| Olivier Assayas | |
|---|---|
| Born | January 25, 1955 Paris, France |
| Spouse |
Maggie Cheung (1998-2001) (divorced) Mia Hansen-Løve (200?- present ) |
Olivier Assayas (born January 25, 1955) is a French film director and screenwriter.
He made his debut in 1986, after directing some short films and writing for the influential film magazine Cahiers du cinéma.
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Assayas's father was French director/screenwriter Jacques Rémy (1910–1981).[1] Assayas started his career in the industry by helping him. He ghostwrote episodes for TV shows his father was working on when his health failed.
Assayas's film Cold Water was screened in the Un Certain Regard section at the 1994 Cannes Film Festival.[2]
His biggest hit to date has been Irma Vep, starring Hong Kong star Maggie Cheung, which manages to be a tribute both to French director Louis Feuillade and to Hong Kong cinema.
While working at Cahiers du cinéma, Assayas wrote lovingly about European film directors he admires but also about Asian directors. One of his latest films is a documentary about Taiwanese filmmaker Hou Hsiao-Hsien.
He married Hong Kong movie actress Maggie Cheung in 1998. They divorced in 2001, but their relationship remained amicable, and in 2004 Cheung made her award-winning movie Clean with him.
He married actress-director Mia Hansen-Løve. They met when Hansen-Løve, seventeen at the time, starred in Assayas's 1998 feature Late August, Early September, but "[they] didn't get together until [she] was 20".[3]
He directed and co-wrote the acclaimed 2010 French television miniseries Carlos, about the life of the terrorist Ilich Ramírez Sánchez. The actor Édgar Ramírez won the César Award for Most Promising Actor in 2011 for his performance as Carlos.
In April 2011, it was announced that he would be a member of the jury for the main competition at the 2011 Cannes Film Festival.[4]
| “ | That radicality in cinema involved just being outside of the world of modern images, and the key to it was the work of Robert Bresson, who has been by far the most important influence in my work, and intellectually it’s been the influence of Guy Debord—basically, you know, it’s been Debord-Bresson, Bresson-Debord, the things that’ve always defined my framework, the way I look at the world.[5] | ” |
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