Contents: IntroductionPoem Summary Themes Style Critical Overview Criticism For Further Study |
Sources
Cohen, Milton E., “e. e. cummings’ Sleight of Hand: Perceptual Ambiguity in His Early Poetry, Painting and Career” in University of Hartford Studies in Literature, Vol. 15, No. 1, 1983, pp. 33-46.
cummings, e. e., 95 Poems, New York: Harcourt, Brace, & World, Inc., 1958.
cummings, e. e., Poems: 1923-1954, New York: Harcourt, Brace, 1968.
Dilworth, Thomas, “e. e. cummings’ ‘old age sticks,’” The Explicator, Vol. 54, No. 1, 1995, pp. 32-3.
Fairley, Irene R., e. e. cummings and Ungrammar, New York: Watermill Publishers, 1975.
Friedman, Norman, ed., e. e. cummings: A Collection of Critical Essays, Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1972.
Friedman, Norman, e. e. cummings: The Art of His Poetry, Baltimore: Johns Hopkins University Press, 1960.
Friedman, Norman, “e. e. cummings and His Critics,” Criticism, Vol. 6, 1964, pp. 114-33.
Kennedy, Richard S., e. e. cummings Revisited, New York: Twayne Publishers, 1994.
Kidder, Rushworth, “Cummings and Cubism: The Influence of the Visual Arts on Cummings’ Early Poetry,” Journal of Modern Literature, Vol. 7, April, 1979, pp. 255-91.
Kidder, Rushworth, e. e. cummings: An Introduction to the Poetry, Columbia University Press, 1979.
Lane, Gary, I Am: A Study of e. e. cummings’ Poems, Lawrence: University of Kansas Press, 1976.
Norman, Charles, e. e. cummings the Magic-Maker, New York: Duell, Sloan and Pearce, 1958.
O’Clair, Robert, and Richard Ellmann, eds., The Norton Anthology of Modern Poetry, New York: Norton, 1988.




