| "Nowhere Man" | ||||||||
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| Song by The Beatles from the album Rubber Soul | ||||||||
| Released | 3 December 1965 | |||||||
| Recorded | 21–22 October 1965, EMI Studios, London |
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| Genre | Folk rock[1] | |||||||
| Length | 2:44 | |||||||
| Label | Parlophone | |||||||
| Writer | Lennon–McCartney | |||||||
| Producer | George Martin | |||||||
| Rubber Soul track listing | ||||||||
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| "Nowhere Man" | ||||
|---|---|---|---|---|
| Single by The Beatles | ||||
| B-side | "What Goes On" | |||
| Released | 21 February 1966 (US) | |||
| Format | 7" | |||
| Recorded | 21–22 October 1965, EMI Studios, London |
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| Genre | Folk rock[1] | |||
| Length | 2:44 | |||
| Label | Parlophone | |||
| Writer(s) | Lennon–McCartney | |||
| Producer | George Martin | |||
| Certification | Gold (RIAA)[2] | |||
| The Beatles singles chronology | ||||
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"Nowhere Man" is a song by The Beatles, from their album Rubber Soul.[3] The song was written by John Lennon (credited to Lennon–McCartney).
It was recorded on 21 and 22 October 1965. "Nowhere Man" is among the very first Beatles' songs to be entirely unrelated to romance or love, and marks a notable instance of Lennon's philosophically-oriented songwriting.[4] It was released as a single (although not in the United Kingdom) on 21 February 1966, and reached #1 in Australia and Canada and #3 on the Billboard Hot 100.
Lennon, McCartney and George Harrison sing the song in three-part harmony. The song appears in the film Yellow Submarine, where the Beatles sing it after meeting the character Jeremy Hilary Boob in the "nowhere land".
George and John play identical "sonic blue" Fender Strats -- John plays in the verses and George on the solo.[5]
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Lennon claimed that he wrote the song about himself. He wrote it after racking his brain in desperation for five hours, trying to come up with another song for Rubber Soul. Lennon told Playboy magazine:
McCartney said of the song:
The song begins with E (I dominant) chord ("He's a real") and then involves a 5-4-3-2-1 pitch descent between the B (V dominant) chord ("nowhere man") and A (IV subdominant) chord ("sitting in"); but the entrancing twist comes where Am (iv minor) replaces A in the final verse ("nowhere plans") and the simultaneous G# note melody creates a dissonant Am/major 7.[8] The middle eight, which appears three times, seesaws on a G# minor/A major sequence before falling back on an F# minor and leading back to the verse on a B7.
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