of Education
The tractate Of Education was published in 1644, first appearing anonymously as a single eight-page quarto sheet
(Ainsworth 6). Presented as a letter written in response to a request from the Puritan educational reformer Samuel Hartlib, it represents
Influences
The influences at work in the tractate are an interesting blend of
Important individual influences on Milton’s tractate include Spanish educator Juan Luis
Vives (1492-1540) and Moravian educator
Milton’s educational views
Medieval education
The objective of medieval education was an overtly religious one, primarily concerned with uncovering transcendental truths that would lead a person back to God through a life of moral and religious choice (Kreeft 15). The vehicle by which these truths were uncovered was dialectic:
To the medieval mind, debate was a fine art, a serious science, and a fascinating entertainment, much more than it is to the modern mind, because the medievals believed, like Socrates, that dialectic could uncover truth. Thus a ‘scholastic disputation’ was not a personal contest in cleverness, nor was it ‘sharing opinions’; it was a shared journey of discovery (Kreeft 14-15).
The learners in the Middle Ages were the clerics who comprised the literate segment of medieval society and who were responsible for the production, transmission and exposition of scholarly texts, both sacred and classical (Hanning 594). Their ‘shared journey of discovery’ had become, by Milton’s time, an academic exercise so divorced from the practical realities of life as to render medieval education repulsive to Renaissance humanists in general, and to Milton in particular, for whom “the scholastic grossness of barbarous ages” did little more than immerse students in “unquiet deeps of controversy”, leaving them with “ragged notions and babblements” and “such things chiefly as were better unlearned” (Milton 54; hereafter cited by page number alone). Milton dismissed the medieval curriculum which produced such scholars as the “scragged and thorny lectures of monkish and miserable sophistry” (Lewalski 208), and sought to liberate it from the scholastic yoke from which he believed it desperately needed rescuing.
The Medieval curriculum
The medieval curriculum was characterized throughout by a preoccupation with the speculative. It began with the
trivium, which included the study of grammar, rhetoric and dialectic. Grammar
instruction dominated the early years of a student’s education, where the focus, as Witt explains, was exclusively linguistic:
“…in a school program where the student aimed at perfecting a prose style largely divorced from classical precedents, the
emphasis in teaching grammar fell on providing instruction more in the mechanics of the language than in ancient literature”
(26). The trivium laid the groundwork for the
Milton’s proposed curriculum
Milton is clear in the tractate about the “many mistakes” that encumbered the medieval curriculum, which he censures as making “learning generally so unpleasing and unsuccessful” (53) in his time. His first target is the instruction of grammar. Milton is critical both of the amount of time spent on it as well as its mechanical emphasis: “we do amiss to spend seven or eight years merely in scraping together so much miserable Latin and Greek as might be learned otherwise easily and delightfully in one year” (53). Progress, in his view, is delayed by unnecessarily “forcing the empty wits of children to compose theme, verses, and orations” (53); instead, he proposes that after some foundational grammatical instruction, students should “be won early to the love of virtue” by having “some easy and delightful book of education” from among the ancient classics read to them (56). The objective is not simply to teach grammar, but to “inflame [students] with the study of learning” (56). This, for Milton, was best accomplished through the reading of great literature.
After grammar, Milton takes up the cause of curricular sequence. He derides the medieval practice of “present[ing] their young unmatriculated novices, at first coming, with the most intellective abstractions of logic and metaphysics” after having only recently left “those grammatic flats and shallows where they stuck unreasonably to learn a few words with lamentable construction” (54). Instead, he proposes “beginning with arts most easy”; that is to say, those “most obvious to the sense” (54). His method, as Riggs notes, is an inductive one, starting with the study of “sensible things” (52), and progressing to “things invisible” only after mastering the former (Riggs 450). This move effectively inverts the deductive method common in medieval education. The “organic arts” of rhetoric and logic therefore find a place at the end of Milton’s curriculum, rather than at the beginning (59). Noteworthy too is Milton’s inclusion of poetry amongst the other organic arts: “poetry would be made subsequent, or indeed, rather precedent, as being less subtle and fine, but more simple, sensuous, and passionate” (60).
Milton’s proposed curriculum, encompassing as it does grammar, arithmetic, geometry, religion, agriculture, geography,
astronomy, physics, trigonometry, ethics, economics, languages, politics, the law, theology, church history as well as the
“organic arts” of
Influences from Renaissance humanism
As Ainsworth points out, “Milton, like other genuine humanists, cared little for virtue apart from practice, or for talent
without principle” (15). Milton’s desire to marry scholarly pursuits to commitments of a professional and public nature is, as
Ainsworth implies, an overriding characteristic of
The changing demands of society
The shift in educational concerns evident in the Renaissance was informed by the changing structure of society at this time.
The ecclesiastical world of the Middle Ages, which was well served by its clerics, slowly gave way, in the sixteenth century, to
a burgeoning bureaucratic world, served by the clerks who oiled the machinery of government, “keeping records, accounts, and
correspondence” (Viswanathan 349). A linguistic and salvational emphasis in education was no longer tenable as the
References
- Ainsworth, Morley Oliver, ed. Milton on Education: The Tractate of Education with Supplementary Extracts from Other Writings of Milton. New Haven: Yale UP, 1928.
- Hanning, Robert W. “From Eva and Ave to Eglentyne and Alisoun: Chaucer’s Insight in the Roles Women Play.” Signs 2.3 (Spring, 1977): 580-599.
- Kreeft, Peter. Summa of the Summa. San Francisco: Ignatius P, 1990.
- Lewalski, Barbara K. "Milton and the Hartlib Circle: Educational Projects and Epic Paideia." Literary Milton: Text, Pretext, Context. Eds. Diana Benet and Michael Lieb. Pittsburgh: Duquesne UP, 1994. 202-19.
- Luxon, Thomas H., ed. "Of Education." The Milton Reading Room. March 2002. 4 Nov. 2005[1]
- Milton, John. "Of Education." Milton on Education: The Tractate of Education with Supplementary Extracts from Other Writings of Milton. Ed. Morley Oliver Ainsworth. New Haven: Yale UP, 1928. 51-64.
- Riggs, William G. "Poetry and Method in Milton's Of Education." Studies in Philology 89 (1992): 445-69.
- Tinsley, Barbara Sher. “Johann Sturm’s method for humanistic pedagogy.” Sixteenth century journal 20 (1989): 23-39.
- Viswanathan, Gauri. "Milton, Imperialism, and Education." Modern Language Quarterly: A Journal of Literary History 59 (1998): 345-61.
- Witt, Ronald G. “Medieval ‘Ars dictaminis’ and the beginnings of humanism: a new construction of the problem.” Renaissance Quarterly 35.1 (Spring, 1982): 1-35.
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