann). In time, as the pogroms against the Jews increase in Germany, Jettel and Regina join Walter in Kenya, but the transition is not easy for Walter, who is still learning the nuts and bolts of running the farm (and discovers that Germans are not welcomed by the British settlers in Kenya), or Jettel, who is not accustomed to physical labor and resents having to help with the farming. While Regina at first finds her new surroundings alienating and unfamiliar, she soon becomes fascinated with the rugged beauty of Kenya and becomes fast friends with Owuor (Sidede Onyulo), who serves as the family's cook. In time, Germany invades Africa, and Walter finds himself in a British internment camp; Jettel and Regina also are captured, but Jettel uses her sexual allure to persuade a British officer to arrange for Walter to be put in charge of another farm, and Regina is sent to a boarding school for girls. After the war, the Redlichs must decide whether to remain in Kenya or to return to the country that would have persecuted them. ~ Mark Deming, Rovi
Review
As narrated by young Regina, Nowhere in Africa is a straightforward tale of white people among the natives that is gently warmed by the affectionate viewpoint of a child. Though the upper-class Redlichs make it through culture shock, draught, locust attacks, and WWII, they don't ever suffer to the point of uncomfortable viewing. Rather, the attractive cast plays out a family drama full of intimate details set in the vast gorgeousness of the Kenyan plains. By the third act, the images scale down in scope making the once-overwhelming grasslands appear more like a pleasant community of trees and huts. As the central figure of Jettel, Juliane Köhler makes a believable transformation from fussy bourgeois housewife to independent farm manager. Though the narrative does get bogged down with domestic melodrama about the Redlichs' turbulent marriage, it is restored by the story of Regina, played wonderfully by both Lea Kurka and Karoline Eckertz. Bravely encountering each life-altering change, her innocent coming of age leads to sisterly wisdom as well as a liberal world view. The native Kenyan populations -- neither reduced to the background nor given a voice regarding the British colonial rule of their country -- are still sensitively captured in close-ups and granted some choice delicate moments. The house cook Owuor (Sidede Onyulo) is fully characterized as the glue that holds the farm and family together, not to mention the best friend and role model to Regina and language teacher to everyone else. The musical score by Niki Reiser also works to keep things wholly authentic yet tenderly satisfying. ~ Andrea LeVasseur, Rovi
Cast
Juliane Köhler - Jettel Redlich
Merab Ninidze - Walter Redlich
Matthias Habich - Suesskind
Sidede Onyulo - Owuor
Lea Kurka - Regina Redlich (younger)
Karoline Eckertz - Regina Redlich (older)
Regine Zimmermann - Kaethe
Gerd Heinz - Max; Hildegard Schmahl - Ina; Maritta Horwarth - Liesel; Gabrielle Odinis - Klara; Bettina Redlich - Mrs. Sadler; Julia Leidl - Inge; Mechthild Grossmann - Elsa Konrad; Peter Lenaeku - Jogona as a Boy; Silas Kerati - Jogona as an Adult; Kanya Man; Andy Rashleigh - Captain Caruther; Anthony Bate - Mr. Brindley; David Michaels - Robert Green; Andrew Sachs - Mr. Rubens; Diane Keen - Mrs. Rubens; Herbert Knaup - Walter Redlich; Dokdin Kanyaman - Kimani; Kenny Brown - Bure; Marian Lösch - Johannes; Steve Weston - Mr. Morrison; Joel Wajsberg - Hubert; Miriam Wajsberg - Ruth; Bela Klenze - Boy With Sledge; Levit Pereira - Daji Jiwan; Steven Price - British Officer in Norfolk; M.M. Shah - Patel
Credit
Andorthe Braker - Casting, Beth Charkham - Casting, Lenny Juma - Casting, Uwe Bünker - Casting, Agentur Jacqueline Rietz - Casting, Benedict Mirow - Consultant/advisor, Rainer Bartesch - Conductor, Bernd Eichinger - Co-producer, Sven Ebeling - Co-producer, Thilo Kleine - Co-producer, Michael Weber - Co-producer, Barbara Grupp - Costume Designer, Susanne Liebetrau - Continuity, Scott Kirby - First Assistant Director, Tony Rimwah - First Assistant Director, Nicolai Semjevski - First Assistant Director, Sebastian Sorger - First Assistant Director, Caroline Link - Director, Patricia Rommel - Editor, Andreas Bareiss - Executive Producer, Niki Reiser - Composer (Music Score), Karin Gatzke - Musical Direction/Supervision, Nanni Gebhardt-Seele - Makeup, Stephanie Hilke - Makeup, Renate Bauer - Makeup, Jeanette Latzelsberger - Makeup, Elke Lebender - Makeup, Uli Madej - Makeup, Dorota Martyn - Makeup, Maria Seidle - Makeup, Kerstin Stattmann - Makeup, Michael Praun - Camera Operator, Susann Bieling - Production Designer, Uwe Szielasko - Production Designer, Gernot Roll - Cinematographer, Chris Evert - Production Manager, Mark Nolting - Production Manager, Peter Herrmann - Producer, Peter Hermann - Producer, Sandra Vontobel - Singer, Erwin Gschwind - Special Effects, Pitt Rotter - Special Effects, Tschangis Chahrokh - Sound Mixer, Andreas Wölki - Sound/Sound Designer, Marcel Spisak - Sound/Sound Designer, Einar Marell - Sound/Sound Designer, Magda Habernickel - Sound/Sound Designer, Annette Prey - Sound/Sound Designer, Soundabout - Sound/Sound Designer, Anja Giessing - Unit Production Manager, Yahya Chavanga - Unit Production Manager, Frank Kusche - Unit Production Manager, Heike Käbisch - Unit Production Manager, Axel Rottmann - Unit Production Manager, Caroline Link - Screenwriter, Stefanie Stalf - Digital Effects, Thomas Zauner - Digital Effects, CA Scanline Production GmbH - Digital Effects, Andrea Geiger - Digital Effects, Jan Krupp - Digital Effects, Christian Pokorny - Digital Effects, Martin Riedle - Digital Effects, Jael Bertschinger - Musical Performer, Magatte Ndiaye - Musical Performer, Kiku Pedroso - Musical Performer, Lutz Schilling - Musical Performer, Symphonieorchester Basel - Musical Performer, Axel Vogelmann - Post Production Supervisor, Juliane Schulze - Production Coordinator, Britta Lauber - Production Coordinator, Jenny Pont - Production Supervisor, Mel Kutbay - Sound Effects Director, Mike Bartlett - Steadicam Operator, Suzy Belcher - Costume/Wardrobe, Senay Ay - Costume/Wardrobe, Wolfgang Hess Jr. - ADR Editor, Murat Baskan - Foley Editor, Jürgen Tröster - Production Executive, Stefanie Zweig - Book Author, Karen Hoppe - ADR Supervisor
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In 1938, the Redlich family flees to Kenya from Leobschütz in Silesia, Nazi Germany, to escape the increasing persecution of the Jews. Walter, a former lawyer, finds work as a farm manager and sends for his family. His wife Jettel has trouble adjusting to life in Africa, although their daughter Regina quickly adapts to her new environment, easily learning the language of the country and showing interest in local culture. Regina soon forms a close friendship with the farm's cook, Owuor.
When war breaks out, the British round up all German citizens, and hold them, whether Jew or gentile, separating men from women. The Redlichs' marriage begins to deteriorate. Jettel sleeps with a German-speaking British soldier to secure work and a home on a farm for the family, and Regina and Walter both find out.
Walter decides to join the British army and wants Jettel to go to Nairobi with him, but she refuses and stays to run the farm with Owuor. Regina is sent to an English boarding school, and is kept there for years, only being able to come back every so often during the harvest season. During this time, Jettel and Süsskind develop a relationship (whether they slept together or not remains unclear).
Walter comes back from the war, and states that the British army's policy is to send all soldiers and their families back home. Jettel refuses to go with him, saying the farm needs her. Eventually their relationship rekindles itself, and Jettel allows Walter to decide whether or not they should leave. Walter applies for a position as a judge in post-war Germany.
The final scene shows Walter, Regina, and Jettel traveling on an African train, as the train stops, and an African woman offers Jettel a banana, only to show her how much Africa meant to her.
Reception
The film was very well received by many international critics. Michael Wilmington of the Chicago Tribune called Nowhere in Africa "stunning". Keneth Turan of the Los Angeles Times hailed the film as being "laced with poigancy and conflict, urgency and compassion." "I loved this film!" raved Roger Ebert; "...this is the kind of movie that real people really, really like!"
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